burden depth 中文意思是什麼

burden depth 解釋
爆破縱深
  • burden : n 1 擔子,馱子;負荷,裝載量,載重噸數。2 負擔,包袱,重累。3 責任,義務。vt 1 使負重擔;使煩惱,...
  • depth : n. 1. 深;深度。2. (色澤的)濃度;(聲音的)低沉;(感情等的)深厚,深沉,深刻。3. 進深。4. 〈常 pl. 〉深處;深淵,深海,海。5. 正中,當中。6. 深奧,奧妙。
  1. In which, it gives inquiring of the construction of deep - water foundations and the usage of floating crane. the construction program of bridge pier foundation will be fixed according to the water depth. if the water depth is less than 4m, pier foundation will adopt the method of building island by earth filling ; if the water depth is more than 4m and there is over burden at river bed, at the same time, it has sufficient bearing capacity to load steel pipe pile, the steel pipe pile platform will be adopted

    其中,對深水基礎的施工及浮吊的使用進行了探討,根據水深確定橋墩基礎的施工方法,對水深不超過四米的橋墩基礎,採用填土築島的方法:對水深大於四米,河床有覆蓋層,且能保證鋼管樁具有足夠的承載力的橋墩,採用鋼管樁平臺;對主河道上河床沒有覆蓋層,鋼管樁無法插打的橋墩,採用浮式平臺。
  2. The main factors have been determined to be the depth and width of hole, the strength of surrounding rock, the types of detonator, the decoupling coefficient, burden and unit consumption form what has been discussed, the author make use of those major factors as standard of affection and studied bp neural networks " work principle, structure and defectiveness. a model of modified bp neural networks has been used to built model in order to identify selection and optimize of blasting in rock anchor beam. triumphant parameter design of blasting were selected as a example, in order to perform network of parameter design

    確定以炸藥類型、最小抵抗線、孔深、炮眼間距、不耦合系數、線裝藥量、巖石強度和巖體完整度為主要影響因素;把改進的bp演算法應用在爆破參數優化設計中,建立以炸藥類型、最小抵抗線、炮孔深度、炮眼間距、線裝藥量、不耦合系數、巖石強度和巖體完整度為主要影響指標,選擇45例國內外成功的爆破參數設計實例為樣本,利用bp神經網路進行爆破參數優化設計,並通過現場保護層和巖臺修面爆破試驗以及對其松動圈范圍進行聲波測試,其測試結果最優的爆破方案其松動圈最小,這與神經網路進行參數優化設計的爆破方案相吻合。
  3. The contradictions inherent in our age and in our lives are reflected in karla gaenssler s art as zest, on the one hand, and as the consciousness of the burden of existence, on the other. her zest arises from experiencing the depth and individuality of life itself and the primal nature of things in general, of which her materials are of course a part

    然而"譏諷"從來不是karla的主題之一,她的作品多半是安祥的,而又有一種"非如此不可的"藝術安排,就像"自然"安祥地安排巖石,於是她移情巖石, "自然"的安祥與力的斂聚才是她的主題。
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