色彩明暗 的英文怎麼說

中文拼音 [shǎicǎimíngàn]
色彩明暗 英文
color shade
  • 色 : 色名詞[口語] （顏色） colour
  • 彩 : 名詞1 （多種顏色） variegated colour 2 （彩色絲綢） coloured [variegated] silk; colour festoons 3...
  • 明 : Ⅰ形容詞1 （明亮） bright; brilliant; light 2 （明白;清楚） clear; distinct 3 （公開;顯露在外;不隱...
  • 暗 : Ⅰ形容詞1 （光線不足; 黑暗; 暗淡） dark; dim; dull 2 （不顯露的; 秘密的） hidden; secret 3 [書面語...
  • 色彩 : colour; hue; tint; colouration; tincture; blee; shade
  • 明暗 : light and shade明暗燈 occulting light; 明暗度 shading value; 明暗對照法 [繪畫] chiaroscuro; 明暗...
  1. Many dunhuang paintings of the sixth century, joined western chiaroscuro technique to chinese linear style, the artist generated three - dimensional volume and movement through thickening - and thinning calligraphic brush lines without the help of color or shading

    許多6世紀敦煌壁畫將西域的明暗技法跟中國的線條用筆結合起來，畫家不藉助於色彩和陰影而是通過粗細有致的書法線描展現了他們對體積和運動的三維認識。
  2. Based on the fluffy appearance of the clouds yarn and eye - lock yarn generated by the special feeding and twisting process, the mathematical model is implemented by using the characteristic parameters of these yarns and their colors ' brilliances

    摘要根據大肚子紗，鎖眼紗特殊的喂入及加捻方式而形成的蓬鬆外觀，描述兩種紗線的特徵參數，並處理色彩明暗度，建立數學模型。
  3. However, one cannot get a satisfactorily realistic image even when the scene is depleted of the hidden facets. chapter 4 will be an introduction of the treatment of different lighting effects produced on the surface of an object, and of how to get a more realistic image by applying different shades of color, which determines the realistic effect of scenes and images

    但僅對場景進行隱藏面消除所得到的圖像真實感是遠遠不夠的，在第四章中，介紹如何處理物體表面的光照明暗效果，通過使用不同的色彩灰度，來增加圖像的真實感，這也是場景圖像真實感的主要來源。
  4. Whenever that look appeared in her wild, bright, deeply black eyes, it invested her with a strange remoteness and intangibility ; it was as if she were hovering in the air and might vanish, like a glimmering light, that comes we know not whence, and goes we know not whither

    每逢她那狂野明亮漆黑的眼暗中出現那種神情時，她便蒙上一層遠不可及的神秘色彩，彷彿正在空中翱翔，隨時都可能消失，就象不知來自何處去往何方的閃光似的。
  5. Puts on the model simple plait skirt or the trousers, color choice brilliance and color article low dark color

    穿式樣簡單的打褶裙子或長褲，顏色選擇明度和彩文較低的暗色。
  6. The front part uses the bright color in the middle while darker color on the two sides. the upper part of the brighter color is wider than the lower part while the upper part of the darker color part is narrower than the lower part. the contrast of color and stripes leaves an vivid impression and overcome the shortcoming of the old machines - boring and monotonous

    Klk的外觀針對大屏幕液晶觸摸查詢一體機設計，其機身正面採用中間亮色兩側暗色，且亮色部分上寬下窄，暗色部分上窄下寬，這樣通過色彩和線條的鮮明對比，克服了同尺寸的klb等其他老機型，機身正面過寬且直上直下，臃腫呆板的缺陷。
  7. Adorned in frost sprinkled gowns the colour of sunrise, the fairies of time, translucent and so dazzling that they set the sky ablaze, prepare to enchant the evening with a stunningly beautiful vision

    霜霧繚繞的長縷泛出拂曉的色彩，半透明而熠熠發光，時間仙女的倩影令天空蓬蓽生輝，那勾魂攝魄的美麗身姿還讓暗夜著了魔。
  8. Later investigations, intensifying after 9 - 11, found essentially the same results, along with anger about specific policies, particularly us support for the brutal israeli occupation of the conquered territories and the murderous sanctions that were devastating the civilian population of iraq

