現代一女性 的英文怎麼說

中文拼音 [xiàndàiyīnǚxìng]
現代一女性 英文
a modern woman
  • 現 : Ⅰ名詞1 （現在; 此刻） present; now; current; existing 2 （現款） cash; ready money Ⅱ副詞（臨時; ...
  • 代 : Ⅰ動詞1 （代替） take the place of; be in place of 2 （代理） act on behalf of; acting Ⅱ名詞1 （歷...
  • 性 : Ⅰ名詞1 （性格） nature; character; disposition 2 （性能; 性質） property; quality 3 （性別） sex ...
  • 現代 : 1 （現在這個時代） modern times; the contemporary age [era]2 （現代的） modern; contemporary現代...
  1. Abstract : there is a blind zone in the history writing of m odern chinese literature. that is the absence of feminity. this absence, caused by many factors, exists in two forms : the obvious one and the hidden one. it is a cult ural injustice which should be subverted

    文摘:女性缺席現象構成了中國現代文學史編撰中的一個盲區，這種缺席呈現為顯形缺席與隱形缺席兩種形態，其產生具有多方面原因，是應該受到顛覆的文化的不公正。
  2. Paul carlin, of purdue university in indiana, noticed the decline of trophy wives when comparing how much british men earn with how much their partners work

    然而，美國經濟學家最新的研究結果顛覆了這一傳統觀念，因為現代職業男性在擇偶時更鐘情于那些在事業上同樣有抱負的女強人型女人。
  3. With antoina as the typical representative, cather depicts the character features of pioneer women of the new generation, thoroughly explores the essence of pioneer spirit, and subtly expresses her persistent pursuit for the fading spiritual beauty in the materialistic society

    凱瑟通過人物並置對照法來刻畫和挖掘以安東妮亞為代表的新一代拓荒女性的性格特點，並深入地探索了拓荒精神的精髓，表達了凱瑟對物慾橫流的現代社會中日益消逝的精神美的不懈追求。
  4. For ne er - do - well compulsive gambler thongs jackie chan, there s only one thing more fearsome than debtors at his doorstep - having to coax a crying baby

    愛情小說寫男女之間與性有關的感情，寫實小說描繪一個特定時代的環境，三國演義與水滸一類小說敘述大權人物的斗爭經歷，現代小說的重點往往放在人物的心理過程。
  5. Ahmed, leila. women and gender in islam : historical roots of a modern debate. new haven : yale university press, 1992

    《在伊斯蘭教里的女性和性別：一場現代辯論的歷史根源》 。紐哈芬：耶魯大學出版社， 1992 。
  6. It highlights as well how in most cases such a form of social agency is later thwarted by the patrilineal rule of marital house hold as well as the strict immigration regulation concerning their citizen ' s rights

    這篇論文引用深度訪談和參與觀察的田野調查資料，試圖說明年輕一代的大陸新娘多基於渴望現代性的想像故而與臺籍配偶結縭，但此想像初受挫在臺婚姻家戶的父系傳承規范，復因國家有關這些女性的公民身分規定，故而強化了剝削她們社會能動性的合法性。
  7. In 1993, roberts married off - beat country singer lyle lovett they amicably divorced two years later and then made a successful come back in the pelican brief 1993. her career began to rebound the following year with i love trouble and pret - a - porter, but both films proved to be critical and commercial disappointments. roberts bad luck continued when her much - anticipated mary reilly 1996 fizzled at the box office, but her career began picking up again with michael collins and conspiracy theory both 1996

    隨后羅伯茨片約不斷拍了大量的影片並且她嘗試一些不同的角色在科幻片別闖陰陽界flatteners 1990中她飾演了醫學院的女學生在與敵共眠sleeping with the enemy 1991中她是個逃離丈夫的虐待而尋求愛情的不幸的女子在鵜鶘事件the pelican brief 1993中她飾演了一位精明能幹的女律師在談情說愛something to talk about 1995中她又是個忠於愛情在家庭生活中尋找女性位置的現代女性。
  8. Elastic swimwear with lycra ? - - excellent quality never goes with chlorin solution becomes the important factor to inspirations of fashion designers and the representative of modern women in 21st century

