電影文學 的英文怎麼說

中文拼音 [diànyǐngwénxué]
電影文學 英文
movie literature
  • 電 : Ⅰ名詞1 （有電荷存在和電荷變化的現象） electricity 2 （電報） telegram; cable Ⅱ動詞1 （觸電） give...
  • 影 : Ⅰ名詞1 （物體擋住光線后映出的形象） shadow 2 （鏡中、水面等反映出來的物體形象） reflection; image...
  • 文 : Ⅰ名詞1 （字） character; script; writing 2 （文字） language 3 （文章） literary composition; wri...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 電影 : film; movie; motion picture
  • 文學 : literature
  1. French : your love of poetry, culture and artsy movies means that french is perfect for you. study up and you can spend afternoons discussing philosophy over a cup of coffee

    法語：你喜歡詩歌、文化和文藝類的電影，這都意味著法語更適合你。好好學習，你就可以在下午一杯咖啡的時間內討論哲學了。
  2. Urban folklore - collection of essays on and images of urban folklore, including murals and graffiti, body art, urban legends, hip - hop, and folklore in movies

    市民俗文化論文集形象和都市民俗學，包括壁畫和塗鴉，人體藝術，都市傳說，嘻哈，和民俗的電影
  3. So the current huisology needs supplementary study quickly, and at present the urgent work is that combine huisology with anthropology, and gain more achievements in saving intangible cultural heritage, making ethnographical film and hius cultural interpretation and so on

    當下回族研究應盡快自我補課，眼下最緊迫的工作是，與影視人類學結合起來，在搶救非物文化遺產、製作民族志電影以及回族文化解釋等方面有所作為。
  4. Our task will not be to provide a definitive or full analysis of the literary or filmic work, but to exploit it to understand better theories of literary interpretation

    我們的目的並不是對文學或電影作品提供決定性或完整的分析，而是通過對作品的探索以進一步理解文學闡釋的理論。
  5. Even with a framework stemming from poe ' s short story, there are still some major skills they have to demonstrate if they want to convert a literary narrative into a filmic / video narrative

    即使有出自愛倫?坡的短篇小說的框架故事，然而，要把把文學敘事轉變成電影或電視錄像的敘事，仍然有一些主要的技巧是他們必須演示的。
  6. " hybridity and ( g ) local identity in postcolonial hong kong cinema, " in sheldop lu and emilie yeh eds., chinese - language film : historigraphy, poetics, politics. honolulu : university of hawaii press, 2005, pp. 312 - 328

    早期香港新浪潮電影： 「表現不能表現的」 ，羅貴祥、文潔華編： 《雜嘜時代：文化身份、性別、日常生活實踐與香港電影1970s 》 （香港：牛津大學出版社， 2005 ）頁195 - 209 。
  7. The theme of insanity has recently become a staple in literature, art, drama and film.

    精神錯亂近來已成為文學，藝術，戲劇和電影的主題。
  8. The " hong kong cinema retrospective " section of the annual hong kong international film festival hkiff has been since the late 1970s organising topical programmes and publishing accompanying catalogues, laying the foundation for methodic studies of hong kong cinema predicated on the retrieval of dissipated film prints, compilation of filmographies, and erudite papers contributed by scholars and critics

    香港國際電影節中的香港電影回顧部分，自七十年代末每年按專題舉行回顧展，過程中追尋影片拷貝下落整理年表目錄邀請學者和影評人撰寫文章，為香港電影研究奠下了深厚的基石。
  9. 1976 wrote film scenario i and ii edition of unknown book ( my red guard age ), published on the qin hua university chinese on - line net

    1976年編寫電影劇本上下集《無名的書》 （ 《我的紅衛兵年代》 ）待拍，在清華大學中文在線網上發表。
  10. Yes, billions of people in the past 40 years have been introduced to jesus through films, through literature and through over a million people who have been trained to be the sharers of the good news of jesus christ

    在過去四十年他透過電影文學和各種途徑向數十億人傳福音，也訓練了數百萬人，去跟別人分享耶穌基督的福音。
  11. An - chi wang. 2000. “ the american dream ideology in john updike ' s rabbit tetralogy. ” ntu studies of language and literature 9 ( april 2000 ) : 227 - 68

