沒有傳出去的 的英文怎麼說

中文拼音 [mòyǒuzhuànchūqùde]
沒有傳出去的 英文
untold
  • 沒 : 沒Ⅰ動詞1 （沉下或沉沒） sink; submerge 2 （漫過或高過） overflow; rise beyond 3 （隱藏;隱沒） hid...
  • 有 : 有副詞[書面語] （表示整數之外再加零數）: 30 有 5 thirty-five; 10 有 5年 fifteen years
  • 傳 : 傳名詞1 （解釋經文的著作） commentaries on classics 2 （傳記） biography 3 （敘述歷史故事的作品）...
  • 去 : 去動詞1. （用在動詞后, 表示動作離開說話人所在地） 2. （用在動詞后, 表示動作的繼續等）
  • 的 : 4次方是 The fourth power of 2 is direction
  • 沒有 : 1 （無） not have; there is not; be without 2 （不及; 不如） not so as 3 （不到） less than 4 （...
  1. But no one drowned last year and crime - which included a few thefts of cameras and one reported case of an exhibitionist - was no worse than usual in paris

    但是去年沒有人溺水而死，犯罪案件的發生跟巴黎平時差不多，發生過幾起照相機失竊的案件，還有傳言說出現過一個裸露癥患者。
  2. Secondly, its content hasconflict with the system and it can make the system to a downfall. among the three characters. information organization is the most impotw andstable while benifit organization and control lbject embody the artificial operatingcharatel ii. fundamental causes of medium ' s industriazationwth the development of huznan societyindustry revolution happened in thewest accelerated society productivity and solved the technical obstacles of publicconununication meditun. bourgeois was becoming stronger and stronger andovercame feudality at last. wth the victory of bourgeois, market economy was devoloing quickly. thepublic communication medium of capitalism are now pursuing benefits bothobjectively and subjectively but it is impossible in the past and accomplished theprocess of early industriaiization. ' it is discussed from chinese public communication medium - - - - newspaper ' semergence, developing process and its sinuosityit comes to a conclusion that thefundarnental cause of the public communication medium is that benefit and controlinieract each other. that is to saywhen benefit is stronger control is weaker and viceversa. lll. the proccss of chincse mcdium and individual devclopmcntl. under the functions of intemal prusuing benefit desire and pursuing benefitcondition, it appeared the upsurge that newspapermen set up newspaper and new tvstation was set tip from l979 to l982. 2. the upsurge of a series of tv channel and enlargement in newspapel3. the cooperation of post and delivery and owning delivery also gives a rapiddevolopment to newspapers. 4. the strengthening of individual collectivization embodies that theindustrialization gets on a new stage. 5. the illtemational fimds also ellter into

    資產階級的勝利，市場經濟得以迅速發展，資產階級的大眾傳播業主完成了由過去不能追求、也沒有條件追求經濟利益而變成了主觀上努力追求，客觀條件上也能夠追求經濟利益的轉變，從而完成了大眾媒介最初的產業化過程。從中國大眾傳播媒介? ?報紙的產生，發展過程及其曲折等方面來論述，得出了大眾傳播媒介產業化的最根本動因就是利益和控制的互動，也就是說利益強時控制則弱化，當控制強時則利益弱化。三、中國大眾傳播媒介產業化進程和個體發展第一、在自身獲利慾望及外在獲利條件的雙重作用下，從1979年至1982發生了在報業的第一次辦報熱潮和發生在廣播業電視業的建臺熱。
  3. Come out here, geraghty, you notorious bloody hill and dale robber ! and by that way wend the herds innumerable of bellwethers and flushed ewes and shearling rams and lambs and stubble geese and medium steers and roaring mares and polled calves and longwools and storesheep and cuffe s prime springers and culls and sowpigs and baconhogs and the various different varieties of highly distinguished swine and angus heifers and polly bullocks of immaculate pedigree together with prime premiated milchcows and beeves : and there is ever heard a trampling, cackling, roaring, lowing, bleating, bellowing, rumbling, grunting, champing, chewing, of sheep and pigs and heavyhooved kine from pasturelands of lush and rush and carrickmines and from the streamy vales of thomond, from m gillicuddy s reeks the inaccessible and lordly shannon the unfathomable, and from the gentle declivities of the place of the race of kiar, their udders distended with superabundance of milk and butts of butter and rennets of cheese and farmer s firkins and targets of lamb and crannocks of corn and oblong eggs, in great hundreds, various in size, the agate with the dun

