劇本作者 的英文怎麼說

中文拼音 [jùběnzuòzhě]
劇本作者 英文
librettist
  • 劇 : Ⅰ名詞1. （戲劇） theatrical work; drama; play; opera 2. （姓氏） a surname Ⅱ形容詞（猛烈） acute; severe; intense
  • 本 : i 名詞1 （草木的莖或根）stem or root of plants 2 （事物的根源）foundation; origin; basis 3 （本錢...
  • 者 : Ⅰ助詞1 （用在形容詞或動詞後面 或帶有形容詞或動詞的詞組後面 表示有此屬性或做此動作的人或事物） 2 ...
  • 劇本 : drama; play; script; （電影） scenario; （京劇、歌劇等） libretto
  1. He would continue to be honored by the athenians, who respected his work so highly that they allowed other playwrights to reproduce his plays as part of the dionysia rather than presenting original works of their own

    他的死訊傳到雅典后，由於對他的高度崇敬，雅典人決定他的劇作可以繼續在比賽上上演（不作為比賽的劇作） ，提出申請的演出者可不使用原創劇本，上演埃斯庫羅斯的悲劇。
  2. This text tries to explain the tragic asp - ect of marguerite, the tragic hero, created by alexandre dumas, fils in his work la dame aux ca - m has ( the lady of the camellias ), using the method of the ethics morals from the society, host, the morals of the author

    本文試圖應用倫理道德批評方法從社會、主人公、作者三方面的道德上來分析小仲馬《茶花女》筆下的女主人公的悲劇成因。
  3. From left conductor, chiu chun - chiang ; composer, chen ning - chi ; adviser, barbara fei ; producer director, barbara wang and librettist lyricist, rupert chan hosted the press conference of legend of yao ji

    左起指揮邱君強作曲陳能濟顧問費明儀監制導演王斯本劇本填詞陳鈞潤一起主持瑤姬傳奇記者會。
  4. This article reflected on the model work of the ancient greek oedipus from the view of culture, and considered that the author has a deep reflection on this ethics relation about patriarchy replacement of matriarchy in his works, in the meantime, the author provides a base prototype for individuality ' s mental translation from this three point : the ideal of law ; the double explanation of hero and submit to the patriarchy

    摘要從文學文化學的視角重新審視古希臘悲劇的典範作品《俄狄浦斯王》 ，認為作品蘊含了作者對父權制取代母權制這一重大社會轉型時期倫理關系的深刻思考，並從法權觀念、對英雄的雙重解讀和順從于父系血緣三個方面為社會轉型期間的生命個體提供了心理轉換的基本原型。
  5. When less enlightened critics focused on the formulaic aspects of the film, critic fereydoun hoveyda unleashed one of the most glorious panegyrics of cahiers du cinema auteurism : with clock - like regularity, certain critics continue to insist on the importance of script, acting and the system of production. while we are at it, why not take into account the influence of the heavenly heres

    雖然影片推出后，一般評論都針對戲中的俗套公式，但影評人荷夫德就肯定了影片的價值，解開了電影筆記作者論的束縛，指出: "某些影評人仍看重規律，堅持劇本，演出及製作模式的重要性。
  6. What are all the script writers doing these days

    那些劇本作者這些天都在幹什麼？
  7. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素，一個復雜的故事情節曲折迷離的環節對于看動畫的觀眾是一項極大的負擔，在現今的市場需求上趣味已經取代了傳統的故事鋪陳，在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇情變成了最重要的課題，很明確地，從影片廣告的方式可以感受到什麼樣的主題才是消費者的需求，過去高成本大製作的廣告模式這幾年已不復見，取而代之的是影片有多趣味多好玩，這就是典型的簡單故事描述復雜的劇情，舉例來說：電影史瑞克就是一個很典型的例子，單純的救公主的劇情，不斷的以「與傳統思維相反」的劇情沖擊著觀眾的思考模式，我還記得當時看完該片后出場不斷的聽到眾人討論趣味的情節，但是卻沒有聽到半個人說這部戲的故事有多棒，其實這樣的劇本就是最好的動畫劇本，讓觀眾獲得他們想要的劇情卻不以復雜的故事包裝，這才是動畫編劇的最高境界，因為願意花錢進到戲院或是花錢購買dvd的消費者，都是想開開心心的觀賞影片沒有負擔、沒有包袱，也就是花錢買開心，特別要提醒的「寫作動畫劇本並不是寫給個人滿足自己的創作慾望而是面對所有欣賞的人群」 。
  8. Why novels and plays are so often untrue to life is because their authors make their characters all of a piece.

