eyck 中文意思是什麼

eyck 解釋
埃克
  1. Van eyck, 63, said his comic book - style film would be a black comedy

    今年63歲的范?埃克說，這部連環畫式的電影將是一部荒誕幽默劇。
  2. Van eyck, 63, said his comic book - style film would be a black comedy. " it ' s good to shock people sometimes with humor

    今年63歲的范埃克說，這部連環畫式的電影將是一部荒誕幽默劇。
  3. Such a mirror - based camera obscura is simple by today ' s standards, but at the time of van eyck it would have represented the most sophisticated optical system on the planet, requiring greater precision in the shape and arrangement of the mirror and more stringent requirements for illumination than any known system

    以今天的標準來看，這種配備鏡子的暗箱並不難做，但若在范艾克的時代，卻會是全世界最尖端的光學系統，鏡子的形狀與配置所需的精確性，比當時所知的任何設備還要高，而照明上也有更嚴格的要求。
  4. Most scholars believe that the arms of brass and copper alloy european metalwork were cast whole from a single mold in van eyck ' s time ; crockets were not soldered or riveted onto the main arms

    多數學者相信，在范艾克的時代，歐洲的黃銅或其他銅合金的金屬工藝中，整隻吊燈臂是從一個模子里鑄出來的；而且上面的雕飾並不是焊接或鉚接到燈臂主體上。
  5. Hockney and falco explain this shift as follows : van eyck traced part of the image projected in an epidiascope, then accidentally bumped the silverpoint, the oil or the mirror, and finally traced the remaining, now shifted, image

    霍克尼與法柯對此位移的解釋如下：范艾克用幻燈機描了部份的影像后，不小心碰到銀尖筆、油畫、或者鏡子，然後繼續描完剩下已經位移的影像。
  6. Describing the stylistic differences between raphael and van eyck

    .描述拉菲爾和范埃克的風格差異
  7. . . describing the stylistic differences between raphael and van eyck

    . . .描述拉菲爾和范?埃克的風格差異
  8. I don ' t think he ( van eyck ) is going for the golden palm, " he added, referring to the top prize awarded at the prestigious cannes film festival

    我認為他（范?埃克）並不想憑這部影片獲得戛納電影節的金棕櫚大獎。
  9. Van eyck was intensely interested in the effects of light : oil paint allowed him to depict it with great subtlety in this picture, notably on the gleaming brass chandelier

    揚.凡.艾克本人對光的效果有十分濃烈的興趣：油畫使得他能夠十分精妙地描繪光澤效果，尤其是兩人頭頂那隻金光閃爍的吊燈。
  10. I do n ' t think he van eyck is going for the golden palm, " he added, referring to the top prize awarded at the prestigious cannes film festival

    我認為他范埃克並不想憑這部影片獲得戛納電影節的金棕櫚大獎。 "英語新聞學習http : news . jewelove . net
  11. But what are the chances that the actual chandelier that served as van eyck ' s model was radically asymmetric

    但，范艾克畫中那盞真實的吊燈非常不對稱的機會又是多少呢？
  12. It is unlikely that van eyck, working closely on an important commission, would not have noticed such an offset

    認真製作這幅重要委?畫的范艾克，不太可能沒注意到這樣的位移。
  13. Other evidence throws doubts on the suggestion that van eyck painted the arnolfini portrait under a projection onto the oak panel

    對于范艾克利用橡木板上的投影畫阿諾菲尼肖像的說法，還有其他的證據也提出質疑。
  14. Van eyck ' s portrait of giovanni arnolfini and his wife ( 1434 ) ? one of the earliest masterpieces in the northern renaissance ? is a key exhibit in hockney ' s theory

    范艾克的阿諾菲尼的婚禮（ 1434 ，北歐文藝復興最早的傑作之一）在霍克尼的理論中居關鍵地位。
  15. If van eyck bumped the setup halfway through his work, he surely would have seen the mismatch between the shifted projected image and his tracing lines already committed to the support

    如果范艾克工作到一半時碰到他的裝置，應該會看到位移的投影與他先前的描線不符合。
  16. The laws of geometric perspective guarantee that in a concave - mirror projection of a symmetric chandelier onto van eyck ' s support all parallel lines would meet at a vanishing point, just as the image of train track rails meet on the horizon in a photograph

    幾何透視定理保證，形狀對稱工整的吊燈經過凹面鏡投射到范艾克的屏臺時，所有平行線會在消逝點上交會，就好像照片上的火車鐵軌會在地平線上交會。
  17. Posing for cameramen with the would - be actors, some in turbans and robes, film director rob van eyck admitted the timing of the audition was a publicity stunt

    該片導演羅布?范?埃克擺好姿勢跟準演員們合影，有些演員還裹著頭巾，身披長袍。范?埃克承認把試鏡時間定在9月11日的確是宣傳手段。
  18. Anyway when you watch rob van eyck ' s films you realize that you don ' t need acting experience, " said 27 - year - old student raf linmans

    只要你看范?埃克的電影，你就會明白其實你並不需要有什麼表演經驗。
  19. Anyway when you watch rob van eyck ' s films you realize that you do n ' t need acting experience, " said 27 - year - old student raf linmans

    只要你看范埃克的電影，你就會明白其實你並不需要有什麼表演經驗。
  20. Van eyck said his fascination with bin laden, missing since the u. s. war in afghanistan, stemmed from the fact that " for one side he ' s evil and for the other he ' s a hero.

    他認為這種狂熱源於這樣一種理念， "在一些人眼中，他是魔鬼但在另一些人眼中，他則是英雄。
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