黑澤明 的英文怎麼說
中文拼音 [hēizémíng]
黑澤明
英文
akira kurosawa-
Cinespot : a great auteur - yasujiro ozu
Cinespot動映地帶:黑澤明的電影文化Their testimonies give us an inflated sense of their own importance. another issue that kurosawa wants to convey is hope. although human nature contains weakness for instance, the cunning and deceptive woodcutters and the egotistic bandit and wife show the bad side of human being, nevertheless, kurosawa still reminds us of hope through the ending of the film
片中主角三船敏郎飾演一個性格略帶瘋狂的強盜，狂妄的演繹方式和電影角色配合，加上豐富的身體語言，其演出實是令人一看難忘，亦不難令人明白為什麼他能成為黑澤明電影的卸用主角。1958, with its use of anachronistic sets and lighting influenced by kabuki theatre, greatly influenced a generation of filmmakers such as kobayashi masaki
和黑澤明同年出道，聲譽相當，但黑澤明的陽剛風格得寵國外，而木下的陰柔纖細，更合日本女性口味。The central hero s dilemma of being down on his luck and his creeping blindness is typical of to s ironic depiction of pathological heroes in his series of action films and romances
重拾黑澤明的俠義世界，勉勵香港人由谷底再次爬起，亦寄語四年在異樣夜色與迷惑街道里起步前行，旭日初升。Bear that in mind and you ll probably enjoy it more
不過，不知泉下有知的黑澤明，會否滿意影片的成績？The omission of certain actions seems to obscure the viewers since the theme of the story is about family relationship, there should be more delineation about the actual confrontation or conflict between the parents and their children. however, ozu s omission of these scenes does in fact maximize the narrativity of the film. in this scene, it reinforces the alienation and estrangement between the parents and the children successfully
本身興趣攝影的他，本欲當攝影師，但是在誤打誤撞下，他被黑澤明看中並成為演員，從此兩人合作無間，拍攝出不少猛片，三船敏郎更兩度于國際電影節稱帝用心棒赤鬍子，而赤鬍子亦成為兩人最後一次合作的電影。No regret for our youth do not have any action scenes at all, but they are absolutely the best of kurosawa s works, along with his samurai films. this film is about the life and struggle of yukie yagihara setsuko hara, the daughter of an expelled university professor
《我對青春無悔》是黑澤明早期作品，主角是由原節子飾演的大學教授女兒，她和教授兩個學生特別要好，后來其中一個學生（藤田進）成為反政府分子，另外一個則是公務員。To most of us, the most valuable part of this film is definitely the interviews with akira kurosawa, the man himself. as a celebrated and prestigious director, kurosawa was never fond of being interviewed
全片以訪問片段為主，配上一些舊片的拍攝花絮和片段，讓觀眾能對黑澤明拍攝電影的過程有更深入的了解。This kind of genuine love and care for characters are rarely seen in any other films throughout the history of narrative film
活人的記錄-一值得反思的電影，不少人評為黑澤明的失敗作，但是細看下則覺有另一番味道。Many of the director s most enduring themes can be traced from here, from his feather - light comedic touches to the idyllic settings and his overall faith in the goodness of the human race
木下的溫柔和諷刺，初露鋒芒。同年黑澤明首作姿三四郎也稍遜風騷，讓木下奪新人獎。In this grim yet exquisitely composed film, kobayashi masaki delves into the world of the 17th - century samurai, examining " the honor in death - and the.
本片是日本武士道影片中的經典作，名氣和成就都不下於黑澤明用心捧和穿心劍。In this grim yet exquisitely composed film, kobayashi masaki delves into the world of the 17th - century samurai, examining " the honor in death - and the death of honor " time
本片是日本武士道影片中的經典作，名氣和成就都不下於黑澤明用心捧和穿心劍。However, since the movie was not directed by kurosawa, and we also don t know how much changes kei kumai and his collaborators have made to the original script, you should not expect it to look exactly like a kurosawa s movie
雖然影片始終不是由黑澤明親自執導，我們亦無法得知導演熊井啟曾否對劇情作出任何刪改，但顯而易見地，黑澤明的烙印，在片中處處可見。Most of them, for instance,
黑澤明的電影文化The two of them manage to get through hardships together. what makes this film special is without doubt kurosawa s rare concern on women
影片在視覺上的表現算是做到賞心悅目，色彩的對比運用突出，不少場景根據黑澤明的storyboard拍攝都拍得優美。He always said he could not define his own style
黑澤明一向少談自己作品的內容。17 kurosawa ' s peasants decided to fight fire with fire
黑澤明電影中的農民決定以其之道還治其身。This is probably the most contsetable film among kurosawa s works
很可能是黑澤明最具爭論性的作品。Cinespot : message from akira kurosawa - for beautiful movies
Cinespot動映地帶:黑澤明之信息-美好的電影Decide to fight back. but can their bumbling lawyer hiruta shimura,
的沉重世界，在黑澤明鏡下更具立體的人情味。分享友人