李文祥 的英文怎麼說

中文拼音 [lǐwénxiáng]
李文祥 英文
wen-xiang li
  • 李 : 1. [植物學] （李子樹） plum2. （李子） plum3. （姓氏） a surname
  • 文 : Ⅰ名詞1 （字） character; script; writing 2 （文字） language 3 （文章） literary composition; wri...
  • 祥 : Ⅰ形容詞（吉利） auspicious; propitious; lucky Ⅱ名詞（姓氏） a surname
  • 李文 : lee wai man
  1. Li s voyeuristic, fetishistic approach to history finds perfect expression in this format, as some of the outrageous anecdotes in the film are based on real exploits of real warlords in history

    李翰祥特別拿手大軍閥式雜碎電影，拍得自然而流暢。本片贏得商業上的重大成就，同時亦開展了許冠文的電影事業。
  2. Since 1995, dr li has been the independent trustee of the staff superannuation scheme of the university. over the years, his expertise and professional advice has fostered the steady growth of the superannuation fund of the university

    李家祥議員一直以來均十分關注香港中文大學的發展，李議員由一九九五年起，擔任中文大學教職員公積金計劃的獨立受託人，為公積金計劃的穩定發展提供寶貴意見。
  3. Mr eric li : mr president, " borrowed time, borrowed place " : a familiar phrase to us all before the signing of the sino - british joint declaration in 1984

    李家祥議員致辭的譯文：主席，在中英雙方於一九八四年簽署聯合聲明之前，大家對「借來的時間，借來的地方」這句說話耳熟能詳。
  4. Realism had long been an artistic ideal for chinese filmmakers. for li han - hsiang, after focusing on costume films and pulp romances for some time, the winter

    冬暖被公認為李翰祥的最佳文藝片，更是他最溫柔之作。
  5. Is indeed a powerful film, not for its demille - ish spectacles but for the intense drama of greek - tragedy proportions and the remarkable performances by the leads. this print is a condensed version of the two - part original

    西施不但展現了李氏一絲不茍的美學追求，在處理角色們的內心沖突與一場場鬥智文戲，李翰祥渲染戲劇的功力更值得表揚。
  6. Sometimes a hack of the chinese speaking cinema, director li han - hsiang started and consolidated his filmmaking career in hong kong, self - exiled to taiwan in the prime of his career in the mid - 60s, returned to the ex - colony in the 70s, then steered majestically into the mainland with the liberalizing of chinese economy in the 80s

    在華語電影中，李翰祥是極富爭議性的一名導演。他的作品類型雜，從素樸沉實的文藝言情，到千嬌百媚的古裝宮闈，從嚴謹考究的歷史戲劇，到隨手拈來的風月騙術，常令論者暈頭轉向，難以為他定位。
  7. Another focus of the exhibition is on the rare artifacts and literary materials, such as film contracts, film magazines launch issues, awards, costumes, and props, etc. the exhibition segment on superstars, directors, and classic films will exhibit artifacts and photographs of bruce lee, kwan tak - hing, jackie chan and the movie,

    本展覽的另一重點是展出珍貴的電影文物，如難得一見的電影合約電影雜志創刊號電影獎座戲服道具等。巨星名導演和經典電影的專櫃就展出了李小關德興成李翰祥和李後主的珍貴照片和物件。
  8. Even though we didn t have the good fortune of meeting mr li han - hsiang in person, we were lucky to discover from the memorabilia donated by his family, some documentary footage shot at the time when he was filming in beijing. grace ng has collated this filmed oral history, narrated by li himself, into an article. in 1975, lau shing - hon interviewed li to discuss issues of creativity

    我們沒有機會見過李翰祥，卻很幸運，在其後人捐贈給香港電影資料館的物件里，找到了當年他在北京時拍下的紀錄片段，詳細憶述自己的故事，藍天雲將這段自拍的口述歷史整理成文1975年，劉成漢曾就創作的問題訪問了李翰祥，寫成與李翰祥的對話一文，內容詳盡而又具針對性，承蒙作者慨允，我們將之收錄于本書內。
  9. There isn t anything new you could find in these two characters. as an " unofficial sequel " i would tend to call it that way due to the similarities of the structure, thematic element, cast and the release date of the film to the the warlord

    李翰祥是華語電影界產量較多的熟手巧匠，作品類型廣泛，除了江山美人和垂簾聽政等文藝鉅著，亦有通俗市井如金瓶雙艷和三十年細說從頭等，電影水準一向比較參疵。
  10. Li han - hsiang was among the first to adapt the romance novels of chiung yao and many enchanting nights is considered by critics as the best in what had become a mini - genre

