light and shadow 中文意思是什麼

light and shadow 解釋
光和影
  • light : n 1 光，光線；光明，亮光 （opp darkness） Hang the picture in a good light 把那幅畫掛在能看清楚的...
  • and : n. 1. 附加條件。2. 〈常 pl. 〉附加細節。
  • shadow : n 1 （陰）影；影像；陰暗；黑暗。2 影子；形影相隨的人。3 跟著客人來的人；不速之客；食客。4 〈美俚...
  1. The venetian blinds hung askew and admitted a triangle of white light, the shadow of the foreman ' s hand moving into it

    活動百葉窗歪歪斜斜地掛著，一角白光從中漏進來，工頭喬?安奎爾的手移到了白光中。
  2. She went out into the street, geometric blocks of hot, glassy light and concrete shadow.

    她出來到街上，見到一塊塊是幾何圖案的熱辣辣的，亮晶晶的陽光和實實在在的陰影。
  3. The upcast reflection of a lamp and shade, an inconstant series of concentric circles of varying gradations of light and shadow

    帶罩子的燈投到頂棚上的反影，重重疊疊的光和影構成一個個濃淡不等的同心圓。
  4. The first layer is for the shape of the shadow from light source and the second layer is for soft shadows from indirect light and area light

    第一層是主光源形成的表明物體形狀的陰影，第二層是間接光和面光造成的軟陰影。
  5. The application of light and shadow in interior decoration

    光影在室內裝飾中的應用
  6. The low beam clear distinguishes the light and shadow parts with obvious dividing line, what is the legal excellent light shape and will be soft to vehicle and passerby

    近光燈影明暗分明，截止線清晰可見。具有符合法規的良好配光光形，對車輛及行人不會造成刺眼的亮光。
  7. " neo imaging " light and shadow magic hand ] is a quality of the digital photos on improvements and effects processing software

    光影魔術手是一個對數碼照片畫質進行改善及效果處理的軟體。
  8. The venetian blinds hungaskew and admitted a triangle of white light, the shadow of theforeman ' s hand moving into it

    斜掛的軟百葉窗邊上透過一束三角形的強光，工頭喬?阿圭爾手的影子移到了那裡。
  9. The grand canyon on the colorado river in northwest arizona is not only awesome in its depth and mind - boggling in its extent, but it possesses a dazzling, constantly changing display of colours, light and shadow

    大峽谷除了形勢險要氣勢雄偉之外，不同的季節時間天氣及地形種種因素，更將大峽谷漂染成為一個充滿色彩變化的夢幻世界。
  10. Good control of the light and composition, the lines of the fields and the pure colors brings us tranquility, except the shadow part lost details

    對光影和構圖有較好的控制，田壟的線條和純粹的色調給人一種恬靜的感覺。暗部層次不足。
  11. Like light and radar waves, microwaves usually bounce off objects, making them visible to instruments and creating a shadow that can be detected

    就象光波和雷達波一樣，通常微波遇到物體就會反射回來，因此通過設備就能看到物體的成像，或是留下能被探測到的影子。
  12. 1995 " light and shadow ", ceramic sculptures, arabia museum, helsinki, finland

    1995年芬蘭赫爾辛基阿拉比亞博物館"光與影陶藝雕塑展
  13. Rthk produced 562. 9 hours of programming. some notable examples exemplifying rthk s commitment to inform, educate and entertain the audience include wto special, basic law magazine, wastewise city, a distinguished civil service, a century of light and shadow, ifpi hong kong top sales award 2006 and turandot. the television performance achievements in 2005 - 06 and targets in 2006 - 07 are as follows

    港臺共製作562 . 9小時的節目，致力提供資訊教育和娛樂服務，最為膾炙人口的例子包括有朋自遠方來世貿前瞻基本法七色橋減廢之都百年夢工場公務群英ifpi香港唱片銷量大獎頒獎禮2006及杜蘭朵。
  14. Where these shadow volumes intersect other objects ( or the caster, since self - shadowing is supported using this technique ), the stencil is updated, allowing subsequent operations to differentiate between light and shadow

    當這個體積覆蓋了其他的物體的時候（包括投影體自身，進而支持了自投影技術） ，這些被覆蓋的物體上面的模板緩存會被更新，在之後的操作中會根據這些模板緩存的結果來渲染光線和陰影。
  15. Sky windows of entrance mixed light and shadow thoroughly in surface stations

    平面站入口處的天窗則造成入口大廳豐富的光影變化。
  16. In his concept of place, he grasps the phenomenological relationship of architecture and the site through perceiving and experiencing, and tries to express, stress, adjust and confine the experiencing of the site ; in his designs, he places emphasis on implementing of the phenomenological statement of interrelating of space, material, light and shadow, reveals deep comprehension and concern for human living conditions and also shows the ability to grasp the essential apprehension of interrelation of human, architecture, the site and their perception

    在場所觀上，他從知覺和真實經驗上把握建築與場所的現象關系，並試圖以各種建築要素來表達、強化、調節和限制場所經驗；在設計中，他把關注的焦點放在實現建築作品中對空間、材料和光影間相互關系的現象學陳述上，透露出一種對人類生存境界的深刻理解和關注，體現出對人、建築、場所與知覺關系的本質把握。
  17. The light and shadow

    光與影-企業創新
  18. 1995 " light and shadow ", ceramic design, design forum, helsinki, finland

    1995年芬蘭赫爾辛基設計論壇"光與影陶藝雕塑設計展.
  19. Strong contrast in light, and shadow, the figure is dominant and style is creative

    光線對比強烈，光影處理較整體，人物形象突出，造型設計有創意。
  20. Or in “ pearl, ” where the drawn blinds within a house allow just enough light and shadow to create ghosts that count the tea cups and the silverware

    或在里，拉起的窗簾把恰好的光與影透進來創造出一些幽魂，在屋子裡點數茶杯與銀器。
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