    不隨氯水流逝的優良品質? ?含萊卡?彈性泳衣成為服裝界靈感的重要因素！也是現代女性二十一世紀的最佳代言！
  9. " the report shows we are wasting too much talent, " he said at its downing street launch. " this is as much of an issue to do with culture and to do with the reality of how the workplace works for women as it is with deliberate acts of discrimination

    布萊爾稱這項調查是一個「很棒的有突破性的工作」 ，它讓人們看到一個國家因沒有發揮女性潛力所付出的代價， 「報告說明我們浪費了太多的才華，它反應了女性就業現實和故意的歧視」 。
  10. Convinced of the importance of education, modern states " invest " in institutions of learning to get back " interest " in the form of a large group of enlighted young men and women who are potential leaders

    現代國家由於確信教育的重要性，才向教育機構「投資」 ，以期獲得一大批有知識的男女青年的形式收回「利息」 ，這些青年是潛在的領導人。
  11. To display the protruding breast of a woman, the designers make the waist girth appear as thin as possible to represent the high breast indirectly ; by means of the flat back of chipau they highlight the wavy shape of the breast

    旗袍在交代婦女隆起的胸部時採用了避實就虛的設計手法，把整個女性身體視為一個聯系性很強的整體，通過腰肢纖細的設計而突現胸部的豐腴；通過背的平展而誇前胸的波型。
  12. An examination of the relationship between the body and film technology, especially the one between the film image of female stars and the culture of film fans, can draw an conclusion that chinese early films acquire a modern experience of the vernacular or popularity from media while the body of film stars makes an embodiment of the chinese vernacular - modernity in the early 20th century

    從性別的角度檢視身體和電影科技之間的關系，尤其是從女演員的銀幕形象和影迷文化所體現出來的兩者之間的關系，可以發現，中國早期電影是由媒體傳導的、具有白話性或通俗性的一種現代體驗，女明星的身體是中國20世紀早期現代性的體現。
  13. This paper began from the definition gender and analyzed the traditional concepts of equality and tried to explain that the former what - is - called equality wrong point of view which wanted to efface the existing difference between man and woman and wanted to get the absolute equality. with the help of some postmodern terms and views, the writer tries to descontruct the traditional mode of equality and tries to take advantage of the individual characters of man ' s and woman ' s to make them can enjoy differential equality on the basis of admitting the i nfluence of gender on man and woman. the writer also suggests that the party that take more duties or lossed because of the differential equality should be compensated by the government through the laws, policies and economic approaches

    然而，現實生活中，女性得到的平等權仍是形式上的平等，離真正的男女平等還相差甚遠，造成此現象的原因是多方面的，本文僅從「社會性別」這一概念入手，通過對傳統平等觀的剖析，說明以往的平等權是一種企圖抹殺客觀存在的男女性別差異和社會性別的影響，要求男女絕對一樣的平等的錯誤觀點，筆者藉助后現代主義的部分觀點試圖解構這種傳統固定的平等模式，以期在承認社會性別對男女影響的基礎上，發揮、利用男性與女性各自的優點和特點，對其實行有差別的平等，對由於實行「有差別」的平等給女性（或男性）造成的損失或對多承擔義務的一方，國家從法律、政策、經濟等多方面對受損害者和多承擔義務者給予救濟，以此達到女性平等權的真正實現。
  14. The film is about the stories of three women : lily sylvia chang in her 40s, a florist shop owner, who just found out that her husband had another wife and a kid with that woman ; shang renee liu in her 30s, an airhostess, who had too many boyfriends but too few whom she could really love ; and jie angelica lee in her 20s who came from malaysia to taiwan to form a young female singing group of two and to look for fame

