扎巴赫 的英文怎麼說

中文拼音 [zhā]
扎巴赫 英文
dhabah
  • : 扎動詞[書面語] (拔) pull out
  • : Ⅰ動詞1 (急切盼望) hope earnestly; wait anxiously for 2 (粘住; 緊貼) cling to; stick to 3 (爬...
  • : Ⅰ形1 (顯著; 盛大) conspicuous; grand 2 (紅如火燒) bright flaming redⅡ名詞1 [電學] (頻率單位...
  1. I can not stand modern music ; give me bach and mozart every time !

    我受不了現代音樂,還是喜歡和莫特的作品。
  2. I can not stand modern music ; i shall always prefer bach and mozart.

    我受不了現代音樂,還是喜歡和莫特的作品。
  3. Today these steel pans have been so refined that skilled drummers can play not only caribbean rhythms but also bach and mozart.

    如今,這此鋼鐵器皿加工得非常精緻,技藝高超的鼓手不僅能擊奏加勒比海曲調,而且能演奏和莫特的樂章。
  4. Was ist das ? ist das bach ? nein, nein. mozart

    是什麼曲?是?不,不,是莫
  5. In an internet video posted wednesday, the deputy leader of al - qaida, ayman al - zawahiri urged pakistanis to revolt against the government in retaliation for the raid on the red mosque

    基地恐怖組織第二號人物里星期三在網際網路上發表錄像講話,敦促基斯坦人起來反抗政府,報復對紅色清真寺的襲擊。
  6. Bin laden and his deputy ayman al - zawahri are believed to be hiding in the border area between afghanistan and pakistan

    本拉登及期副手里據說隱藏在阿富汗和基斯坦的邊境地區
  7. He emphasized self - expression, the warm personal note presaged by c. p. e. bach and mozart

    他強調自我表現,這種熱情的、帶有個人色彩的表現足和莫特所預示過的。
  8. He moved to h hr grenzhausen in 1947, working as a porcelain model - maker, first in a factory and, from 1954, in the workshop of eifriede ballzar - kopp

    1947年,他移居爾格倫茨豪森,從事瓷器模具工的工作,最初是在一家工廠,從1954年起開始在埃爾弗里德科普的車間工作。
  9. Bin laden was last seen in a videotape broadcast in september by the arabic - language tv news network al - jazeera

    據信本拉登及其高級助手阿爾里正藏匿在-阿邊境地區。
  10. The 20 year - old serie c1 star is on - loan at pizzighettone from juventus and palermo director general rino foschi have asked about his availability while in talks with juve over andrea barzagli and marco marchionni

    這名20歲的丙1球員是尤文圖斯租借到皮茲特頓隊的,勒莫董事里諾?福斯基已經在跟尤文商談利和馬爾基奧尼的時候詢問了有關得到他的可能。
  11. The paper analyses the musical creation and influences of such famous musicians as schutz, bach, mozart, beethoven, schubert, brahms, verdi, and schonberg in the west, points out that though their temperaments and environments were different, they all possessed the impulse of surpassing the self and the age, and their musical creations borne out of this impulse inevitably came into conflict with their environment, which made their life tragic, and the paper further draws the conclusion that greet artists are invariably tragic in their life and destiny

    摘要西方音樂史上舒茨、、莫特、貝多芬、舒伯特、勃拉姆斯、威爾第、勛伯格等人,雖然所處時代不同、境遇不同、性格各異,但都是天才人物,都具有超越自我、超越時代的創作沖動;正是這種沖動導致的創作實踐與他們所處時代的矛盾沖突,使這些音樂家成為悲劇性人物。
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