post-cinema 中文意思是什麼
post-cinema
解釋
后電影-
Add : no. 493 - 501 avenue de praia grande, macau close to all the top destinations including banks, post office, cinema and a shopping arcade
-京都酒店位於澳門最繁盛之商業中心，交通方便，環境優美，山光水色，澳大橋盡入眼廉。 -
From the boom and bust of the cantonese cinema to the eventful development of the mandarin wuxia film to the rise and fall of the last golden age of hong kong cinema, chor was there. he not only weathered all the changes but played significant roles in most of the important chapters in the post - war history of hong kong film
從粵語片的興旺與沒落，到國語武俠片多姿的發展，到港產片的風光與衰退，他看盡了炎涼世態，歷盡了滄桑與繁華，並以敏銳的人性觸角及獨特的文化修養，默化于其作品之中。 -
A comparative study of post - war mandarin and cantonese cinema : the films of zhu shulin, qin jian and other directors, takes the effort of a step further, especially sek kei s article left - wing cinema of the 60s and its petit bourgeois quality, a rare article that directly discusses left - wing cinema. in 1985, the film festival had a special programme on li pingqian, offering an introductory look into the director s work
第三屆香港國際電影節1979的戰后香港電影回顧1946 - 1968對戰后的進步電影作出了初步的探討，第七屆香港國際電影節1983的戰后國粵語片比較研究朱石麟秦劍等作品回顧更進一步，其中石琪的六十年代港產左派電影及其小資產階級性是少數直接討論左派電影的文章。 -
Actually it would not be too hard to finish the film by following the original schedule, but it would be a waste of all the materials we found, as well as a big regret for the chinese cinema history, that s why we eventually decided to extend the production schedule and do our best regardless of how much money and time we got. we had to search for new sponsors too, like, we tried to explain to people that we were making a meaningful movie, and persuade them to volunteer. that was especially important during the post - production period
其實要根據原本計劃拍攝不難，但會浪費了這個好題材，也對不起黎民偉這個人，也對香港電影歷史或中國電影歷史有缺失和遺憾，所以後來我們不顧有多少錢和時間，盡量做到最好，可以做到的都盡量去做，製作時間相應變長，資金亦不足夠，只好找尋新的贊助，例如告訴別人我們正在拍攝一很有意義的電影，希望對方能義助，猶其是後期製作方面。 -
In this case, it is of great significance to research on the the post - cinema market development, not only from the perspective of profit but also from that of ideology
因此，無論從經濟利益的立場，還是從意識形態的角度，進行后電影市場發展研究都具有重要意義。 -
Based on the core competitiveness of movies, the paper offers developing tactics of buildingone standardization, brandization, internationalization post - cinema market in china, linking with the international sale rules, the characteristics of entertainment period and chinese conditions
本文結合國際電影營銷慣例、娛樂經濟時代特點和中國的國情，提出建立以電影為核心競爭力的規范化、品牌化、國際化的中國后電影市場開發的發展策略。 -
The post - cinema product ’ s ability of message creavity and transferance make the difference from other common goods under the globalization background. the post - cinema product as media has the persist ability of propagandizing, and therefore it is somewhat tinged with color of ideology
在全球化的背景下，后電影產品的信息創造和傳遞能力使其區別於一般意義的商品，它作為衍生媒介具有持續宣傳能力，所以，后電影產品帶有或明或暗的意識形態工具色彩。 -
Globalization has stridden across the economic context and has turned into a normal context in analyzing the international affairs nowadays. under this condition, western movies, especilly hollywood as their main part, have not only created miracles of box - office income, but also advanced their business to erode the post - cinema market in china
全球化已跨越了經濟領域的語境而成為當今分析國際問題的普遍性語境，以美國好萊塢為主的西方電影進入中國不僅創下票房收入奇跡，而且不斷延伸蠶食中國的后電影市場。 -
The thesis adopts the methodology of the cross - discipline theory, analysis of logic and demonstration, macro - survey and micro - discuss to describe the history of the post - cinema market, analyzes the character of post cinema market in both china and usa, reveals the causes of the rapid development of post - cinema market, and finally brings forward the 4c - sale - theory and the tactics of the post - cinema market in china according to the special character of post - cinema product and market
全文運用跨學科理論結合、邏輯分析與實證分析、宏觀審視與微觀探討等研究方法，仔細梳理了后電影市場的萌芽與發展過程，分析了中、美后電影市場的特點，研究了促使后電影市場快速發展的原因，並結合后電影產品、后電影市場的獨特性，闡述4c營銷理論在後電影市場中的運用以及中國后電影市場的發展策略。 -
Globalization has stridden across the economic context and hasbeen the normal context when we analyze the international affairs, on the background, western movies, hollywood as their main part, have not only performed miracles of box - office income, but also advanced their business tonibble at the post - cinema market in china
摘要全球化已跨越了經濟領域的語境而成為當今分析國際問題的普遍性語境，在此背景下，以美國好萊塢為主的西方電影進入中國不僅創下票房收入奇跡，而且不斷延伸蠶食中國的后電影市場。 -
Social realism, one of the most remarkable characteristic of post - war hong kong cinema, has resulted in many outstanding films. this can be found in mandarin comedies like zhu shilin s the dividing wall
例如朱石麟以喜劇的手法刻劃困窘的處境，其導演的國語片一板之隔1952和中秋月1953哀而不傷悲中有喜。 -
Iron man of the screen tso tat - wah 1915 - 2007 is an iconic figure in post - war cantonese cinema
對很多觀眾來說，曹達華1915 - 2007是五六十年代粵語片的代表人物之一。
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