正四郎 的英文怎麼說

中文拼音 [zhēngsìláng]
正四郎 英文
masashiro
  • 正 : 正名詞（正月） the first month of the lunar year; the first moon
  • 四 : Ⅰ數詞（三加一后所得） four Ⅱ名詞1 [音樂] （中國民族音樂音階上的一級） a note of the scale in gong...
  • 郎 : 郎名1 （古代官名） an ancient official title 2 （對某種人的稱呼） form of address to some persons...
  1. At the moment of his arrival a small yacht was under trial in the bay ; this yacht had been built by order of an englishman, who, having heard that the genoese excelled all other builders along the shores of the mediterranean in the construction of fast - sailing vessels, was desirous of possessing a specimen of their skill ; the price agreed upon between the englishman and the genoese builder was forty thousand francs

    當他到達那兒的時候，一艘小遊艇正在港灣里試航。這艘小遊艇是一個英國人定製的，他因為聽說熱那亞人是地中海沿岸製造快航帆船的行家裡手，所以很希望得以證實一下。於是那英國人和熱那亞船商講定的價錢是四萬法郎。
  2. The third part analyses several theories on interest weighing include the theories of restraint and application of jiatengyilang, the quantitative calmatives method of alexi, the layered stricture theory of liangshangshang and comprehensive weighing theory of li na. the author puts forward 4 rules in the process of weight : 1. protection of justice interest. 2

    第三部分分別對有關利益衡量規則的幾種學說進行了評述，包括加藤一郎的節制和適用說，阿列克西的定量計演算法，樑上上的層次結構理論和李娜的綜合平衡理論。在評述的基礎上，筆者提出了利益衡量適用過程中應遵循的四個規則: 1 、保護正當利益。
  3. Medeah was standing at the rack, eating his hay. i immediately put on the saddle and bridle, to which operation he lent himself with the best grace possible ; then, putting the 4, 500 francs into the hands of the astonished dealer, i proceeded to fulfil my intention of passing the night in riding in the champs elys es

    米狄亞正站在馬槽前吃草，我馬上把鞍子和轡勒套上去，而它也極其溫順地由我擺布，於是把四千五百法郎放到那莫名其妙的馬販子手裡，我就馳向香榭麗舍大道，要在那兒跑一夜馬，以了卻我的心愿。
  4. The vice foreign ministers for china and japan sat down on thursday for the 7th round of strategic dialogue

    周四，以中國外交部副部長戴秉國和日本外務事務次官谷內正太郎為首的中日代表團進行了中日第七次戰略對話。
  5. Sakutaro and aki are deeply with one another, but aki suffered from a fatal disease and passed away

    而四國正是朔太郎的故鄉，埋?著他初戀的回憶與足跡。
  6. The cinematic techniques always include the use of non - moving camera, a camera position that is considered lower than normal eye level, tight framing composition and the use of ellipsis. in this paper, i will compare some of the thematic and technical elements between his two films,

    黑澤明出身於東京，本是讀藝術及繪畫系的他，於1936加入電影圈任助導，后輾轉獲機會正式執導電影，首作為1943年的姿三四郎，此時的黑澤明還未于國際成名。
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