民族圖案 的英文怎麼說

中文拼音 [mínzútúàn]
民族圖案 英文
national ornamental
  • 民 : Ⅰ名詞1 （人民） the people 2 （某族的人） a member of a nationality 3 （從事某種職業的人） a pers...
  • 族 : 名詞1 （家族） clan 2 （古代的一種酷刑） a death penalty in ancient china imposed on an offender ...
  • 圖 : Ⅰ名詞1 （繪畫表現出的形象; 圖畫） picture; chart; drawing; map 2 （計劃） plan; scheme; attempt 3...
  • 案 : 名詞1 （長桌） table; desk 2 （案件） case; law [legal] case 3 （案卷; 記錄）record; file 4 （提...
  • 民族 : nationnationalitynational reconciliation
  1. The decoration patterns of miao batiks record the social history, totem worship, mythic legend and religious culture of the nationality

    苗族蠟染所用的裝飾圖案，記載了本民族的社會歷史、圖騰崇拜、神話傳說、宗教文化。
  2. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts

    臉譜最初的作用，只是誇大劇中角色的五官部位和面部的紋理，用誇張的手法表現劇中人的性格、心理和生理上的特徵，以此來為整個戲劇的情節服務，可是發展到后來，臉譜由簡到繁、由粗到細、由表及裡、由淺到深，本身就逐漸成為一種具有民族特色的、以人的面部為表現手段的圖案藝術了。
  3. The conclusions are as follows : 1 the mongolian decorative pattern is a nation tradition, a great variety, vividness, utility, abundant implication and meaning, showed the combination of buddhism, nomadism etc literature

    通過研究得出以下結論: 1蒙古族圖案是中華民族優秀藝術傳統，種類繁多、形象生動、實用性強，有深刻的思想內涵和精神寓意。
  4. The catalonian nationalists do not only display hostility toward the spanish bull ( the last picture of the bull in the catalonian autonomous region was taken down on july 2, 2003 ), but have also come up with a symbol for countering the spanish bull, which is none other than the catalan donkey

    加泰羅尼亞的民族主義者不僅反映出對西班牙公牛的敵意（最後一個在加泰羅尼亞地自治區中的公牛圖案也於2003年七月二日被移除了） ，同時也出現對抗」西班牙公牛」的標志，那就是」加泰羅尼亞驢「 。
  5. A pboc spokesman said that this is the first time for china to issue commemorative bank notes. the 50 - yuan note is red and carries a picture of the founding ceremony of the people s republic, the globe, a dove of peace, a bronze lion, and ornamental columns

    背面為地球、和平鴿、銅獅、華表等組合圖景，背面左上方為中華人民共和國「國徽」圖案，右上方為「中國人民銀行」中文拼音字母和蒙、藏、維、壯四種民族文字的「中國人民銀行」字樣和面額。
  6. Its aim is to pass on and inherit the culture with zhaotong ' s characteristics, to show the age - old history, abundant culture and natural resources, enchanting scene, and strong national customs, to discuss the problems we may meet and its solution while the literature is searched at the beginning of building the local literature reading room for the library of zhaotong teacher ' s college

    摘要探討昭通師專圖書館地方文獻閱覽室以傳承昭通特色文化為出發點，反映昭通悠久歷史、旖旎風光、濃郁的民族風情、豐富的文化資源和自然資源，在文獻搜集和建設中可能遇到的問題及其解決方案。
  7. It is civil handicraft that is widely accepted the province national minority region of yunnan that wax dye to print the handicraft product, the wax of kunming dyes to face to anticipate the culture of blend the national minority of yunnan, the pattern is special and novel, is ancient and generous, the price that a piece of wax dye cloth is about 15 yuan or so

    蠟染是流行於雲南省少數民族地區的民間手工染印工藝品，昆明蠟染面料融合雲南少數民族的文化，圖案獨特新穎，古樸大方，一塊蠟染布的價格約15元左右。
  8. In the second part, in connection with the living formation of huis region, the structure of streets and alleys, residence and mosque are analyzed in its aspects of society, culture, religion and nationality. the feature of the plan form, adornment, decorative pattern, hue and religious belief of the huis residence under the influence of islam architectural culture is also studied. in the third part, the preserve and renewal of the huis residence and huis region is discussed, taking into account of the important role which plays in the features of ancient city xi ' an

    第一部分，從追溯西安回民區發展的歷史沿革入手，通過實際調查，對西安回民區的宗教、民族特徵做了綜合深入的分析；第二部分，針對回民區生活居住形態，從回民區的社會性、文化性、宗教性和民族性等方面對回民民居的街巷格局、住宅建築、清真寺等進行了分析，研究了在受到伊斯蘭建築文化的影響下，回民民居的平面形式、裝飾形式、圖案、色彩及宗教信仰等的特點；第三部分，結合回民民居及回民區在西安古城風貌中的重要作用，討論了回民民居及回民區的保護及更新問題。
  9. “ china red ” colouring characteristic is assumes the color to be deep 、 pealike 、 lively ， has more intense stimulating to the vision. in traditional chinese culture, red has represented the jubilation, happiness and propitious etc, has riches and honor propitious meaning. once had sent out the dazzling ray in chinaware history, because burns difficultly, its precious technique once lost in the historical dense fog, the red porcelain take the chinese tradition red color as the maincolor, on the scarlet bottle binds there is being fine design which becomescompared to the gold also precious rare metal tantalum burn, the whole artifacts overflows rich and propitious, the red porcelain history is glorious ， contains the excellent artistic foundation of basic skills. is the traditional civilization and the modern science and technology perfect union and it is a valuable thing in contemporary chinaware