    王安琪。 1998 。 《仕女圖》 :珍康萍電影與亨利詹姆斯小說。美加文學與電影專題：慾望與死亡的拼貼《電影欣賞》總第94期（ 1998年7 - 8月） ：頁19 - 26 。
  12. Integrating the abundant resources and the extremely higher talented people in shanghai culture industry, taking advantage of fudan university ' s high academic and management experience, making full use of the boarding units smeg and wenhui - xinmin united press group and their attached tv stations, film studios, theatres, the performing troupes and the publications, performing and art college is an international - oriented college cooperating with the well known universities and medias both at home and abroad

    表演藝術學院整合上海文化產業的豐厚資源和高端人才，依託復旦大學的學科資源和百年教學管理經驗，廣泛利用董事單位? 「上海文化廣播影視集團公司」下屬的電視臺、電影製片廠、劇院、演出機構， 「文匯新民聯合報業集團」下屬的報刊、雜志等豐富資源，並與國內外著名大學和媒體合作，突出學院國際視野的辦學理念。
  13. The point is not only that the poems allude to chaplin, but that they often derive their own sense of literary aesthetics, paradoxically, from film aesthetics

    重點不僅是詩中提到卓別林，還有它們矛盾地從電影美學中得到對文學美學的感知。
  14. This essay applies the auteur approach to analyze the cinematic aesthetics of huangmei opera films of li han hsiang, the most important director of the huangmei opera film genre

    本篇文章是採用作者論方法學去分析黃梅調電影類型最重要的導演李翰祥的電影美學。
  15. To complement our “ director in focus ” retrospective of lee ' s work, prominent hong kong poet ye si will talk about the cinematic and literary aesthetics in lee ' s films

    為配合是次導演焦點環節，我們很榮幸請來著名詩人也斯，為我們剖析李滄東的作品，讓我們細看李滄東的電影美學和文學性。
  16. From tianjin experiment senior school, to be good at flute, and like to research movie literature and making own cd

    來自天津市實驗中學，擅長長笛演奏，愛好製作自己的長笛cd ，研究電影文學。
  17. It is no point for me to live anywhere in the world, without you besides me, without you in my life

    當然了，生命中的她還沒有出現，我的要求其實不高吧，中大師妹，小我3 - 5歲，會彈鋼琴，文靜喜愛電影文學。 。 。
  18. The catalogue consists of analytical articles discussing the career and works of king hu, filmmaker par excellent of martial arts pictures. there are also many interviews of hu s co - workers and colleagues. other articles include specialised discussions on the screen achievements of writer eileen chang

    對武俠宗師胡金銓的作品分析、總論，並訪問大量曾與他合作的電影人、文化人，胡氏作品與為人。另有篇幅專論張愛玲與電影的緣份，對電影文學的貢獻。
  19. Her articles on cinema, media, and popular cultural history were published in major journals and anthologies. her latest book, hong kong connections : transnational imagination in action cinema, co - edited with prof. stephen chan ching - kiu and dr li siu - leung co - published by hong kong university press and duke university press, provides an indepth analysis on cinema culture

    一直以來，她所出版的著作包含了電影傳媒通俗文化歷史的形成誇國文化等范疇，例如墨美姬教授與嶺大文化研究系陳清僑教授及李小良博士推出最新著作「 hong kong connections : transnational imagination in action cinema 」香港大學出版社及杜克大學出版社出版，有助讀者了解及分析電影文化而她的文章在世界各地的報刊及學術期刊內發表，在文化界甚具影響力。
  20. Based on the esthetic textual analysis of persona, filmed by swedish director ingmar bergman, this article discusses the philosophic and esthetic relationship lying in human beings ' language and silence, and then discusses the ontological significance that films possess as a specific form of the language

    摘要通過對瑞典導演伯格曼的電影《假面》所進行的電影美學方面的文本分析，探討存在於人類的言語與沉默之間的哲學與美學關系，並進而探討電影作為一種語言的形式的本體論意義。
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