比較詩學 的英文怎麼說

中文拼音 [jiàoshīxué]
比較詩學 英文
comparative management
  • : Ⅰ動詞1 (比較; 較量高下、 長短、距離、好壞等) compare; compete; contrast; match; emulate 2 (比...
  • : Ⅰ動詞1 (比較) compare 2 [書面語] (計較) dispute Ⅱ副詞(比較) comparatively; relatively; fair...
  • : 名詞1. (文學體裁的一種) poetry; verse; poem 2. (指《詩經》) the book of songs3. (姓氏) a surname
  • : Ⅰ動詞1 (學習) study; learn 2 (模仿) imitate; mimic Ⅱ名詞1 (學問) learning; knowledge 2 (學...
  • 比較 : 1 (對比) compare; compare with; contrast; parallel (with); comparison; by comparison; in comp...
  • 詩學 : poetics
  1. Chinese aestheticism in the vision of comparative poetics

    比較詩學視野中的中國唯美主義思潮
  2. Chinese aestheticism in the perspective of comparative poetics

    比較詩學視野中的中國唯美主義思潮
  3. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大具有里程碑意義和傳奇色彩的文批評家,一個歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"歌理論" .布魯姆認為"影響的焦慮"是他對文批評最重要的貢獻,並用舞蹈這一形象的喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩人,並簡單了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義歌的復興者,歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大出版社出版
  4. He writes a large amount of mature articles in an equal view that harmonizes sino - western cultures, makes profound microcosmic comparison and meticulous close analysis of the comparative poetics, focuses on artistic exploration of poetry and brings up unique characteristic theory for china ' s new poetry development

    梁宗岱對中西比較詩學史作出了重要的貢獻,在中西比較詩學的前科時期具有相當的地位,對中西比較詩學建設作出了努力。
  5. The nature of " dialogism " prescribes that comparativists insist on equalism, beyond the limit of poetics ( or even cultural ) centralism, admit the legality of " prejudice " and " misinterpretation " and " transform " terms and conceptions during the process of dialogue. " equal dialogue " is the fundamental principle comparativists must stick to when having a " poetic dialogue "

    「對話」的屬性規定,比較詩學研究者必須堅持平等意識,克服(乃至文化)中心主義的局限,承認「偏見」與「誤讀」的合法性,並在「對話」過程中對術語和概念等進行限定性「改造」 。
  6. With the perspective of comparative literature, this essay focuses on the greek imagery in keats ' poetry, and it considers that not only does keats touch the inner spirit of the geek myth in life, but also find the mystery of eternal beauty in the greek myth, which makes his individual life obtain the distillation of beauty

    摘要本文從的視角考察了濟慈歌中蘊含的希臘意象,認為濟慈不僅用生命感觸了希臘神話的內在精神,而且在歌創造中發現了希臘神話中蘊藏的永恆美的奧秘,從而使他的個體生命獲得了美的升華。
  7. This course covers the general principles of comparative literature, with some specific analyses of the schools, modes, examples, translation, poetics and trends from the perspective of case - study

    本課程主要介紹的一般原理,並結合具體案例對派及類型論、範例論、譯介論、論、思潮論等問題進行具體的分析。
  8. Liang zongdai in sino - western comparative poetics history

    中西比較詩學史上的梁宗岱
  9. As one of the forerunners of chinese contrastive literature, yue daiyun made great contribution to chinese contrastive poetics in the early 1990s. " the world poetics dictionary " embodies his perspective of contrastive poetics

    摘要作為中國的先驅人物之一,樂黛雲在90年代前期就對中國比較詩學作出了傑出貢獻。
  10. Her research interests include comparative poetics, literary and critical theories, and post - colonial studies

    她的研究興趣包括比較詩學、文與批評理論、及后殖民論述等。
  11. The zhuangzi complex in wai - lim yip ' s comparative poetics

    葉維廉比較詩學中的莊子情結
  12. A comprehensive discussion on chinese - western comparative poetics

    百年中西比較詩學概論
  13. On the necessity of the chinese - western comparative poetics

    論中西比較詩學形成的必然性
  14. About commonness between heidegger poetics and zhuangzi poetics

    葉維廉比較詩學理論管窺
  15. James l. y. liu ' s system of comparative poetics

    劉若愚及其比較詩學體系
  16. On earl miner ' s system of comparative poetics

    邁納的比較詩學體系
  17. Form mechanism of difference in mr. ye weilian ' s comparative poetics

    葉維廉比較詩學中的差異性形式機制
  18. They must discard cultural centralism and make an objective and fair scrutiny into " the other "

    「平等對話」是比較詩學研究者進行「對話」時必須堅持的基本原則。
  19. The rising of the american school promotes the advancement of world literature in comparative literature, because there is internal commonness in world literature and literariness, general literature, common poetics put forward by the american school

    「世界文」在中地位的提升得益於美國派的崛起,因為美國派倡導的「文性」 、 「總體文」 、 「共同」研究與「世界文」有內在的共通性。
  20. Constructing a babylon tower in poetry - review on the studies of al myner ' s comparative poetry

    評厄爾183 ;邁納的比較詩學研究
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