歌特式 的英文怎麼說
中文拼音 [gētèshì]
歌特式
英文
gothic-
To this end, tourism food festival will host the opening ceremony of the shanhaiguan carefully to create a dish with pistachio pot - led " pan banquet 100 ", supplemented by fresh food fook lam moon, yang intestine beidaihe, salt aass good at chicken, fwu yu - cake cake spinulosa, moonlight sweet biscuits, shanhaiguan four bao zi, islamic return hutchison mung bean cake and flowers and cake shanhaiguan qinhuangdao local characteristics such as tourism hunters, and invited a common 1, 000 tourists and the public taste, the scene exciting dance performances for the austrian feast outfit ying many
為此，主辦方將旅遊美食節開幕式精心打造成了以山海關特色火鍋渾鍋為主導的「百鍋宴」 ，輔以福臨門熟食拼盤、北戴河楊腸子、奧斯佳鹽?雞、鴻福餑欏葉餅、春江麻醬燒餅、山海關四條包子、清真回記綠豆糕和山海關鮮花餅等秦皇島地方特色旅遊名吃，並邀請了千名遊客和市民共同品嘗，現場精彩的歌舞表演也為這場迎奧盛宴增色不少。No, something top notch, an all star irish cast, the tweedy - flower grand opera company with its own legal consort as leading lady as a sort of counterblast to the elster grimes and moody - manners, perfectly simple matter and he was quite sanguine of success, providing puffs in the local papers could be managed by some fellow with a bit of bounce who could pull the indispensable wires and thus combine business with pleasure
才不是呢，而是最高級的，是愛爾蘭首屈一指的名角會演，由特威迪-弗羅爾大型歌劇團團長的正式夫人擔任主角，足以和埃爾斯特格萊姆斯79與穆迪-曼納斯80一比高低。這是十分簡單的事，他對此舉的成功充滿自信。關鍵在於得有個能夠在背後操持料理的傢伙，能讓當地的報紙給大吹大擂一番。I have just been telling you what i think, in order to explain why the elephantine gambols of madame tetralani spoil the orchestra for me
我剛才只是告訴你我的感想。目的是解釋特綽蘭尼夫人那大象式的蹦蹦跳跳為什麼在我眼裡破壞了歌劇。Cb : i remain a die - hard formalist. i think there are things specific to poetry that can only be done in poetry
伯恩斯坦：我依然是一個頑固的形式主義者。我想詩歌中有些特別的東西，它們只能用於詩歌中。Tilingo lingo are six passionate, young mexican musicians, with a contemporary approach to traditional sounds. the group combines modern instruments, such as saxophone, double bass and drums, with bow marimba and other latin instruments to conjure up a colourful, new way to explore their central american heritage and life today
鈴歌樂隊六位年青墨西哥樂手，以獨特的風格和技巧，將當代即興爵士式的色士風低音大提琴和鼓，結合傳統樂器弓型馬林巴琴，拼貼出一種熱鬧喜慶的節奏，既富拉丁美洲馬雅民族的歷史氛圍，又洋溢現今嘉年華及派對的繽紛色彩。The new production of ' s “ die meistersinger von n rnberg ” at bayreuth this summer was a job application
這個夏天，拜羅依特音樂節上演的《紐倫堡的名歌手》被喻為是凱瑟琳瓦格納為繼承家族事業爾正式遞交的求職意向書。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Take the musical drama form written for by mozart, vardi and wagner. add the modern music of rock & roll, and what have you got ? rock opera
以莫扎特、瓦迪和瓦格納所創作的音樂劇為形式，再加入現代搖滾樂的內容，之後會得到什麼?是搖滾歌劇These feature interlaced animal and geometric forms in bright primary colours. after the ninth century irish art absorbed viking, romanesque and gothic influences producing, for example, richly carved stone high crosses
9世紀以後愛爾蘭藝術吸收了斯堪的納維亞、羅馬式和歌特式風格的影響，產生了富麗堂皇的石刻，比如高高的十字架（ high crosses ） 。An artistic highlight every year in vienna is the wiener festwochen vienna festival weeks, may 12 to june 18, which offers mozart in every form, from concerts at the fabled musikverein which boasts one of the best acoustics in europe to peter sellars, the perpetual provocateur, directing the unfinished opera " zaide " may 21 to 27
維也納每年的藝術亮點還有維也納藝術節。今年的藝術節期間，從維也納音樂之友協會大廈舉行的音樂會，到彼得塞拉斯根據莫扎特未完成的歌劇扎伊德改編的同名之作，藝術家們將不遺餘力地以各種形式上演莫扎特的作品。" extreme " can be meant to describe any of the following traits : music ( whether it ' s intended to be faster, more aggressive, abrasive or " heavier " than other metal styles ), lyrics ( dealing with darker, more salacious or sensational topics and themes ), vocals ( which often use guttural, harsh or abrasive singing ), or appearance and stage demeanor ( using corpse paint, satanic or occult imagery )
