愛森斯坦 的英文怎麼說

中文拼音 [àisēnsītǎn]
愛森斯坦 英文
sergei eisenstein
  • 愛 : Ⅰ動詞1 （對人或事物有很深的感情） love 2 （喜歡； 愛好； 喜好） like; be fond of; be keen on 3 （...
  • 森 : 形容詞1. （樹木多） full of trees2. [書面語] （繁密; 眾多） multitudinous; in multitudes 3. （陰暗） dark; gloomy
  • 斯 : Ⅰ名詞（古代驅疫時用的面具） an ancient maskⅡ形容詞[書面語] （醜陋） ugly
  • 坦 : Ⅰ形容詞1 （平） level; smooth; flat 2 （坦白） candid; frank; open 3 （心裏安定） calm; composedⅡ...
  • 愛森 : eisen
  1. Choon yun lee producer, ceo cine 2000

    愛森斯坦電影一覽
  2. " the writings are an unvarnished portrait of einstein struggling bravely with the manifold inconveniences of sickness and old age, " said freeman dyson, a mathematician at the institute for advanced study in princeton

    美國普林斯頓大學高級研究院的數學家福里曼?戴森說： 「這本日記真實地再現了愛因斯坦與疾病和年邁等諸多不便頑強抗爭的情景。 」
  3. Portrait of einstein struggling bravely with the inconveniences of sickness and old age, " said freeman dyson, a mathematician at the institute for advanced study in princeton

    美國普林斯頓大學高級研究院的數學家福里曼戴森說： 「這本日記真實地再現了愛因斯坦與疾病和年邁等諸多不便頑強抗爭的情景。 」
  4. Was the last film being screened at the festival. it is one of the latest films of the year, as it was released in korea in july 2002. it features shin ha - gyun and lee yo - won, both are rising new actors in korea

    October -個人認為此片是愛森斯坦的癲峰之作，完完全全把他提倡的intellectualmontage蒙太奇慨念發揮得水銀瀉地，單是看美麗的影像已覺值回票價。
  5. A narrow view upon the intellectual montage theory of s. eisenstein

    管窺愛森斯坦的理性蒙太奇理論
  6. It was absolutely the most popular film of the festival

    但是他對于蒙太奇的意念則和愛森斯坦不同。
  7. I was a secularist, an atheist, i was a brilliant student in mathematics and physics. my heroes were einstein and heisenberg. i had no respect for a thing called " god.

    我是個世俗主義者無神論者，是數學和物理學的高才生，我的英雄是愛因斯坦和海森堡，我毫不尊重名為神的東西。
  8. Most of the films picked by the festival committee are either made by women filmmakers or reflect certain aspects of women s perspective in korea. the six feature films being screened include take care of my cat

    愛森斯坦是前蘇聯的電影大師，亦是一個電影理論家，一生拍攝過的電影不算很多，但是影響力卻異常巨大，和當時美國的電影先驅d
  9. The 2nd annual kima film festival was successfully held at uc berkeley this year

    俄國蒙太奇電影理論愛森斯坦是何許人也？
  10. An q & a section with director ryu seung wan was held after the screening

    但是他對于蒙太奇的意念則和愛森斯坦不同。
  11. What was notable is that the director of this film ryu seung wan was there seeing the film with us

    在當年的前蘇聯，除了愛森斯坦外，普多夫金vsevolodi
  12. After a ten - minute break, the last film of the night, which was also the climax of the festival -

    和愛森斯坦一樣，他也認同電影的最大吸引力在於蒙太奇剪接之上。
  13. The interview will be compiled by k. lui and published very soon. remember to bookmark our website and check back often

    對于愛森斯坦來說，蒙太奇的意義絕對是超越了一般的剪接模式。
  14. One of the interesting take is that the protagonist has only one line of dialogue throughout the whole film

    推薦電影愛森斯坦執導的電影不算很多，但是都是對電影發展十分重要的作品。
  15. There were two forum sessions in the afternoon at dwinelle hall, with director ryu seung - wan and deann borshay liem as the guests

    和愛森斯坦一樣，他亦以自己的電影如《 mother 》及《 theendofst
  16. There were two forum sessions in the afternoon at dwinelle hall, with director ryu seung - wan and deann borshay liem as the guests. k. lui went to dwinelle hall and did his exclusive interview with ryu seung - wan after his forum session, while i myself only attended the feature screening in the evening

    和愛森斯坦一樣，他亦以自己的電影如mother及the end of st . petersburg等去闡述其理論，兩人在當時可謂風頭無兩。
  17. The theme of this year s festival is " representation of identities in korean cinema : korean women filmmakers and korean american filmmaking "

    相信對電影略有研究的朋友都會聽過愛森斯坦sergei mikhailovich eisenstein 1898 - 1948的名字。
  18. Said jean - luc godard : there were theatre griffith, poetry murnau, painting rosellini, dance eisenstein, music renoir. henceforth there is cinema. and the cinema is nicholas ray

    高達說: "我們有戲劇（格利菲斯） ，有詩（茂瑙） ，有繪畫（羅西里尼） ，有舞蹈（愛森斯坦） ，有音樂（雷諾亞） ，然後有了電影。
  19. The laughters were frequent. after the screening, there was an q a section with the producer of this film, mr. lee choon - yun

    Battleship potemkin -此片是愛森斯坦的成名作，故事背景定於1905的俄國革命中。
  20. What was notable is that the director of this film ryu seung wan was there seeing the film with us. no blood no tears was a fast - paced action adventure flick

    在當年的前蘇聯，除了愛森斯坦外，普多夫金vsevolod i . pudovkin亦是十分重要的電影大師兼理論家。
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