本代里奇 的英文怎麼說

中文拼音 [běndàilǐjī]
本代里奇 英文
benderics
  • 本 : i 名詞1 （草木的莖或根）stem or root of plants 2 （事物的根源）foundation; origin; basis 3 （本錢...
  • 代 : Ⅰ動詞1 （代替） take the place of; be in place of 2 （代理） act on behalf of; acting Ⅱ名詞1 （歷...
  • 里 : 里Ⅰ名詞1 （襯料; 紡織品的反面） lining; liner; inside 2 （里邊; 里邊的） inner 3 （街坊） neighbo...
  • 奇 : 奇Ⅰ形容詞1 （罕見的; 特殊的; 非常的） strange; queer; rare; uncommon; unusual 2 （出人意料的; 令...
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  2. People have had a lot of study and gained some theories or modes in the protective design for urban historical environment. they are the theory of organic order of eliel. saarinen, the mode of collage city of rowe. colin, the theory of urban imago of kevin. lvnch, japanese theory of metabolism city and intergrowth city, the theory of site spirit of norberg. schulz, the mode of analogous city of a. rossi and the theory of pattern language of c. alexander

    人類對城市歷史環境保護設計方面進行了不懈的探索，產生了一些理論與模式，它們是伊利爾?沙里寧的「有機秩序」理論；柯?林洛的「拼貼城市」模式；凱文?林奇的「城市意象」理論；日本的「新陳代謝城市」理論與「共生城市」理論；諾伯爾?舒爾茨的「場所精神」理論；阿爾多?羅兩的「類似型城市」模式與克里斯托弗?亞歷山大的「模式語言」理論。
  3. The saga of the corleone family is told in chronological order, and numerous scenes that were deleted from each film have been restored

    並按年代順序講述了科里昂家族的傳奇故事，前三部電影中被剪掉的鏡頭也在本片中得以保留。
  4. As a teacher of origami ( the ancient japanese art of paper folding ) at the lafarge lifelong learning institute in milwaukee, wisconsin, art beaudry was asked to represent the school at an exhibit at a large mall in milwaukee

    阿特?博特里作為威斯康星州密爾沃基拉法奇終身學習學院的一名手工折紙（一種日本古老的手工折紙藝術）教師，奉派代表學校去參加在密爾沃基一家大型購物中心舉行的展覽。
  5. The stars ' performance in both the cinema and the society presents a peculiar combination and an intertextual field of tension, involving the complicated operation of all power relations on the one hand, and becoming an object of consumption in the context of contemporary urban consumer culture on the other

    電影明星的「電影表演」與「社會表演」呈現為奇特的結合體和充滿張力的「互本文場」 ，不但糾結著各種權力關系的復雜運作，也成為當代都市消費文化語境里的文化消費對象。
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