特里斯卡魯 的英文怎麼說

中文拼音 [tèlǐsīkǎlǔ]
特里斯卡魯 英文
triscaru
  • 特 : Ⅰ形容詞（特殊; 超出一般） particular; special; exceptional; unusual Ⅱ副詞1 （特別） especially; v...
  • 里 : 里Ⅰ名詞1 （襯料; 紡織品的反面） lining; liner; inside 2 （里邊; 里邊的） inner 3 （街坊） neighbo...
  • 斯 : Ⅰ名詞（古代驅疫時用的面具） an ancient maskⅡ形容詞[書面語] （醜陋） ugly
  • 魯 : Ⅰ名1 （山東的別稱） another name for shandong province2 （姓氏） a surname Ⅱ形容詞1 （遲鈍; 笨） ...
  1. The roster of composers and conductors who have led the philharmonic includes such historic figures as theodore thomas, pyotr ilyich tchaikovsky, anton n dvo ? k, gustav mahler ( music director, 1909 ? 11 ), otto klemperer, richard strauss, willem mengelberg ( music director, 1922 ? 30 ), wilhelm furtw ? ngler, arturo toscanini ( music director, 1928 ? 36 ), igor stravinsky, aaron copland, bruno walter ( music advisor, 1947 ? 49 ), dimitri mitropoulos ( music director, 1949 ? 58 ), klaus tennstedt, george szell ( music advisor, 1969 ? 70 ), and erich leinsdorf

    曾與樂團合作過的史上著名作曲家和指揮包括：西奧多?托馬斯、柴科夫斯基、德沃夏克、馬勒、奧托?克倫佩勒、理查?施特勞斯、威廉?孟高貝格、富爾特文格勒、托斯卡尼尼、斯特拉文斯基、科普蘭、布魯諾?瓦爾特、迪米特里?米特羅普洛斯、克勞斯?騰斯泰德、喬治?塞爾、埃里克?雷恩斯朵夫。
  2. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  3. Not one to go against it, you have grown fat off it. two lanky peasants said their say. as soon as rostov, accompanied by ilyin, lavrushka, and alpatitch approached the crowd, karp, thrusting his fingers into his sash, walked forward with a slight smile

    羅斯托夫帶著伊林拉夫魯什卡和阿爾帕特奇剛來到人群跟前，卡爾普就走出來，露出一絲輕笑，把手指插進寬腰帶里。
  4. Our management is not daft and believe it or not they do set targets nowadays ! ! they want to bring in van bastens gullits and rijkaards not kluiverts, davids and bogardes ! !

    我們高層並不愚蠢，他們已經有了明確的目標。他們要引入象巴斯滕古利特里傑卡爾德這樣的巨星，而不是克魯伊維特戴維斯博加德那樣的新星！
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