    被譽為瓊瑤改編電影中最出色之作，李翰祥大膽起用楊蘇，拍成這風格樸實穩健的文藝言情片。
  11. This essay applies the auteur approach to analyze the cinematic aesthetics of huangmei opera films of li han hsiang, the most important director of the huangmei opera film genre

    本篇文章是採用作者論方法學去分析黃梅調電影類型最重要的導演李翰祥的電影美學。
  12. Key directors li han - hsiang li hanxiang and chang cheh zhang che, in particular, are subjects of quite a few chapters, some focus on their specialised genre and some on their unique style. while not all are unqualified praises, even criticisms are well supported by arguments

    綜看整本書的文章，李翰祥和張徹不約而同成為多位作者討論的焦點，有的從類型出發，有的縷述他們的電影風格，其中有褒有貶，各有理據。
  13. Films erotica and cautionary tales about cheating. unlike king hu, who single - mindedly devoted his lifetime to perfecting his art, completing only a dozen or so films with a unified style and vision, li han - hsiang is too difficult to pin down or categorise. law kar, critic and former programmer for the hkfa, mentioned in a recent conversation that the appraisal of li han - hsiang was radically different in various eras and countries

    所以如此，一個重要的原因可能是李翰祥的電影類型太雜，從素樸沉實的文藝言情，到千嬌百媚的古裝宮闈，從嚴謹考究的歷史故事，到隨手拈來的風月騙術，常令論者暈頭轉向，無所適從，難以為他定位，不若胡金銓心無二志地鉆研他的技藝，一生只拍了十來部影片，風格純凈統一，研究起來，線索分明，比較容易掌握。
  14. Four michael hui kwun - man for the price of one are on view in this top five hit of the year, which confirmed the star s status as the new genius of ho.

    大導演李翰祥的游戲之作，三個民初喜劇小品，由許冠文分飾四角演出，將許氏冷麵笑匠的才華發揮得淋漓盡致。
  15. The art of beijing opera was deeply ingrained in their aesthetics and became the foundation of king hu s cinematic style. as for li, his creative inspiration was culled from both the grandeur and decadence of the imperial court, and the vibrancy and vulgarity of the common folk who ply their trade near the bustling tianqiao area

    他們倆都來自北方，深受京城文化的薰陶，潛移默化，京劇藝術於是成為了日後胡金銓電影風格的基礎，而帝都宮廓的華麗與頹萎天橋庶民的生趣與鄙俗，又為李翰祥的作品提供了豐盈充沛的創作養份。
  16. At the bills committee on mass transit railway bill meeting on 6 january 2000, mr eric li suggested that the independent audit report, commissioned by mass transit railway corporation ( mtrc ) under the operating agreement, on the adequacy of operational arrangements for assessing the performance levels of the mtrc should be accepted as final and binding

    在一月六日的地下鐵路條例草案委員會會議上，李家祥議員建議由地鐵有限公司根據營運協議（主要條文摘要第15條） ，外聘核數師所作出對量度公司服務表現的機制是否充足妥當的評核報告，須視作最終及具約束力。
  17. Action films. li han - hsiang s scam films and erotic films and michael hui s comedies have emerged to be the major forces. the 1980s was the age of new wave where female stars had a greater role to play

    其實七十年代港片也不再是陽剛武打獨霸，涌現了李翰祥騙術片風月片和許冠文喜劇，此後打與笑成為港片兩大典型。
  18. Li sets the story against a backdrop of authentic street culture, successfully capturing the nuances of folk life in northern china. li lihua turns in a superb performance as a folk - opera singer with a fiery personality, her jealousy towards a young singer the effervescent grace chang eventually melts into self - sacrificing kindness

    李翰祥以低成本的廠景為主，首次獨立執導已顯露他準確的演員調度和融情入景的文藝手法，有戲劇亦有景觀，戲味濃郁餘音裊裊，真個是才華四溢。
  19. In an article titled " where will the six hundred billion dollars for infrastructural developments come from ? " published in hong kong economic times on 31 december 2001, the hon

    李家祥議員曾在2001年12月31日經濟日報發表文章六千億基建，錢從何來？
  20. Speech by the chief secretary for administration, mrs anson chan, in the legislative council s motion debate on vote of no confidence in the secretary for justice on march 11, 1999

    政務司司長陳方安生在立法會會議上就李家祥議員提出有關公務員文化及效率的議案致辭全文三月十一日
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