現代主義者 的英文怎麼說

中文拼音 [xiàndàizhǔyìzhě]
現代主義者 英文
modernist
  • 現 : Ⅰ名詞1 （現在; 此刻） present; now; current; existing 2 （現款） cash; ready money Ⅱ副詞（臨時; ...
  • 代 : Ⅰ動詞1 （代替） take the place of; be in place of 2 （代理） act on behalf of; acting Ⅱ名詞1 （歷...
  • 義 : Ⅰ名詞1 （正義） justice; righteousness 2 （情誼） human ties; relationship 3 （意義） meaning; si...
  • 者 : Ⅰ助詞1 （用在形容詞或動詞後面 或帶有形容詞或動詞的詞組後面 表示有此屬性或做此動作的人或事物） 2 ...
  • 現代 : 1 （現在這個時代） modern times; the contemporary age [era]2 （現代的） modern; contemporary現代...
  1. The paper explains the relationship between divina commedia and modern literature in the social, cultural and artistic way in the angle of modern readers

    本文主要從現代讀者角度出發，從社會、文化、藝術（形式）三方面去詮釋《神曲》與現代主義文學之間的聯系。
  2. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
  3. D. w. hill, the impact and value of science, london, new york, melbourne : hutchinson ' s scientific & technical publications, chapter 1

    克瑞傑： 《沙灘上的房子? ?后現代主義者的科學神化曝光》 ，蔡仲譯，南京：南京大學出版社， 2003年第1版，第479頁。
  4. This paper began from the definition gender and analyzed the traditional concepts of equality and tried to explain that the former what - is - called equality wrong point of view which wanted to efface the existing difference between man and woman and wanted to get the absolute equality. with the help of some postmodern terms and views, the writer tries to descontruct the traditional mode of equality and tries to take advantage of the individual characters of man ' s and woman ' s to make them can enjoy differential equality on the basis of admitting the i nfluence of gender on man and woman. the writer also suggests that the party that take more duties or lossed because of the differential equality should be compensated by the government through the laws, policies and economic approaches

    然而，現實生活中，女性得到的平等權仍是形式上的平等，離真正的男女平等還相差甚遠，造成此現象的原因是多方面的，本文僅從「社會性別」這一概念入手，通過對傳統平等觀的剖析，說明以往的平等權是一種企圖抹殺客觀存在的男女性別差異和社會性別的影響，要求男女絕對一樣的平等的錯誤觀點，筆者藉助后現代主義的部分觀點試圖解構這種傳統固定的平等模式，以期在承認社會性別對男女影響的基礎上，發揮、利用男性與女性各自的優點和特點，對其實行有差別的平等，對由於實行「有差別」的平等給女性（或男性）造成的損失或對多承擔義務的一方，國家從法律、政策、經濟等多方面對受損害者和多承擔義務者給予救濟，以此達到女性平等權的真正實現。
  5. Professor featherstone of nottingham trent university, one of the most influential participator in post - modernism and cultural globalization debate, has devoted himself to a vast project - new encyclopedia project recently

    摘要英國諾丁漢特倫特大學社會學與傳播學教授費瑟斯通，作為后現代主義和文化全球化論爭最有影響的參與者之一，最近致力於並將在今後很長一段時間都要從事的浩大工程新百科全書工程。
  6. Two causes can be identified for this : the first cause is external, by which more and more appropriations of post - structuralism and post - modernism from the west have led cultural criticism to the pursuit of an impromptu pleasure, thus making cultural criticism into an intelligent game which is of great fun but not very practical ; the second cause is internal, by which intellectuals have changed their roles from " legislators " to " interpreters " since 1990 ' s, who, on one hand, could not take the responsibility of criticism, and on the other, changed the nature of cultural criticism by bringing a set of ideologies and ideas into it

    形成這種局面的原因有二：越來越多地借用解構主義和后現代主義色彩的理論資源使得文化批評更注重追求一種即時反應的快感，文化批評變成了好看、好玩卻不解決實際問題甚至有可能遮蔽實際問題的智力游戲，這是其外部原因； 20世紀90年代以來，知識分子的角色發生了從「立法者」到「闡釋者」的轉型， 「闡釋者」一方面無力承擔批判的重任，一方面又把相關的一套觀念和理念帶入文化批評中而使其改變了顏色，這是其內部原因。
  7. Unfortunately, this modernist interest in geometric simplicity and function became exploited for profit