    「中國紅瓷」色彩絢爛、光亮瑩潤、造型秀麗、雍容典雅，而且基於高溫釉料的獨特技術優勢，可以在表面進行二次加工，配以名家字畫或烤金圖案，富於濃郁的民族特點和喜慶色彩，是高雅藝術與現代高科技的顛峰之作，具有無與倫比的高科技含量、豐富的文化內涵、極高的審美價值及收藏價值，為陶瓷工藝、陶瓷美學開辟了一個嶄新境界，是當今世界陶瓷科技與藝術的頂峰。
  10. It is the meeting point of the northern and southern ancient silk road, and is famous for carvings, arts and crafts, and national sing and dancing

    絲綢之路南北道在此交會，具有濃郁的地域風情，其雕刻圖案，手工藝品，民族歌舞都享有盛名。
  11. The investigation on the teaching method of national graphic design in colleges

    高校民族圖案設計教學探究
  12. The third series took it to the next step. the top border is gone, and the lower border has been radically changed

    第三套人民幣的設計做了更大膽的突破：主幣取消了上邊框，下邊框也有較大變形，成為富有民族風格的圖案。
  13. Wax printing possesses rich nationality cultural connotation, the enigmatic abstract cultural signs and the geometrical patterns summarized and refined by the minorities through many generations recorded the history of their migration, worship of the totem and pursuit of good life

    蠟染具有豐富的民族文化內涵，經本民族世世代代概括、提煉形成的象徵寓意、萬種風情的隱語式抽象文化符號、點線結合的幾何圖案記錄著該民族悠久的遷徙歷史、對圖騰的崇拜和對美好生活的追求。
  14. Culture the color is a kind of spirit, it makes the whole world become abundant colorful. red, the china color, on with red has the indissoluble bond since theancient times. king ' s red plot, represents the dignity ; rich person ' s red plot, represents the wealth to be prosperous ; serviceman ' s red plot, represents the courage, the fighting spirit writer ' s red plot, is symbolizing the spring, the vigor, the love ; common people ' s red plot, represents is being propitious, thejubilation, sense of right

    「中國紅瓷」色彩絢爛、光亮瑩潤、造型秀麗、雍容典雅，而且基於高溫釉料的獨特技術優勢，可以在表面進行二次加工，配以名家字畫或烤金圖案，富於濃郁的民族特點和喜慶色彩，是高雅藝術與現代高科技的顛峰之作，具有無與倫比的高科技含量、豐富的文化內涵、極高的審美價值及收藏價值，為陶瓷工藝、陶瓷美學開辟了一個嶄新境界，是當今世界陶瓷科技與藝術的頂峰。
  15. The outer wall of the " qian " is carved with 56 ethnic designs in relief, representing the 56 ethnic groups of the chinese nation in their unity and solidarity

    乾體外立墻上刻飾著56幅代表中華56個民族的圖案紋樣浮雕，象徵中國56個民族的團結統一。
  16. The paper mainly studied on the mongolian decorative patterns applying in the wooden door, though collecting, putting in order, summing up, studying and summarizing the mongolian decorative pattern, and according as integrating characters, composing and form of the mongolian decorative pattern. by mixing the nation symbol and culture carrier together to embody the material and spirit function perfectly

    本論文通過對蒙古族圖案收集、整理、歸納、研究和總結以及結合蒙古族圖案的特點，構成，組成形式等因素，對木門進行適當的裝飾處理，通過民族元素與文化載體的相互融合，從而進一步達到物質功能和精神功能的完美結合。
  17. In addition, the paper concluded and summarized the application methods and the design essences, as well as how to absorb and apply these methods to decorate wooden door. at the same time, designed some doors with the mongolian characters for the readers to understand fully and deeply it. on the base of inheriting and developing the mongolian folk art, show the mongolian style, propagate the folk culture, moreover, it provides useful resources for up - to - date design

    論文中歸納和總結了蒙古族圖案的應用方法和設計精髓，以及在木門的裝飾中如何辨證地吸收和創新性地運用這些設計理念，同時，設計出幾款具有蒙古族特色的木門，從更深的角度去理解蒙古族圖案的裝飾特色、深刻寓意和精神內涵，在繼承和發揚蒙古族民間藝術的基礎上，弘揚民族文化，並為創新提供素材。
分享友人
分享到 Line

分享到臉書