音樂源性發作 的英文怎麼說

中文拼音 [yīnlèyuánxìngfāzuò]
音樂源性發作 英文
musicogenic seizure
  • 音 : 名詞1. （聲音） sound 2. （消息） news; tidings 3. [物理學] （音質） tone 4. （姓氏） a surname
  • 源 : 名詞1. （水流起頭的地方） source （of a river）; fountainhead 2. （來源） source; cause 3. （姓氏） a surname
  • 性 : Ⅰ名詞1 （性格） nature; character; disposition 2 （性能; 性質） property; quality 3 （性別） sex ...
  • 發 : 名詞（頭發） hair
  • 音樂 : music
  • 發作 : 1 （突發） break out; show effect 2 （發脾氣） have a fit of anger; lose one s temper; flare up 3...
  1. With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation

    《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。
  2. Starting from the basic concept for the production of musical sound, the essay reduces the sound to its single tone, analyzes the common origins of pitch, rhythm and volume on the deeper level, and thereby derives the potential of the transformation among the three, revealing the truth in the art of music that the whole is not equal to the simple addition of all individuals

    本文從音樂音響產生的基本概念入手，將音響還原到單音狀態，分析了音高、節奏、音量在深層次上的共同根源，並以此推導出三者存在相互轉化的可能，從而揭示在音樂藝術中整體並不等同於單個個體的簡單相加，而二度創作空間從單音的發音到分句的劃分也同樣存在無窮的可能，也由此決定了人的感性參與的重要意義，它們的創作空間是主客觀的共同作用。
  3. First part, it is two items of key technology of the computer music, the source and course development of midi and digital audio frequency technology and technological break - through, the characteristic of organizing computer music making of sum of making structure of having computer music is summarized

    第一部分，為計算機音樂的兩項核心技術， midi和數字音頻技術的源流發展以及技術突破，還有計算機音樂的製作結構組織和計算機音樂製作的特性總結。
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