唱導者 的英文怎麼說

中文拼音 [chàngdǎozhě]
唱導者 英文
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  • : Ⅰ動詞1 (唱歌) sing 2 (大聲叫) call; cry Ⅱ名詞1 (歌曲; 唱詞) ditty; a song or a singing part...
  • : 動詞1. (引導) lead; guide 2. (傳導) transmit; conduct 3. (開導) instruct; teach; give guidance to
  • : Ⅰ助詞1 (用在形容詞或動詞後面 或帶有形容詞或動詞的詞組後面 表示有此屬性或做此動作的人或事物) 2 ...
  1. The romantic apologists, led by wagner, based their theories largely on the existence of this choral finale ; wagner declared that the very fact that beethoven had to resort to human voices proved the insufficiency of pure instrumental music

    華格納所領的浪漫樂派的辯護,將合終曲的形式建立在他們主要的理論基礎上;華格納公開的表示,確切的說出貝多芬常藉助人聲來輔助純器樂在音樂上的不足。
  2. What had prevented him from completing a topical song music by r. g. johnston on the events of the past, or fixtures for the actual years, entitled if brian boru could but come back and see old dublin now, commissioned by michael gunn, lessee of the gaiety theatre, 46, 47, 48, 49 south king street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition 30 january 1893 of the grand annual christmas pantomime sinbad the sailor written by greenleaf whittier, scenery by george a. jackson and cecil hicks, costumes by mrs and miss whelan, produced by r. shelton 26 december 1892 under the personal supervision of mrs michael gunn, ballets by jessie noir, harlequinade by thomas otto and sung by nelly bouverist principal girl

    該歌原來預定插在照例于聖誕節期間公演的大型啞劇水手辛伯達第六場鉆石谷一八九三年第二版,作:格林利夫惠蒂爾54 ,舞臺裝置:喬治a傑克遜和塞西爾希克斯服裝:惠蘭太太與惠蘭小姐演: r .謝爾頓一八九二年十二月二十六日在邁克爾網恩夫人親自監督下演出,芭蕾舞女演員為傑西諾亞,丑角為托馬斯奧托中,是由女主角內莉布弗里斯特55演的。
  3. The authors conclude by discussing prescriptive recommendations for the recording industry

    最後,作片業提出了一些指性的建議。
  4. Alan greenspan went further to attribute this to " the proclivity of firms that sell securities to retain and promote analysts with an optimistic inclination "

    格氏又認為證券商喜歡僱用及擢升一些偏向好企業的分析員,亦是致後評論企業前景時取態過分樂觀的原因。
  5. A phenomenally beautiful tenor voice like that, the rarest of boons, which bloom appreciated at the very first note he got out, could easily, if properly handled by some recognised authority on voice production such as barraclough and being able to read music into the bargain, command its own price where baritones were ten a penny and procure for its fortunate possessor in the near future an entre into fashionable houses in the best residential quarters, of financial magnates in a large way of business and titled people where, with his university degree of b. a. a huge ad in its way and gentlemanly bearing to all the more influence the good impression he would infallibly score a distinct success, being blessed with brains which also could be utilised for the purpose and other requisites, if his clothes were properly attended to, so as to the better worm his way into their good graces as he, a youthful tyro in society s sartorial niceties, hardly understood how a little thing like that could militate against you

    倘若他能得到像巴勒克拉夫304那樣一位公認的發聲法權威的適當指,再學會讀樂譜,既然男中音已多得爛了市,他就不難隨意為自己標價。那樣一來,不久的將來,這位幸福的美聲歌家就有機會出入於305經營大企業的財界巨頭和有頭銜那坐落在最高級住宅區的時髦府邸。不論他擁有的文學士學位那本身就是堂哉皇哉的廣告,還是他那紳士派頭,都足以為本來就美好的印象更加錦上添花,這樣就會萬無一失地取得不同凡響的成功。
  6. Session 2 : workshop - getting to know vocal performing styles this workshop will explore the characteristics of cantonese operatic songs by outlining to participants the revolutions that took place in role types, including " six pillars " and " four pillars ", the relationship between cantonese operatic songs and performing ventures as well as the different types of songs including

    賞員與長探討香港粵曲的特色:包括了解六柱制四柱制行當的演變粵曲與歌壇的關系學習梆子二黃等不同的曲種分析香港重要紅伶的腔流派長更會在師的指下,學習開腔曲的技巧。
  7. Shkp head of corporate communications may lau and joint publishing assistant chief editor anne lee introduced the new authors at a press conference with competition judges multimedia creator craig au yeung, film director patrick tam, writer vincent wong, disc jockey pia ho and thumb magazine chief editor and victor hui. this was the first competition of its kind in hong kong

    新地公司傳訊總監劉美梅及香港三聯書店助理總編輯李安,今日5月29日聯同比賽評審,包括多媒體創作人歐陽應霽演譚家明創意思維專家黃伯康片騎師何秀萍,以及素葉出版社主編許迪鏘出席記會,見證新一代作家誕生。
  8. Based on the analysis and research on the stability of larynx, several methods to solve the instability of larynx were raised, in hope of helping the singers to protect their voice and improve their singing quality

    文章通過對喉頭穩定問題的分析研究,總結了幾種解決喉頭位置不穩定的訓練方法,為保護歌的嗓音和提高歌的歌水平提供一些理論方面的指
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