    不幸的是，這些現代主義者感興趣的是幾何的樸素和功能上變得更有利益。
  8. Different conceptions of modernity between habermas and the modernist result in opposite viewpoints on modern culture

    對現代性的不同理解是哈貝馬斯和后現代主義者思想分歧的根本原因。
  9. Post - modernists attack it for being biased, self - deluded and ultimately responsible for the worst in western civilisation

    后現代主義者批判它有所偏袒，自欺欺人，最終導致了西方文明最為詬病之處。
  10. It was not the official provincial standard, a modernist take on the union jack, which newfoundland had used until 1980

    這並非官方認可的旗幟，而是現代主義者對英國國旗稍加修改後的結果，紐芬蘭在1980年之前一直使用這面旗幟。
  11. About the question of modernity, the post - modernists center on the criticism of enlightenment, the non - narration, and the way of western thought

    后現代主義者對現代性問題的批判主要集中在對啟蒙精神的批判，對「元敘事」的批判；對西方傳統思維方式的批判等幾個面。
  12. In the meaning of modernization that foucault used, deng zhenglai is a modernist : in the meaning of modernity that habermas used, deng zhenglai is also a modernist

    在福柯所詮釋的「現代」意義上，鄧正來是一個現代主義者；在哈貝馬斯理解的「現代性」意義上，鄧正來依然是一個現代主義者。
  13. The western modernity has greatly promoted the development of human society. but because of the self - limitation, it gradually gets trapped in the cries, and results in the criticism of post - modernists

    西方現代性在人類社會歷史曾起過非常重要的推動作用，但由於自身的局限，漸漸陷入了危機和困境，引起了后現代主義者的激烈批判。
  14. Just like to correct the deconstructive post modernism, and the represent of constructive post modernism david griffin approved of the critical which deconstructive post modernism to the modernism, but they put more attention to constructing

    格里芬為代表的建構性后現代主義者盡管贊同解構的后現代主義對現代性的批判，但更側重在其開辟的空間從事建構性耕耘。
  15. Marxism ' s critics theory and its spirit has great influence for the development of post - modernity, and the post - modernists " critics for the modernity, in some respect, can be said that it is the lasting of marxism ' s thought

    馬克心主義的批判理論和批判精神對后現代主義思潮的興起產生了重大影響，后現代主義者對現代性問題的批判某種程度上可以說是馬克思主義批判思想在當代的延續。
  16. Frequently reviled by feminists of our generation, le corbusier was in fact one of the few modernist architects to give serious consideration to the role of women in contemporary society, believing them to be instigators of change and an important force in the advancement of society

    柯布西耶，雖屢次地被女性主義者辱罵，而事實上，卻事實上是少數嚴肅看待女性在當代社會角色的現代主義建築師。
  17. It is emphasize the initiative, social ized and circumstances study and carry on teaching activities in a kind of atmosphere of solving the real problem. on the point of view of post modernism subject concept, the goal of the subject may not anticipated, the content may not be a stable and absolute one. kveryone is explorer and designer of the subjects, and the subject is a process of exploring the new knowledge

    建構主義課程觀是一種與探究性學習密切相關的課程設計理念，強調學習的主動性、社會性、情境性，試圖在解決真實問題的情境中進行教學；后現代主義課程觀則認為課程的目標不是預先確定的，課程內容不應是穩定的和絕對的，所有的課程參與者都是課程的開發和設計者，課程是師生共同探索新知的過程。
  18. Le corbusier, swi - born french architect and writer. the most powerful advocate of the modernist school, he designed numerous functional concrete buildings and high - rise residential complexes

    柯勃彥，瑞士裔法國建築學家和作家，現代主義學派最有力的倡導者，他設計了大量的功能主義混凝土建築和高樓住宅區。
  19. Le corbusier, swiss - born french architect and writer. the most powerful advocate of the modernist school, he designed numerous functional concrete buildings and high - rise residential complexes

    柯勃彥，瑞士裔法國建築學家和作家，現代主義學派最有力的倡導者，他設計了大量的功能主義混凝土建築和高樓住宅區。
  20. Fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜。
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