表演指導者 的英文怎麼說

中文拼音 [biǎoyǎnzhǐdǎozhě]
表演指導者 英文
ringmaster
  • 表 : Ⅰ名詞1 （外面;外表） outside; surface; external 2 （中表親戚） the relationship between the child...
  • 演 : 動詞1 （演變; 演化） develop; evolve 2 （發揮） deduce; elaborate 3 （依照程式練習或計算） drill;...
  • 指 : 指構詞成分。
  • 導 : 動詞1. （引導） lead; guide 2. （傳導） transmit; conduct 3. （開導） instruct; teach; give guidance to
  • 者 : Ⅰ助詞1 （用在形容詞或動詞後面 或帶有形容詞或動詞的詞組後面 表示有此屬性或做此動作的人或事物） 2 ...
  • 表演 : 1 （演出） perform; act; play; acting 2 （作示範動作） demonstrate 3 （以觀賞或觀摩為目的的展示）...
  • 指導 : guide; direct; guidance; conduct; direction
  1. Nevertheless, due to the changes of social cultural environment, guidance from government, interposition of scholars, cultural persons and medias, the ceremony for promise fulfillment is changing from fete ceremony to amusing performance, and its inhere cultural connotation and symbol are being disappeared, which will result in the distortion of ethnic traditional culture

    然而，由於社會文化環境的變化，政府的指導，學者、文化人和媒體的介入，還願儀式正在發生變化，從祭祀儀式向娛樂性的表演演變，其故有的文化內涵和象徵也正在消失，其結果將導致民族傳統文化的失真。
  2. 3 study leads the type teaching the basic point in study on : everystudying known, has been able to look, to understand the content asfar as possible first studies independently : read - write, theexpression, the operation trains ; the teaching time fully lets thestudent perform, the teacher instructs - in a mean direct ; studying isstudying the entire journey to be able to display the initiative, thecreativity with every effort, the exploration, the innovation ; on - 3internet related study leads the type memoir, the literature, has onlyreached above 600 since 2000

    3學導式教學的基點在學上:凡求學者已知、已能看、聽懂的內容盡量先自學：讀寫、表達、操作演練;教學時間充分讓學生表演，教師指導在臺下作導演；求學者在學習全程能盡力發揮主動性、創造性，探索、創新； - 3網際網路上有關學導式研究報告、文獻，僅從2000年以來已達600篇以上。
  3. The article intend to analysis the precess, character and motivion of development in traditional street space in which contain abundant cultural heritage. through investigation the writer should analysis the characte r, form and the relationship with each other, and furthermore find the pattern of the space in the fulture. what the most important is to summarize the spitits in traditional street space, such as activition, fuction, cultural elements, social customs and quatity of space. in order to put these elements to the exploit of new street space and find how these elements should be used, the writer regards some streets as the examples such as wenming street in kunming, xinhua street in lijiang jianshe rode in luxi. through research the writer find problems which exist in not only traditional but also in new street and express individual viewpoint about how to solve the problems. there are several ways to keep the new street exploition success. in the first place, we shoule know about all kinds of influences and synthesized elements. secondly mastering the mechanism of the development by oneself is indispensable. in the last place, it is necessory not to imitate some certain model which is plausible in other place. in the l ast of the article, the writer uses a new project to further illustrate the way to put the theory what have mentioned above into the practice

    並從自然，社會，經濟及社會文化方面分析產生的根源，發展動力，其次通過實際調查，對現有傳統商住的物質形態要素進行分析，從商空間及住空間的基本特徵，型制入手，探索傳統商住街區的空間形態，結構組成，商與住空間關系，空間性質及空間如何相互轉化。以此來尋找傳統商住街區物質形態特徵，同時結合具體實例強調在傳統商住街區改造、新區的規劃設計中應當重視非物質要素內涵的提取、如活動者及社會結構、功能意義、空間品質、文化氣息，保持歷史傳統的延續性的必要性與可行性。在文章的後半部分，有針對性的對遺留下來的傳統商住街區-昆明文明街、麗江新華街、瀘西建設路的物質形態特徵和非物質形態特徵的分析，找出現存的問題，並針對問題發表個人的觀點，指出引導現代商住街區的開發與改造中，保持形態合理發展的正確途徑是了解影響形態發展與演變的各種因素及其綜合作用，把握好形態演交的內在機制，而不應刻意追求某種特定的模式。
  4. Enter the phoenix is a qualified effort. although it lacks surprise, it does perfectly demonstrate fung s ability as well as his confidence as a director. it seems that fung definitely didn t make the wrong choice for jumping into the directing stream

    作為初次執導商業長片的嘗試，馮德倫在此片沒有任何破格或者令人驚喜之處，但好在他能展示出無比的自信，無論場面調度和演員指揮等都流暢利落，頗像熟手技工，整體表現還算是合格的。
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