perception of space 中文意思是什麼

perception of space 解釋
空間知覺
  • perception : n. 1. 【哲學】感覺（作用）；感受；知覺。2. 知覺作用；感性認識；觀念，概念；直覺。3. 洞察力；理解力。4. 【法律】（地租等的）徵收；（農作物的）收獲。adj. -al
  • of : OF ＝Old French 古法語。
  • space : n 1 空間；太空。2 空隙，空地；場地；（火車輪船飛機中的）座位；餘地；篇幅。3 空白；間隔；距離。4 ...
  1. Abstract : justifies the necessity to follow the general measuring rules and the difference in human sense perception while any object is being designed to the measurement of its dimensions made by human so that its design in space can be made more reasonable ? accurate and perfect

    文摘:通過人對物體的大小「尺度」的確定，設計空間中的物體，必須要遵循「尺度」的一般規律和人的感覺能力的差別，使空間設計得更合理、精確、完美。
  2. This thesis analyze the concept, the type and scale, structure pattern, content and space constitute of outdoor environment of residential district. on the basis of compare, analyze and research to theory and practice at home and abroad, the thesis resolve the common demand into outdoor life, spatial behavior and the others, and consider manifold sense perception of people

    從對居住區外環境的概念界定開始，對居住區的類型、規模及結構模式，居住區外環境的內容，空間構成等方面進行分析，研究了居住區的相關問題。同時在對國內外相應的理論與實踐進行比較、分析、研究的基礎上，將普遍的人的需求分解為戶外生活、空間使用方式等，並結合人的多種感覺進行人性化分析。
  3. The paper introduced their architectural investigation and practice on the aspects of architectural tectonic, relation between tradition and creativity, the molding of place and construction of architectural space etc. such as david chipperfield ' s value of architecture ' s initial meaning and physicality, his emphasize on the architectural experience quality and ethics duty of the architect, and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon, his concept of " industrial vernacular ", his application of the " architectural promenade " principle, and application of courtyard ; tod williams & billie tsien ' s principle of " architecture is combination of work and life ", their value of place, their observation of material characteristic, and their " slow " principle on design, me thod, and sense perception. the paper also introduces the three architect ' s representative works and their design method

    介紹了他們在建築的建構、傳統與創新的關系、場所感的塑造以及建築空間的創造等方面所進行的理論探索與建築創作實踐，如大衛?謝潑菲爾德對建築內在意義及建築實體（ physical ）的重視、對建築的體驗品質和建築師的倫理責任的強調、對傳統和創新的可持續性的認識；岸和郎的對建構本體的重視、關于「工業鄉土性」的概念、對「建築的漫步」理念的運用、以及對庭院空間的運用；托德?威廉姆斯和比麗?錢的「建築是工作和生活的結合」的基本設計理念、對場地的重視，對材料特性的探索、以及關于設計、方法、感知方面的「緩慢」的理論。
  4. In this paper, according to the theory of psycho - physical field ( kurt kaffka ) and psychological environment - defining the " percepted space " as the " impression space ". studying space from this angle, which is to study the perception of space from human, analyze the link for reciprocity between human and space by psychology, try to find a way to realize humanized space, dis cuss the adaptive logic structure for design of architecture space

    本文基於考夫卡的心物場和心理學的環境的理論將人所感知的空間定義為「印象空間」 ，從這個角度對空間進行研究，就是以人為出發點，研究人對空間的感受，從人的心理方面分析二者有機互動的聯系方式，尋找空間人性化的表達，探討建築空間設計中符合人性化空間設計的邏輯和方法。
  5. Ask : is the model of reformulating the ground a result of the geometrical operations linked to the paper folding and origami techniques, or is it a problem of materialization of the space through a system of phenomenological perception

    問：你們覺得在基地上構思建築的過程是取決于做模型時的疊紙藝術還是物化空間的系列現象學過程？
  6. The transformation from rgb color space via xyz color space and l * a * b * color space to hvc color space which is fit for huinan ' s color perception ; 3. analyzc the correativity of three paramthes of rgb using regression. fit nonlinear equation using polynoanal regression

    給出了一種將原始的rgb表色空間，經xyz空間和l ~ * a ~ * b ~ *均勻色空間轉換成最適合人眼視覺特徵的孟塞爾系統的方法； 3
  7. The perspective theory of space perception

    空間知覺的透視理論
  8. Street is the urban open space which both residents and architects touch upon most often. and its quality directly gives expression to the standard of the urban design, acts on the people ' s perception about the city

    街道是城市居民最常使用和建築師常涉及的城市外部空間，它的質量直接體現了城市設計的水準並影響著居民的感受。
  9. In his concept of place, he grasps the phenomenological relationship of architecture and the site through perceiving and experiencing, and tries to express, stress, adjust and confine the experiencing of the site ; in his designs, he places emphasis on implementing of the phenomenological statement of interrelating of space, material, light and shadow, reveals deep comprehension and concern for human living conditions and also shows the ability to grasp the essential apprehension of interrelation of human, architecture, the site and their perception

    在場所觀上，他從知覺和真實經驗上把握建築與場所的現象關系，並試圖以各種建築要素來表達、強化、調節和限制場所經驗；在設計中，他把關注的焦點放在實現建築作品中對空間、材料和光影間相互關系的現象學陳述上，透露出一種對人類生存境界的深刻理解和關注，體現出對人、建築、場所與知覺關系的本質把握。
  10. Schivelbusch, wolfgang. the railway journey : the industrialization and perception of time and space in the 19th century. berkeley : university of california press, 1986 [ 1977 ]

    《鐵路旅程：十九世紀工業革命及時空感》 。 1986 [ 1977 ]年，柏克萊：加州大學出版社出版。
  11. Kant divided the reliability of human perception into two innate idea forms, time and space, which have been the main topics of transcendental sensibility

    摘要人之感性能力之可靠性的保證，已經被康德分作兩種先天的、作為先驗感性論的主要論題的表象樣式，即時間和空間。
  12. We should first train students ' sense of perception ( discover ), then improve constantly their creative consciousness to space ( creation )

    首先要培養學生對實在空間的感知能力（定位） ，然後不斷提升其自身對矛盾空間的創新意識（創造） 。
  13. According to principles and human perception of color, a hsl ( hue saturation light ) color space, which is perceptively consistent with human vision, is selected and divided. the similarity between two colors is re - defined in order to accord with human discernment for colors. the method of extending color histogram is presented to match images with different colors

    從人類色彩感知的角度出發，研究了用於圖象檢索的色彩空間，特徵提取和相似性度量等問題，將hsl色彩空間進行了劃分，對每兩種色彩之間的相似度進行了重新定義，便其更好地符合人對圖象色彩的辨別能力。
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