diegesis 中文意思是什麼
diegesis
解釋
敘事引導-
In this film, we are seeing the diegesis through the eyes of yukie
從戲中人物可見，人是主動的，而不是環境控制人。 -
Drama rather builts up slowly from banal and routine events like cooking, driving the mini - bus and picking up the kid from school. through these daily life encounters, the movie spontaenously draws you into the diegesis so that you will gradually laugh and cry with the characters as if they are your friends and family members. talking about the theme, just as the cantonese title " mong bat liu " ( literally " hard to forget " ) hints, what the filmmaker wants to convey is to encourage hong kong people to forget the past and embrace the future
另外，和小津一樣，爾冬升為《忘不了》設計了一個很簡樸而寫實故事，情節上一點也不誇張戲劇化，而是刻意從一些生活點滴入手，例如接放學、煮飯、駕車等，劇力往往就在這些細節瑣事慢慢建立，到了后來的戲劇高潮位，就自自然然把觀眾的情緒抓緊，切底地投入于故事之內，和片中角色一起感受樂與悲。 -
Drama rather builts up slowly from banal and routine events like cooking, driving the mini - bus and picking up the kid from school. through these daily life encounters, the movie spontaenously draws you into the diegesis so that you will gradually laugh and cry with the characters as if they are your friends and family members. talking about the theme, just as the cantonese title " mong bat liu " literally " hard to forget " hints, what the filmmaker wants to convey is to encourage hong kong people to forget the past and embrace the future
另外和小津一樣爾冬升為忘不了設計了一個很簡樸而寫實故事情節上一點也不誇張戲劇化而是刻意從一些生活點滴入手例如接放學煮飯駕車等劇力往往就在這些細節瑣事慢慢建立到了后來的戲劇高潮位就自自然然把觀眾的情緒抓緊切底地投入于故事之內和片中角色一起感受樂與悲。 -
It is mainly done by shooting from a long and fixed shot, the camera might hold still for a moment even when there is no action actually taken place on the frame. it is said that the longer the screen remains motionless, the more our attention is drawn to the diegesis of the film. in
寂靜不動的鏡頭和融情入景的處理手法是此片最值得稱道之處，這也是近來不少亞洲電影的趨勢，如觸不到的戀人甚至我的父親母親等，都能透過優美的攝影把風景和人物感情相結合，拍出觸動人心的真澈情感關系。 -
Perhaps it does not have a very strong and intact narrative, perhaps the depiction of the emotions of the characters is not very impressive, nevertheless, the vigorous and innovative cinematic style of the director is still able to keep you fully engaged in this totally insane and colorful diegesis
或許此片沒有很巧妙的故事橋段，或許在描寫人物情感上不算太深刻，但是編導生動刺激的拍攝手法著實令人看得過癮，零活調動的鏡頭也充滿活力。 -
Starting from the beginning of the film, we are already soaked in the dark and mysterious environment of the diegesis. the use of noir cinematography hits right at the point
不過撇除以上特點，此片最吸引人的地方其實不是劇情，而是導演張允鉉拍攝此類懸疑片的功力。 -
I wanted to widen the scope of the diegesis a bit. in order for the actors to develop the chemical effects, it is important for them to work with people they are familiar with
另外我不是想找配角來搶主角戲，主角是要在熟悉的人面前做戲，這才會有化學作用，若換轉跟個臨時演員做戲，根本沒有了化學作用。 -
This scene delineates her complicated psychological state perfectly in visual form. after all, kurosawa is not a politician, he is a filmmaker ! in this film, we are seeing the diegesis through the eyes of yukie
相反，對于女主角原枝子的描寫，無論在其心理和行動上，都刻畫得非常細致，可見她才是此片中心。 -
Not only is the rhymthm getting slower and slower, the suspense is also gone as the focus of the story has turned from a more realistic world to a totally comical diegesis where a logical plot is no longer the concern of the filmmaker
可是到了中段后，劇情便漸漸失控。很多情節不但不能自圓其說，后來更是愈拖愈慢，尾段的打鬥尤其緩慢沉悶，完全為打而打，前段建立的劇力變得蕩然無存。
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