無情劍 的英文怎麼說

中文拼音 [qíngjiàn]
無情劍 英文
smfly jian
  • : 無Ⅰ動詞(沒有) not have; there is not; be without Ⅱ名詞1 (沒有) nothing; nil 2 (姓氏) a surn...
  • : 名詞1 (感情) feeling; affection; sentiment 2 (情分; 情面) favour; kindness; sensibilities; fe...
  • : 名詞(古代兵器) sword; sabre
  • 無情 : merciless; ruthless; heartless; inexorable
  1. Hello, i ' m a ancient sword lover and badao forum is that i read everyday. but the ancient weapon i saw is rusted badly, or polished badly. i think for the sake to protect the little ancient weapon, whether ask a teacher such as mr. wudao to publish some posts about how to protect and polish ancient weapon. i think it ' s good for us to protect them. afterall as for some ancient weapon which needs polish a person had some polish knowledge must be more professional than a layman, and the damage to the weapon must also be less. i also know that ancient sword is better not to be polished, but we can ' t disturb peasants ' passion for earning more money. i think if let them polish randomly, we ' d better teach them some knowledge, which can decrease the damage, and leave some cowry to our offspring

    大家好,我也是古刀兵愛好者,拔刀論壇是我每天必看的.但我在下面見到的古兵不是銹蝕的不象樣子,就是被人用沙輪磨的面目全非.我想為了更好的保護本來就遺存不多的古刀兵,能否請刀先生這樣的老師定期發幾個貼子,就古刀兵的保護,研磨(有些不磨不行)的基本,基礎知識給我們上幾節普及課.我想這樣更有利於古兵的保護.畢竟對有些不磨不行的古兵器有些研磨知識的人對它的研磨是比門外漢來得專業些,對其損傷小些.我也知道古刀最好不磨,但我們誰也左右不了鄉下農民兄弟想多掙錢的熱,我認為與其認其亂磨,還不如教其些知識,減輕破壞率,為子孫多留些寶貝
  2. The king of qin ( daoming chen, beaming feral intensity ) lives in mortal terror of these extraordinary martial artists, named broken sword ( tony leung chiu wai ), flying snow ( cheung, who co - starred with leung in kar wai wong ' s “ in the mood for love “ ) and long sky ( martial arts up - and - comer donnie yen )

    秦王(陳道明,殘暴比)生活在對這三位武功超群的刺客的致命恐懼之中,他們被稱作殘(梁朝偉) 、飛雪(張曼玉,她與梁一起主演了《花樣年華》 )和長空(行看漲的功夫片演員甄子丹) 。
  3. " dark tales ii " consisted of eight touching love stories between earthly man and the immortals, which are in fact parables : " feather fairy " describes how earthly love cannot resist temptations ; " the phantom and the fox " points out man can hardly distinguish between the good and the evil ; " the judge from hell " prompts man not to be greedy and that being common is good ; " flower fairies " relates how easy man will turn weak and suspicious ; " mistake " teaches man to do good ; " ghost mother " shows how deep a mother loves her child ; " sacred sword " reminds man not to underestimate others ; " eternal love " reveals how love can last forever

    八個詭異動人的人鬼狐仙故事,寫盡世變幻常,包括:描寫世人信誓旦旦之愛經不起考驗的綠野飛仙;講述狐鬼鬥法、正邪難辨的魅影靈狐;警惕世人平凡是福的陸判奇譚;闡述人、仙相戀、不離不棄的花醉紅塵;導出好心有好報的陰差陽錯;描寫母慈子孝、倫理親的鬼母癡兒;寓意驕兵必敗的斬妖神;及細味浪漫愛的隔世追等。
  4. For a long time, the political literary and artistic theories have been a double - edged sword, they sometimes eliminate the power of proposition and the fame of knowledge, and sometimes ruthlessly lash social masses like a whip, which has exhausted literary and artistic mankind and mankind ' s literature and art

    摘要長期以來,政治文藝論一直是一把雙刃,有時把命題權力和知識公信力砍削殆盡,有時又像一把的鞭子抽打文藝的社會公眾,權力和暴力的語義更替使得這一議題始終得不到明晰化的穩定語義表達和均衡性的社會運作,這給文藝人類和人類文藝帶來極大的精神耗損。
  5. The sentimental swordsman

    無情劍
  6. It tells about the story of a rich man trying to save his kidnapped wife.

    其後上官玉鳳再度與無情劍和陳天武匯合,一同直搗天狼寨。
  7. Moreover, there is never an absolute evil character in his films. even though the characters have done something wrong, they are neither murderer or gangster, you can always feel the good in them

    穿心-個人認為此片拍得比用心棒更出色,論故事節或喻意都更令人印像深刻。
  8. The blade is 6mm thick at the base with little distal taper to 5mm just before tapering to the point. this gives the sword a very stiff blade to allow strong thrusts and almost zero loss of power transfer during sword binding movements

    這枝的根部厚6mm ,一直到尖也仍然厚5mm ,不太出現刃厚漸薄的況,令它的刃非常堅挺,刺時既可以準確誤,與對手?時也不會被刃的彈性浪費掉用者的任何力氣。
  9. It seems that what he cares most is to make up different excuses for the characters to fight. although we all know that this is a comic adaptation, yet the incoherent style of the first and second half of the movie is still quite distracting. talking about the action choreography, kitamura does disappoint his fans this time. most of the sword fight scenes are long and dry, no matter the moves or the camera works, there is nothing impressive or innovative at all

    北村龍平前作《 azumi 》的片長也不短,但節奏明快,劇豐富,打鬥方面也不乏過癮靈巧的奇招,可是今次卻明顯失手,斗的場面拖得又長又悶,單調乏味,有形而神,戲也拍不出感動和悲,讓一眾支持者失望。
  10. Again, the blade and edges were fine without any sign of damage and the hilt was tight

    再看身及刃口,同樣絲毫損。而柄及護手也任何屈曲及松脫的況。
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