生命之詩 的英文怎麼說
中文拼音 [shēngmìngzhīshī]
生命之詩
英文
poem of death-
The paper observes wang xiao ni ' s poetry from three aspects : the personality characteristic of subject " i " ( poet ), and her mental state of unifying all creations on the earth ; her artistic world emerged in her poetry with the core being her understanding of life essence, namely what she has seen ; the visual manner of the subject in understanding and realizing the world, and her intelligence of " high tone "
從三個方面考察了王小妮的詩歌：主體「我」 （即詩人）的個性特徵和與萬物齊一的精神境界；詩歌文本所呈現的藝術世界，其核心是對詩人所理解的生命本質的呈現，即詩人之所「見」 ；主體認識和感悟世界的「看」的直觀方式以及「處低」的智慧。Yu jian usually focuses on nature aesthetically in two ways ; one aims to reveal the charm of living nature in detail and the other aims to resume the charm of nature by refusing metaphor and symbolism guided by practical aesthetics
摘要于堅詩歌中對自然的審美化關注，是從兩種不同角度和途徑抵達的：其一，是通過對自然生命的細節摹寫展示其本身的魅力；其二，是以「拒絕隱喻」的自然書寫來抵禦實踐美學指導下的象徵傳統，進而完成對自然的復魅之旅。Master s innermost feelings about romantic love, human relations, spiritual devotion, and the ephemeral nature of life are revealed with both power and charm
醉的詩文，師父揭露了她內心深處對于浪漫的愛情人與人之間的情誼靈性的虔誠奉獻以及對生命無常的本質等感觸。I, bous stephanoumenos, bullockbefriending bard, am lord and giver of their life. he encircled his gadding hair with a coronal of vineleaves, smiling at vincent
我，斯蒂芬的公牛精神250 ，閹牛之友派大詩人251乃是它們的主人，又是賦與它們生命的人。 」This paper, based on analysis of the number of poems and the group of poets mentioning song yu as well as their adoption of his phrases, shows how song yu is received in the tang poems, how his gaotang ' s fairy allusion and sad autumn theme were developed and accepted by poets in the tang dynasty, and furthermore, how this theme was merged with the tang poets ' creation and life experience
摘要唐人詩作中多詠嘆宋玉及引用化用其辭賦之作，通過對唐詩中提及宋玉之詩作數量、詩人群體及採用宋玉辭賦時所踏襲之語匯諸端的分析，可看出唐人在詩歌創作方面對宋玉的接受情況，進而揭示「高唐神女」用典系列在唐詩中的嗣響與發展，細繹「窮士悲秋」主題為唐代詩人接受的原因和接受的方式，從而解析此主題在唐人詩歌創作實踐中與創作主體生命體驗的相互滲透、融合及表現。The reader believed his name was already written in the lamb s book of life, and he yearned after the hour which should admit him to the city to which the kings of the earth bring their glory and honour ; which has no need of sun or moon to shine in it, because the glory of god lightens it, and the lamb is the light thereof
他在朗讀那一章最後幾句壯麗的詩句時，露出一種平靜而克制的得意之情，混雜著竭誠的渴望。這位朗讀者相信，他的名字已經寫在羔羊生命冊上了，他盼望著允許他進城的時刻，地上的君王已將自己的榮耀光照，又有羔羊為城的燈。Poetry creation ， poet of haizi, one lick blood but course of song, it is can brilliant because of burning of the blood and fat to be, change sentence is it say poem of haizi to spend precise condensed blood of life to come, it is the brilliant work of poetry circles cast with the cost which spends the life freely, so only understand deeply the poet ' s experience of life, existence state, mind experience, emotion turbulence, poem point to, ultimate value, could find out about by haizi and poems of haizi deeply, could last this thesis of intentions to way of poem
詩人海子的詩歌創作，是一個舐血而歌的過程，是因為血和脂的燃燒而得以輝煌，換句話來說，海子的詩歌是用生命的精血凝練而成的，是用揮霍生命的代價鑄就成的詩壇華章，因此只有深刻了解詩人的人生經歷、生存狀態、心路歷程、情感動蕩、詩作指向、終極價值[ 1 ] ，才能深刻了解海子以及海子的詩歌，才能直逼本論文意旨所向的詩歌之道。That was when i began to do good work, when i wrote adventure, joy, the pot, the wine of life, the jostling street, the love - cycle, and the sea lyrics
那就是我開始寫出好作品的時候。那時我寫了冒險罐子生命之酒擾攘的街道愛情組詩和海上抒情詩。He discovered in himself, at this period, a passion for perfection, under the sway of which he rewrote and polished " the jostling street, " the wine of life, " joy, " the " sea lyrics, " and others of his earlier work
這個階段他發現自己有了一種追求完美的熱情。在那種情緒支配之下，他修改了潤色了他早期寫作的擾攘的街道生命之酒歡樂海上抒情詩和一些別的作品。X handed up one piece of grace, air - sounding and affluent symphony of prehistorically life by way of poetry
總而言之， x先生通過詩歌交給人們一部優美動聽的豐富的史前生命交響曲。" enlightenment is the process of knowing what is greater than life, what is greater than the things we can see with our physical eyes, or touch with our physical instruments ; it is the moment when we begin to know something greater than that, the true governor of the whole universe, which is also within ourselves.
在詩作中，他都用見證這個詞去描述日常生活中這種令他好奇想一窺究竟卻又不執著的體驗，這些體驗可說是生命游戲的一環，也可說不是，就如同他在真我之歌里所描述的一樣。The so - called historical imagination requires that the poets have both historical consciousness and contemporary concerns, a deep understanding and a conscious investigation into the interface between existence - of individual being - and the culture as well as a language that has been indeed in a difficult situation
「歷史想象力」要求詩人具有歷史意識和當下關懷，對生存、個體生命、文化之間真正臨界點和真正困境的語言有深度的理解和自覺挖掘意識，能夠將詩性幻想和具體歷史語境的真實性作扭結一體的遊走，處理時代生活血肉之軀上的噬心主題。It is a vision that conveys life ' s complexity by superposition of several of it ' s dimension, through the eyes of a poet
透過她那雙詩人的眼，那種洞悉力，能從交疊著的不同層面傳達出生命之復雜性。分享友人