"極端"一詞可形容下列任何一種特質：音樂（不論它的用意是為了比其他金屬風格更快，更進取，磨料或"沉" ） ，歌詞（更黑暗，更淫穢或煽情的題材和主題） ，聲樂（經常使用喉嚨，苛刻或磨損的方式來歌唱） ，或形象和舞臺演繹（用屍體油漆，撒旦或隱匿性意象） 。Text. is there a text to this composition ? what language ( s ) is it in ? are there any unique compositional techniques employed ( e. g. word painting, sprechstimme, etc. )
歌詞音樂中是經文還是文章？什麼國家的語音這段音樂？他們有什麼特別的歌詞修飾方式參與在音樂中么？In a unique manner it has been sung in many ways by various sages, by the vedic hymns, by various aphorisms of vedanta with its sound logic and reasoning and by conclusive evidence
以其獨特的風格，在《呋陀》聖歌里，在以音律形式的邏輯推理，而得出結論性根據的各種《呋檀多》的格言里，它被各種各樣的聖賢們以各種方式所歌唱。A vertical piano cadby with exposed keyboard, its closed coffin supporting a pair of long yellow ladies gloves and an emerald ashtray containing four consumed matches, a partly consumed cigarette and two discoloured ends of cigarettes, its musicrest supporting the music in the key of g natural for voice and piano of love s old sweet song words by g. clifton bingham, composed by j. l. molloy, sung by madam antoinette sterling open at the last page with the final indications ad libitum, forte, pedal, animato, sustained, pedal, ritirando, close
一架立式鋼琴凱德拜牌205 ，鍵盤露在外面。上頂蓋關得嚴嚴實實，擺著一雙淡黃色婦女用長手套，一隻鮮綠色煙灰缸里是四根燃盡了的火柴，一根吸過一截的香煙，還有兩截變了色的煙蒂。譜架上斜搭著一本古老甜蜜的情歌g .克利夫頓賓厄姆作詞，詹萊莫洛伊配曲，安托瓦內特斯特林206夫人演唱g大調歌曲The arrival of the anglo - normans heralded the introduction of the early gothic style of architecture, with the two dublin cathedrals, christ church and saint patrick s, being the most notable
諾曼系英國人的到來，預示著早期歌特式建築的引入，其中尤以都柏林的兩座教堂：基督教堂和聖帕特里克教堂，最為著名。Built in a style adapted from both the 13th - century early english and decorated gothic styles, construction was completed in 1849 under bishop george smith, first bishop of victoria. due to a shortage of funds, the tower was finished a year later
此教堂糅合了13世紀英式和歌德式建築的特點，於1849年落成，其後於1873年再於東側進行擴建，並由愛丁堡公爵立碑。As in any good gothic horror story, this ominous world hides terrible secrets
就像所有好看的歌特式恐怖故事，這個不祥的世界里有駭人的秘密。By the nineteenth century gothic revivalism was in vogue influencing the design of churches such as saint finn barre s cathedral 1867 in cork and adapted to domestic architecture in the construction of ashford castle c. 1870, county mayo
到19世紀，歌特式復興主義開始流行，從而影響了教堂的設計，比如科克郡的聖芬巴爾大教堂（ saint finbarr s cathedral ， 1867 ） ，在建造mayo郡的ashford城堡時與國內建築融為了一體。Against these far stretches of country rose, in front of the other city edifices, a large red - brick building, with level gray roofs, and rows of short barred windows bespeaking captivity, the whole contrasting greatly by its formalism with the quaint irregularities of the gothic erections. it was somewhat disguised from the road in passing it by yews and evergreen oaks, but it was visible enough up here
在連綿不斷的鄉村原野的襯托下，在那些高樓大廈的正面，有一棟用紅磚蓋的大樓房，樓房上蓋的是水平的灰色屋頂，窗戶上有一排排短鐵欄桿，這表明那兒是囚禁犯人的地方整棟樓房的樣式既呆板又教條，和歌特式建築錯落有致的奇特風格形成鮮明對照。The verse a type is special to return performance as the more com position abridges, be sides empty word etc. often abridges outside, even connect the basic word, verb, mean that the relation phrase that logic contact also often abridges, this increased the difficulty that read, also enriching the verse content. the special phrasing sentence is too more to see in verse language a type, matching such as a few meaning for a tighten a, is divided into with a meaning several s expand sen tence
詩歌句式特殊還表現為較多成分省略，除了虛詞等常省略之外，甚至連基本的名詞、動詞，表示邏輯聯系的關系詞也常省略，這增加了閱讀的困難，也豐富了詩歌內涵。特殊的語法句在詩歌語言句式中也較多見，如幾句意思合為一句的緊縮句，和一句意思分為幾句的擴展句。分享友人