    一部描繪現代都會里復雜人際關系的電影三個不同年層的女性，從愛情的失落和得著，去面對變動中的人生。小潔李心潔飾正值敏感的青春期，涉世未深，初次離家追尋自己的明星夢。邁進三十大關的想想劉若英飾任職空服員，她只想找個依靠，卻周旋在有婦之夫與游戲人間的小男友之間。
  15. 1956, the films at once express a longing for the liberation of individuality but remain quite reluctant to challenge the conservative attitudes of the time. by the late 50s and early 60s, mandarin films reached its blossoming age, when shaw brothers, mp gi, great wall and feng huang were all enjoying success. left - wing companies products became even more diversified

    更多的作品倒是充滿小資產階級的溫情與趣味如三戀， 1956情竇初開， 1958和眼兒媚， 1958等，在寫及現代婦女的處境時如我是一個女人， 1955新寡， 1956寂寞的心， 1956 ，也總是一方面表現出對個性解放的渴求，另一方面卻又不敢太背離保守的社會氣候，今天看來，作品往往因而顯得有點尷尬。
  16. Most netizens think she transformed herself into a mature, intellectual modern woman after she returned to film school in 2006

    大多數網友認為2006年重返電影學院后，她成功地轉型為一個成熟，知性的現代女性。
  17. After shooting her scenes as tinker bell in steven spielberg s hook 1991, roberts took some time off to repair her personal life, which was in disarray following her much - publicized break - up with sutherland. her self - imposed exile was broken briefly by a small appearance in robert altman s the player 1992. in 1993, roberts married off - beat country singer lyle lovett they amicably divorced two years later and then made a successful come back in the pelican brief 1993

    隨后，羅伯茨片約不斷，拍了大量的影片，並且她嘗試一些不同的角色，在科幻片別闖陰陽界flatteners 1990中她飾演了醫學院的女學生在與敵共眠sleeping with the enemy 1991中她是個逃離丈夫的虐待而尋求愛情的不幸的女子在鵜鶘事件the pelican brief 1993中她飾演了一位精明能幹的女律師在談情說愛something to talk about 1995中她又是個忠於愛情，在家庭生活中尋找女性位置的現代女性。
  18. Based on the existentialist analysis of suffering and struggle by meggie, the heroine in the thorn bird, in her four important stages of development, the paper suggests that the thorn bird has created a modern tragedy entirely different from classic tragedy : while either of the two parties in a clash in the latter presents its own rational ethical power, the party meggie confronts is a series of absurdities, which ultimately destroy her happiness

    摘要本文從存在主義視角分析了《荊棘鳥》女主人公梅吉一生四個重要階段的遭遇和抗爭，證明這部小說創造了完全不同於古典悲劇的現代悲劇：構成古典悲劇沖突的雙方各自具有倫理力量的合理性，而梅吉的沖突對象則是無窮無盡的荒誕，而且正是這種荒誕最終毀滅了她的幸福。
  19. Another difference from the original is the age of the protagonist. when xi xi wrote her novel, she was already a 50 60 year - old retired teacher, but the lead character of our film is a 30 year - old working class woman

    還有天生一對跟原著的分別，就是原著作者西西寫這本小說的時候，已經是個五六十歲的退休教師，而我們今次寫的只是一個三十歲的現代女性。
  20. Chinese ancient feminine literature had two characteristics : firstly, writers changed from the former noble women, official ' s wives to the later literary family whose works made a feature of exquisite style ; secondly, contents changed from feminine querimony to a kind of ideality of showing feminism and perusing personality release during the ming and qing dynasty, which had progressive significance

    摘要初步研究古代女性文學的兩大特點：一是創作主體由前期的貴族才女、官婦到後期的文學世家，創作格調高雅清婉；二是思想內容由前期的「閨怨」題材到後期明清時期的表現女性意識和追求個性解放、男女平等的理想，具有進步意義。
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