    小說和劇本之所以常常不符合生活實際，就是因為作者把人物寫得渾然一體，全無矛盾。
  9. The ex - exile rejected the first draft by a ? italian writer and the director, ? but ? the second draft he himself wrote was rejected by the director

    這個從前的流亡者拒絕了一個義大利劇作家和導演一起寫的劇本，但第二個他自己寫的劇本又被導演拒絕了。
  10. Film - related materials are divided into four main categories : visual materials, which include film prints, laser discs, video tapes of interviews made with filmmakers etc ; audio materials, which include vinyl records of film songs, film music and tapes of interviews with filmmakers etc ; pictorial materials, which include film stills, behind - the - scene photos, stills of filmmakers etc ; and textual materials, which include film scripts, special brochures, handbills, books, magazines, newspapers, contracts and posters etc

    電影資料可以分為四大類。第一類是影像資料，包括電影拷貝影碟電影工作者的訪問錄影帶等第二類是音響資料，包括電影歌曲唱片電影音樂唱片電影工作者訪問錄音等第三類是圖片資料，包括電影劇照明星照電影工作照電影工作者照片及海報等第四類是文字資料，包括電影劇本特刊本事書刊雜志報紙和合約等。
  11. Essays, notes and other information on a thematic approach on hong kong cinema in the 80 s

    本特刊內容包括專題評論文章影片簡介電影工作者小傳及大量精美劇照。
  12. They always fancied themselves as the center of the world, they thought that they had the strongest offensive and defensive powers, they could never expect such an intimidating attack in their country. however, after 911, they began to realize how vulnerable their country is, therefore, the emergence of a super hero is necessary for them to soothe their fear and regain their faith

    劇本本身甚為豐富，主角的愛情、友情、親情甚至優默和動作場面都能兼顧得宜，猶其描寫parker的愛情更是一絕，把他暗戀別人的心情和行為拍得甚為細俐，超越了同類英雄電影的典型愛情拍法，實為筆者意料之外。
  13. The writer wrote this big part in his play simply as a vehicle for the famous actress

    劇作者在劇本里寫上這麼一個重要角色，是為這位著名女演員的一個手段。
  14. The scope of subjects considered is rather broad and comprehensive in the resource centre, including synopsis, scripts, reviews, biographies of film personalities, film theories, techniques of film directing and scriptwriting, production techniques, cinematography, lighting, settings, special effects, make - up, props, etc. research materials are also acquired such as texts and treatises on production budgets, management techniques, restoration, cataloguing, operations of archives, etc. to maintain a resourceful reference collection on film subjects, the resource centre always keeps its ear to the ground in the market place and inspects the magazines, publications and reviews for latest bibliographies, filmographies or videographies

    本中心的館藏資料內容範圍十分全面，除了電影故事劇本評論及人物傳記外，也包含電影學理論編導或劇作技巧製作技術如拍攝燈光布景特技化妝和道具等。再者，其他專門的題材如電影製作的財政管理學修復技巧編目學資料館的功能與運作等，都包含在內。為了豐富本中心的電影參考資料，資源中心職員會經常留意坊間的電影書刊及視聽資料，參閱書刊和電腦網頁上的書評及視聽資訊，查看各大圖書館的電影資料目錄，以便添置
  15. The adaptation of the book into a script is authorised by mr. jefferson huang, the son of the author. the script for the performance is a collaboration of mathias woo with zhang jianwei, the screenplay writer of the television historical drama, for the sake of the republic

    承蒙原作者黃仁宇先生的兒子jefferson huang授權改編，導演胡恩威聯同歷史劇《走向共和》編劇張建偉，將《萬歷十五年》發展成最貼近原著的舞臺劇劇本。
  16. While the presentation makes many historical references and includes many authentic elements, the story and the treatment are original

    竟管在編劇過程中參考了許多歷史真實的資料，然而故事本身屬于作者原創
  17. Revised edition of the out - of - print retrospective catalogue published in conjunction with the 11th hong kong international film festival in 1987 : critical essays on the genres, history and development of cantonese opera and the ties forged with the cinema, together with newly edited profiles of hong kong filmmakers, programme notes and a comprehensive filmography of cantonese films released between 1946 and 1959

    本書為1987年第11屆香港國際電影節香港電影回顧特刊，文章分別從歷史類別等方面探討粵劇與香港電影之間深厚的淵源，並有伶星芳艷芬白雪仙梁醒波等的特寫，編導演人員的訪問等。香港電影工作者小傳影片簡介及香港粵語片目錄1946 - 1959部分則經重新修訂。
  18. How can we find authors of good screen plays ?

    我們怎樣才能發現優秀電影劇本的作者呢？
  19. Frontline social workers might not be able to cope with rapid changes and challenges arising from various new projects and programmes adopting district - based and integrated approach

    各項採用地區為本和綜合模式的新計劃和活動所帶來的急劇轉變和挑戰，前線社會工作者未必可以應付得來；
  20. The adc has set up incentive awards in different art forms to encourage, recognise and pay tribute to achievements of local artists. these include literary awards, visual arts fellowship awards, drama awards and xiqu awards

    同時，透過獎勵計劃，肯定本地藝術工作者的成就，從而提高公眾對藝術的興趣，曾舉辦的獎勵計劃包括文學獎、視覺藝術獎助、戲劇獎助計劃及戲曲獎助計劃。
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