    有系了鈴鐺的閹羊亢奮的母羊沒有閹過的剪了毛的公羊羊羔胡茬鵝26半大不小的食用閹牛患了喘鳴癥的母馬鋸了角的牛犢子長毛羊為了出售而養肥的羊卡夫27那即將產仔的上好母牛不夠標準的牛羊割去卵巢的母豬做熏肉用的閹過的公豬各類不同品種的優良豬安格斯小母羊無斑點的純種去角閹牛，以及正當年的頭等乳牛和肉牛從拉斯克拉什和卡里克梅恩斯那一片片牧場，從托蒙德那流水潺潺的山谷，從麥吉利卡迪那難以攀登的山嶺和氣派十足深不可測的香農河， 28從隸屬于凱亞29族的緩坡地帶，不停地傳來成群的羊豬和拖著沉重蹄子的母牛那踐踏聲，咯咯吼叫哞哞咩洋喘氣哼哼磨牙咀嚼的聲音。
  4. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素，一個復雜的故事情節曲折迷離的環節對于看動畫的觀眾是一項極大的負擔，在現今的市場需求上趣味已經取代了傳統的故事鋪陳，在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇情變成了最重要的課題，很明確地，從影片廣告的方式可以感受到什麼樣的主題才是消費者的需求，過去高成本大製作的廣告模式這幾年已不復見，取而代之的是影片有多趣味多好玩，這就是典型的簡單故事描述復雜的劇情，舉例來說：電影史瑞克就是一個很典型的例子，單純的救公主的劇情，不斷的以「與傳統思維相反」的劇情沖擊著觀眾的思考模式，我還記得當時看完該片后出場不斷的聽到眾人討論趣味的情節，但是卻沒有聽到半個人說這部戲的故事有多棒，其實這樣的劇本就是最好的動畫劇本，讓觀眾獲得他們想要的劇情卻不以復雜的故事包裝，這才是動畫編劇的最高境界，因為願意花錢進到戲院或是花錢購買dvd的消費者，都是想開開心心的觀賞影片沒有負擔、沒有包袱，也就是花錢買開心，特別要提醒的「寫作動畫劇本並不是寫給個人滿足自己的創作慾望而是面對所有欣賞的人群」 。
  5. There is no sky in june so blue that it does not point forward to a bluer, no sunset so beautiful that it does not waken the vision of a greater beauty, a vision which passes before it is merely a bad joke, life a vulgar flare amid the cool radiance of the stars, and existence an empty laugh braying across the mysteries ; if these intimations of a something behind and beyond are not evil humor born of indigestion ; or whimsies sent by the devil to mock and madden us ; if, in a word, beauty means something, yet we must not seek to interpret the meaning

    沒有任何一片六月的天空可以碧能夠藍得如此完美無法再藍，沒有任何一輪落日能夠如此美麗，得令人無法再激起更美的視覺感受，即使因為那視覺感覺立足未穩便是轉瞬即逝，只在飄過的葉子里留下無法言傳的渴望與遺憾；但是如果這個世界不只是一個惡作劇，如果生命不只是群星冷清的光輝中一束人間的火花，如果存在不只是在解釋神秘時發出的刺耳冷笑；如果對于在我們身後和另一邊的世界給我們的這些提示並非不是由於無法理解的邪惡本性而產生的失望心情；也並非不是惡魔派來愚弄和逼瘋我們的古怪念頭的話；總而言之，如果即使美麗有其意義，但我們也不允許決不要苛求試圖去解釋它。
  6. Teamed up with four other beautiful and brilliant girls, all of whom are graduates of music academy schools, sun lili, herself a music academy graduate, founded the five princess band in 2004. unlike other girls bands which have been quick to colone the same style, an enormously success for a band of this nature, five princess is quietly insistent on developing its own style : combining singing with melody to create a new fashion of traditional chinese music. the reason, according to sun lili, the singer of the band and one of the top ten winner singers in the pepsi pop music contest, is that it greatly adds to the appeals of the music if the traditional melody is accompanied by a song

    「五樂格格女子新民樂彈唱組合」創建於2004年，由畢業于高等音樂學府的孫莉莉召集了其他四位音樂學院青春靚麗，才華橫溢的美少女組成，她們沒有向如今遍地開花的其他新民樂組合一樣去拷貝一種風格，而是走出了另外一條不同於任何組合的路線，那就是彈唱結合的形式，揚琴兼組合主唱手之一孫莉莉的想法是：現如今沒有一首膾炙人口的器樂曲，很多器樂組合演奏了很多優美的器樂曲也不被廣大聽眾認知，所以，她們認為有曲有唱，既有優美的民族樂器旋律，也會同時通過她們的演唱來豐富樂曲，這樣才會流傳下來她們的歌曲。
  7. Lee does not know anything about his wife, until the day when he gets the news. . in terms of the narrative strategy, the director does not employ a traditional linear narrative style, he rather combines the use of flashback and episodic narrative structure to present the story. in the middle of the film, montage of the past failan and present lee intercuts intermittently

