消極感受力 的英文怎麼說

中文拼音 [xiāojígǎnshòulì]
消極感受力 英文
negative capability
  • 消 : 動詞1 （消失） disappear; vanish 2 （使消失; 消除） eliminate; dispel; remove 3 （度過; 消遣） pa...
  • 極 : i 名詞1 （頂點; 盡頭） the utmost point; extreme 2 （地球的南北兩端; 磁體的兩端; 電源或電器上電流...
  • 感 : Ⅰ動詞1 （覺得） feel; sense 2 （懷有謝意） be grateful; be obliged; appreciate 3 （感動） move; t...
  • 力 : Ⅰ名1 （力量; 能力） power; strength; ability; capacity 2 [物理學] （改變物體運動狀態的作用） forc...
  • 消極 : 1. （否定的; 反面的） negative 2. （不求進取的; 消沉的） passive; inactive
  1. The research also indicates that students experience varied stress and the students forced to leave the top class feel the greatest stress and they are also the students who experience the negative effect of the referred practice most strongly. however, all the students, including the students in top classes, the students who are forced to leave top classes and the students in average classes, all agree that the referred practice does harm to their development

    研究還表明：在班級調整中，調出實驗班（即快班） 、調入實驗班和未調整班級三類學生感受分班壓力有顯著差異，調出實驗班學生壓力最大；在對個人的消極影響上，這三類學生看法也有顯著差異，調出實驗班學生感到分班對個人的負作用最大；在對周圍同學的消極影響上，這三類學生看法無顯著差異，都認為分班事件不利於周圍同學的成長。
  2. " negative capability " refered by english romantic poet - john keats contains the modern and post modern thoughts, and it relates the super and meta nature of art and poem, but in foreign literature study, literary critique and theory, it has not been highlighted and explained adequately

    摘要英國浪漫主義詩人濟慈所提出的「消極感受力」的命題中所包蘊的現代性、后現代性思想和詩與藝術本真超越塵俗的精神在濟慈研究，外國文學研究與文藝理論批評中都未得到完全，充分，足夠的重視。
  3. This paper focuses on the point of " negative capability " will try to explain the tasting of the " negative " relationship between art talent and poetic traditional culture, to analyse the sense of poetic character - no identity, and to compare keats ' intuition on poetic art to the spirit of chinese tao - to decrease daily for the pursuit of tao, which was experienced by john keats who had just lived 26 years for his whole life

    本文正是試圖從「消極感受力」這一命題的視角出發，初步闡發了只活了26歲的年輕詩人濟慈，用自己的詩意生命所體悟到的個人藝術才能與對詩學傳統文化的「消極」狀態的關系，及詩人自身的分裂與詩人無個性意識的偉大的現代性，后現代性思想的火花，並且大膽的把濟慈對藝術的體悟與中國道家「為道日損」的境界相互闡發，體悟濟慈對藝術本體的認識。
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