    之後的調查，尤其在9 ? 11事件之後，得出了與以前相同的（本質上的）結論：美國帶有明顯偏袒色彩的特別政策，間接支持了殘暴的以色列政府的領土擴張行動和暗中授意的殘殺行動。
  9. This paper is based on such theoretical foundations to study the interface making problem : the theory of systematic science, the theory of educational psychology, the theory of aesthetics of transmission, the theory of aesthetics of acception, the theory of linguistics, and the theory of chinese education, etc. from the systematic science ' s point of view, chinese interface is an interface system formed of medias, such as characters, symbols, figures, pictures, cartoons, audios and videos etc. in order to obtain chinese interface system ' s optimum efficiency, to make chinese interface must handle part and whole, orderly and unorderly, structure and function, behavior and purpose relations of interface well

    在此基礎上，本文簡單考查了多媒體輔助語文教學界面製作的類型，然後全面深入地對語文界面製作的內容進行了闡述：具體論述了界面整體設計中的三個主體（界面窗口，交互方式，導航策略）和五對關系（形色、動靜、虛實、遠近，背景與前景、主體與陪體，抽象與具體，明暗與質感，動靜與出入）的設計；深入探討了語文界面語言（文字與字體，圖標、圖形、圖像與色彩，動畫，音頻，視頻等）在界面製作中的運用問題。
  10. This film will give print better contrast and more accurate color rendition

    這底片將使照片具有更好的明暗對比和更逼真的色彩。
  11. This film will give prints better contrast and more accurate color rendition

    這底片將使照片具有更好的明暗對比和更逼真的色彩。
  12. Select books for your child that include illustrations that are brightly colored or can stimulate a child ' s imagination. avoid books with abstract content or dark and gloomy colors

    替孩子選擇讀物時可從插畫的品質著手，尤其可挑選色彩鮮明或充滿想像力的插圖，應避免挑選內容深奧或顏色晦暗的圖畫書。
  13. Speaking of the identical thing, because observation angle of view, distance, direction, highly different, its situation structure, the color brilliance, the line change, the light and shade and so on inevitably is in turn different, thus appears each different picture

    對同一事物而言，由於觀察視角、距離、方向、高度不同，它的形勢結構，色彩明度，線條變化，明暗交替等必然不同，從而顯現出各個不同的畫面。
  14. The supreme master did not receive formal academic training in the arts. so when she paints, she skips preliminary sketching and instead directly applies expressive patches of color to the canvas, creating gradations of tone through three - dimensional perspective

    她沒有受過學院式訓練，作畫沒有經過線條素描的階段，而是直接以色塊來表現，色彩已具立體搭配，也具有明暗漸層的透視表現。
  15. Moreover, mr. wu asserted, supreme master ching hai received no academic training, yet she skips line sketching and goes straight ahead with direct expressions in colors. her color use is three - dimensional in perspective, featuring gradual shades of brightness. thus, to appreciate the supreme masters paintings, we may view their overall composition

    吳開乾說：清海無上師沒有受過學院式訓練，但作畫並沒有經過線條素描的階段，而是直接以色塊來表現，色彩已具立體搭配，也具有明暗漸層的透視表現。
  16. The post - cinema product ’ s ability of message creavity and transferance make the difference from other common goods under the globalization background. the post - cinema product as media has the persist ability of propagandizing, and therefore it is somewhat tinged with color of ideology

    在全球化的背景下，后電影產品的信息創造和傳遞能力使其區別於一般意義的商品，它作為衍生媒介具有持續宣傳能力，所以，后電影產品帶有或明或暗的意識形態工具色彩。
  17. These layers of paper form a bright new canvas of a nation ' s dark history

    這一層層的紙為這個國家灰暗的歷史構造了一幅色彩明快的新油畫。
  18. Having created basic shapes i start to put rough color inside

    概述，色彩和明暗創造了基本形狀，我開始把粗糙色內
  19. This requests the examinee when doing painting, must on the one hand consider on the other hand the color relations to grasp the sketch relations, according to former does painting the experience and understood to the object physique structure assurance, holds the big light and shade relations

    這就要求考生在作畫時，須一邊考慮色彩關系一邊把握素描關系，根據以往的作畫經驗和對物體形體結構的把握和理解，抓住大的明暗關系。
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