    正如前述，此片最叫人意料不及是原來張柏芝和崔民植從始至終都沒有機會互相碰面，可是卻先後對對方孵生出一種特別的感情，這類型的愛情故事實在少見，編導亦處理得甚有格調，善於利用場景和物件去表達這段感情，而不是靠傳統的攬攬碭碭身體行動去表達愛情。
  8. A knock had come to the door, and, there being nobody else to answer it clare went out

    門上傳來一聲敲門的聲音，因為沒有其他的人去開門，克萊爾就自己出去開門。
  9. He listened for any sound that might be audible, and every time that he rose to the top of a wave he scanned the horizon, and strove to penetrate the darkness

    他側耳傾聽，想聽聽有沒有什麼聲音傳來。每次浮出浪峰時，他的目光就向地平線上搜索一下，努力透過黑暗望出去。
  10. It used to take me half the day to round up my herd i once had to look for two days before i tracked them all ! ha si has become a believer in the benefits of fencing the grassland something that has been hard for mongolians to do

    沒有草原圍欄的時候，每天太陽一下了山就得出去遙世界找牛，一找就是大半天，有的時候還會找兩天。 」僅就這一點而言，哈斯的觀念與傳統的蒙古遊牧人的觀念相比有了很大轉變。
  11. Under the assumption that environment does not change when robot is stationary, the traditional robot teleoperation derived by event avoids the problem of variable time delay, but at the same time it causes the robot to have the shortcoming of " moveing and waiting "

    摘要傳統的基於事件遙操作系統雖然巧妙地避開了變化時延問題，但是它具有「走走停停」的特點，即機器人將當前狀態發送出去之後直到操作者的下一個指令到來之前機器人必須保證狀態沒有變化。
  12. " although no direct correlation can be identified between bus accident rates and the age, years of service and working hours of drivers, transport department and the franchised bus operators are considering a series of measures to further enhance bus safety, chairman of the tac mr jeffery lam said. " these measures include the requirement of annual medical checks for drivers aged 50 or above, enhancement of driver training, introduction of guidelines on working schedules of drivers, installation of safety devices and measures to monitor driving behaviour, more stringent vehicle examination and promotion of drivers and passengers safety awareness

    交諮會主席林健鋒表示：雖然巴士意外率與車長的年齡、服務年期及工作時數並沒有直接關系，運輸署及專營巴士公司正考慮連串措施去進一步加強巴士營運安全；有關措施包括為五十歲或以上車長提供每年體格檢驗、加強培訓訓練課程、發出工作當值時數等指引、加裝安全裝置以監察車長的駕駛行為、更嚴格的車輛檢查及宣傳車長及乘客安全意識等。
  13. None : as i have taken pains to prove : i caused a rumour to reach her that my fortune was not a third of what was supposed, and after that i presented myself to see the result ; it was coldness both from her and her mother

    沒有，我已經想方設法來證實。我放出了謠言，傳到她耳朵里，說是我的財產還不到想象中的三分之一，然後我現身說法，親自去看結果，她和她母親對我都非常冷淡。
  14. Even though hong kong has been free from sars since june 2003 and there has been no local dengue fever case in the past eight months, public vigilance should remain high. this is because, for dengue fever, hong kong has recorded 14 imported cases so far this year ; and for sars, there were sporadic cases reported in neighbouring areas earlier this year

    雖然香港自二三年六月已沒有出現沙士個案，而過去八個月也沒有本地登革熱個案的紀錄，但由於今年香港已錄得十四宗外地傳入的登革熱個案，而今年較早時候鄰近地區也曾出現零星沙士個案，市民仍有需要時刻警惕。
  15. It ain ' t coming across the airwaves, know what i mean

    它沒有從電波傳送出去明白我的意思？
  16. Or it may be because their parents were not loved by their own parents before so that they couldn t treat their children with love. as the sequence repeats itself, people will have less and less love and will make more and more trouble. when they go out into society, they may be treated unfairly or oppressed and lose their sense of security

    有可能他們小的時候缺少愛力，沒有人教訓好，或是父母早就往生，或是父母太忙，或是自己的父母以前也沒有得到父母的愛心，所以沒辦法再給自己的小孩愛心，然後這樣子繼續傳下去，越來越缺少愛心，然後就亂搞，以後出去又碰到社會對待不公平受到壓迫，自己又沒有安全感。
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