chor yuen 中文意思是什麼

chor yuen 解釋
楚原
  1. Directed by chor yuen, this erotic movie is the sequel to intimate confessions of a chinese courtesan

    故事描述，快活林主持春姨余安安勾結官府，逼良為娼。
  2. Kong ngee also cultivated its rank of new writing and directorial talent, as represented by chor yuen chu yuan, who worked as chun s assistant director on autumn comes to crape myrtle garden ziwei yuan de qiutian 1958, and made his debut as director - cum - screenwriter with

    而在編導的行列里，楚原曾在光藝時期師承秦劍，在紫薇園的秋天1958中任副導，並獨立編導湖畔草1959他其後活躍于影壇，是六七十年代橫跨國粵語片的一名中堅份子。
  3. On the other hand, the illusory mansions and landscapes of gu long s swordsman novels, devoid of any specific historical time frame, was to chor yuen the ideal settings for the machiavellian plotting of the superhuman swordsmen

    楚原演繹古的武俠世界，沒有明確的時空，只有疑幻疑真的山水莊園，為武林高手提供爾虞我詐的舞臺。
  4. Oral history series : director chor yuen

    香港影人口述歷史叢書之三：楚原
  5. 1970, the rarely seen swordplay film by chor yuen, and love massacre

    電影資料館修復珍本：沐香愛殺
  6. Not to be missed is a fascinating dialogue with chor yuen, another famed director in the kong ngee stable, whose artistic accomplishments were showcased in our recent release entitled oral history series : chor yuen

    至於光藝的另一位重要導演楚原，香港電影資料館也剛為他出版了香港影人口述歷史叢書3 ：楚原。
  7. Directed by chor yuen, but the original one directed by wang weiyi in 1963 for pearl river film studio. originally a burlesque on the shanghai stage, it was adapted for the screen with leftwing money and a studio under the banner of socialist ideology. the setting was changed to 1940s guangzhou

    七十二家房客本是上海的一滑稽劇，被移形換影搬去了廣州，在六十年代香港左派公司的資金和社會主義紅旗下的片廠里，重塑羊城四十年代的舊時風貌。
  8. Every tree or tower could be recycled in a new context, for it was the impressionistic realm chor yuen was interested in. it was a realm of ancient, distant times of worldly intrigues, in which the essence of chivalrous knights - errant was more important than historical accuracy. the studio then became the perfect environment to conjure up these metaphorical backdrops in which the dark drama of human deception could be played out

    一樓一閣，一樹一木，盡可循環再用，因為楚原要經營的是一種寫意的境界，描述渺遠的古代俠客世界，只取其神髓，跨過歷史，利用片廠的可塑性，變化出種種江湖風景，用以烘托波譎雲詭的人心。
  9. The stage in such cases was actually chor yuen s own playground, in which he let his imagination run wild

    在那個進一步脫離現實的空間里，探討的卻是關于藝術與名利等大題目。
  10. Apart from a few rare exceptions, chor yuen s entire film career was closely connected to the film studio. film critic sek kei described him as the last heir to the studio system

    除了少數例外作品，楚原一生的事業，都離不開片廠，石琪說楚原應是片廠的最後一個接棒人。
  11. Produced in 1976 and directed by chor yuen, this movie is one of chor yuan s favorite films

    此文藝片拍於1976年，楚原執導並自言乃深愛作品之一，顧嘉輝作曲，楚原作詞。
  12. A chor yuen chronology

    附錄：演出電影作品年表
  13. Produced in 1976 and directed by chor yuen, this movie is one of chor yuan s favorite films. on silent night, a seaman named lo wei went to a

    此文藝片拍於1976年，楚原執導並自言乃深愛作品之一，顧嘉輝作曲，楚原作詞。
  14. Despite the unrealistic settings, chor yuen was concerned with issues such as art in relation to fame and fortune. the artists in these films may very well be chor yuen himself

    片廠固然是經營夢幻逃避現實的地方，但是楚原卻在這里加入了自己關心的東西，說不定也有點夫子自道的意味，讓一切有了個落腳點。
  15. More than any other filmmaker, chor yuen embodies all the splendor of hong kong in the second half of the 20th century. it was a time of dramatic transformations and chor was a man who found himself in perpetual transition. son of cheung wood - yau, a major star of the cantonese cinema, chor yuen entered the film industry when hong kong was taking its first steps towards economic prosperity and social stability

    從中聯的社會現實，到光藝的中產品味；從含淚的白玫瑰與拳打腳踢的黑玫瑰，到流星下把弄蝴蝶與劍的楚留香與陸小鳳、從金楓紅葉映襯的妖艷愛奴，到通俗草根的七十二家房客、從小奸小壞的大丈夫，到唔嗲唔吊的周星馳… …
  16. Was discovered a few years ago, a chance to watch this rarely seen martial arts film by chor yuen generated great excitement despite the misfortune that a segment of the print was without sound

    沐香因此在香港電影發展史上有特殊意義，唯年前發現的版本，中段約有十分鐘缺去音效，至為可惜。
  17. For more than three decades, chor yuen remained active and creative. the passing of cantonese and mandarin films, the rise and fall of big studios such as cathay and shaws, are but historical phases through which this legendary director traversed

    那怕粵語片國語片先後式微，國泰邵氏盛衰，他創作不輟的三十多年間，早已不經意地為香港電影史寫下段段歷史時刻。
  18. A critique on chor yuen s style

    楚原風格試論
  19. Artist name : chor, yuen

    藝人名稱:楚原
  20. Spring comes to chor yuen

    楚原的青春
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