正余象 的英文怎麼說

中文拼音 [zhēngxiàng]
正余象 英文
positiveafterimage
  • : 正名詞(正月) the first month of the lunar year; the first moon
  • : Ⅰ動詞(剩下) remain; leave: 9減4 余 5。 nine minus four is five ; four from nine leaves five ; i...
  • 余象 : coimage
  1. Albert had already made seven or eight similar excursions to the colosseum, while his less favored companion trod for the first time in his life the classic ground forming the monument of flavius vespasian ; and, to his credit be it spoken, his mind, even amid the glib loquacity of the guides, was duly and deeply touched with awe and enthusiastic admiration of all he saw ; and certainly no adequate notion of these stupendous ruins can be formed save by such as have visited them, and more especially by moonlight, at which time the vast proportions of the building appear twice as large when viewed by the mysterious beams of a southern moonlit sky, whose rays are sufficiently clear and vivid to light the horizon with a glow equal to the soft twilight of an eastern clime

    弗蘭茲已經到斗獸場來夜遊過十多次了,而他的同伴卻是第一次光顧維斯派森大帝的這個古跡,平心而論,雖然那兩個向導口若懸河地在他的耳邊喋喋不休,他的腦子里還是留下了很強烈的印。事實上,要不是親眼目睹,誰都想不到一個廢墟竟會這樣莊嚴宏偉,歐洲南部的月光和東方的落日輝有著異曲同工之妙,在這種神秘的月光之下,廢墟的各部分看來似乎都擴大了一倍。弗蘭茲在廢墟的內廊底下走了一百步左右,懷古之情便油然而生,於是他離開了阿爾貝,反那兩個向導總會照他們的老規矩,領他去看關獅子的洞,斗猩力士的休息室和凱撒大帝的包廂的。
  2. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  3. He feels that the results of last years fairs were particularly impressive, and that having the government involved makes it much easier to attract high - quality talent than it would be if individual companies were organizing the activities themselves

    事實上,創辦人認為海外人才延攬訪問團的成效是長期漸進式的,具累積能量效果的,持續的辦理,人才一定會回來,而且對于政府的形面幫助
  4. Especially, when the isocline of x is monotone decreasing in 0 < x < 1, the svstem has no limit cycle and is globally stable ; next, we construct a saddle bifurcation at the boundary equilibrium and a degenerated bogdanov - takens bifurcation at the interior equilibrium by choosing appropriate parameter values in the following two sections, where our work are based on the theory of central manifolds and normal torms. we prove that is a codimention 3 focus - type equilibrium. system ( 6. 1 ) will have two limit cycles at some appropriate bifurcation parameter values, and have homoclinic or double - homoclinic orbits at some other appropriate bifurcation parameter values ; at last, we study the qualitative properties of the system at infinite in the poincare sphere

    因為系統在( 0 , 0 )點處沒有定義,這給研究其在( 0 , 0 )附近的動力學性質帶來了困難,我們應用文獻[ 17 ]中關于研究非線性方程奇點的系列理論和方法,圓滿解決了這一問題,給出了第一限內當t +或t -時,在全參數狀態下系統的軌線趨于( 0 , 0 )點的所有可能情況,其相圖也得以描繪;並且,系統不存在極限環的幾個充分條件我們也予以列出,當x的等傾線在0 x 1范圍內遞減時,系統不存在極限環,全局漸近穩定;然後,我們以中心流形定理和規型方法為主要工具,巧妙選擇參數,分別構造了一個維2的鞍點分岔和一個維3退化bogdanov - takens分岔,證明了平衡點是維3的焦點型平衡點,存在參數, m ,的值使得系統( 6 . 1 )有兩個極限環,還存在參數, m ,的另外值使得系統( 6 . 1 )有同宿軌或雙同宿軌。
  5. What is the picture of desirable folk life, then during the course of knowledge elite designed their education plans ? inserting this question into the dissertation is to draw the outline of societal practical and conflict relation of the above educational discourses. and moreover, to show in a vivid way the " power ", and the " danger " ( michel foucault, 1970 ) of educational discursive practice : including, the internal quarrel, argument and struggles among cultural elite for different kinds of interests, the cruel exclusion put by educational discourses to non - educational discourses, such as, liu yong " s discourse, economical activities, and the silence of woman

    事實是,理學家參照道士修煉氣功時身體內部的氣流圖,描繪了人與世界的「真相」 ,將這幅一陰一陽、此消彼長的氣流圖,改造成道德與非道德之間的斗爭,認為可以用人體內太極圖式的氣流運動,來解釋世界的一切表,從而在人的身體內部開辟了理學教化的基審美家和業的文藝愛好者, 」而不是將儒學的知識用於政泊實踐與日常生活(謝和耐, !
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