視在閾 的英文怎麼說

中文拼音 [shìzài]
視在閾 英文
apparent threshold
  • : Ⅰ動詞1. (看) look at 2. (看待) regard; look upon 3. (考察) inspect; watch Ⅱ名詞(姓氏) a surname
  • : 名詞1. [書面語] (門坎兒) threshold; doorsill2. (界限; 范圍) threshold
  1. This article summarizes the investigation on infrasound at home and abroad and introduces such issues about infrasound as the effects of infrasound on cardio - vascular system, nervous system, audition and vision, its application to medical device as well as its safe - threshold

    摘要次聲是不可聽聲,綜合國內外的研究,介紹了次聲對動物心血管系統、神經系統、聽覺、覺等的影響,及其醫療器械中的應用,分析了次聲的值問題。
  2. This mode of narrative adds in some way to the traditional bildungsroman : the differences between gender and narration, the restoration of historical actuality by " constructive imagination " as well as the promotion from social concern for the " individual " to individual ' s care of the self in bildungsromans, especially from the perspective of gender, those characters under assumptions and masks in previous literary works will be presented in a realistic manner

    這一敘述形態對傳統意義上的成長小說具有某種意義上的增值:性別與敘事的差異性、 「建構想象力」對成長歷史真相的「還原」 ,以及成長小說對「個人」由社會關懷推進到個體自我的關懷,尤其是性別下,以往文學作品中那些臆斷的和面具下的人物得以真實呈現。
  3. Thirdly, there is a preferential path for dispersion flow near the percolation threshold ; fourth, the longitudinal dispersivity is scaled with grid length

    由於逾滲值附近,網格可為近似分形結構,對二維網格,縱向彌散系數和尺度之間存有指數增加關系
  4. At the same time, liquid crystal science harvests satisfyingly, its research field has extended to physics, chemistry, electronics, biology, etc. surface orientation of liquid crystal molecule ( lcm ) is a key technique in the application of lcd, the effect of orientation plays an important role in the basic performances, such as uniformity, visual angle, aberration, response, threshold of voltage and so forth

    液晶自1976年世界上首次應用於計算器的顯示屏以來,就以其輕量、薄型、能耗低、顯示面積大等優勢顯示應用方面得到迅猛發展,而同時,液晶科學也得到了全面發展,研究領域遍及物理、化學、電子學、生物學等各個學科。液晶分子取向控制技術是液晶板顯示應用中的一個關鍵技術,取向程度的好壞對液晶顯示器的均勻性、角、色差、響應速度、值電壓等基本性能都有重要影響。
  5. Overally the ecology observes natural force, labor force, and the inner synthesis of eco - restriction ; on the dimension of systematism the productive force is the internal restraint that ecosystem brings to labor productive force ; and the history of productive force development denotes that its development is dialectical course of labor force and natural force

    生態學從整體性上考察了自然力、勞動力和生態制約性的內綜合;從系統論維度而言,生態型生產力是生態機制對勞動生產力的內制約;生產力的發展歷史表明了生產力的發展是勞動力與自然力的辨證過程。
  6. However, most of the current wireless networks still work in low bandwidths, and mobile devices still suffer from weak computational power, short battery lifetime and limited display capability. therefore, this thesis deals with developing a very low bit - rate bi - level video coding technique, which can be used in video communications almost anywhere, anytime on any device as follows : ( 1 ) convert true color video sequences from ccd and video card to grayscale ones, ( 2 ) detect static region of successive frames by the sum of absolute differences ( sad ) and update current frame using static region of previous frame, to decrease flicker. ( 3 ) threshold the images to bi - level video sequences using ridler ' s iterative selection

    為此,本論文傳統h . 26x和mpeg - x等頻編解碼技術的基礎上提出了一種新的基於輪廓的頻編解碼方案,步驟如下: ( 1 )先把從ccd攝像頭捕捉到的頻幀序列轉換成灰度幀序列, ( 2 )灰度幀序列的基礎上通過sad演算法找出相鄰幀的靜態區域,用前一幀的靜態區域更新當前幀的相應區域,這樣可以降低畫面閃爍, ( 3 )然後用灰度直方圖迭代所產生的值二值化圖像,生成基於輪廓的頻幀序列, ( 4 )最後運用基於上下文的算術編碼技術對由第三步生成的二值化頻幀序列進行算術編碼。
  7. To broaden the horizon in educational researches, we call for a theoretical and practical study on modern international trade in education

    因此,現階段,從理論與實踐結合上深刻認識現代國際教育貿易成為擴展我國教育理論研究的一個急迫的新課題。
  8. In the view of criminal rule - of - law, the balance of criminal law ' s good, evil and combination of them is very important, but china ' s criminal law ' s good, evil and combination of them has particular stress

    刑事法治中,刑法的善與惡及其結合具有均衡性,而我國刑法中的善與惡及其結合卻表現出了偏重性。
  9. Furthermore, it is necessary to enhance robust and precision for vision sysem. in the practical section, three pixel labling algorithms are introduced, i. e. invariable threshold method, adaptive threshold method, and statistical model method

    覺系統的設計實現過程中,本文提出了將恆定值方法、自適應值方法,以及統計模型方法應用於系統的象素分類階段。
  10. Describes how to monitor performance in replication monitor, including information on setting performance thresholds

    介紹如何復制監器中監性能,包括有關設置性能值的信息。
  11. To configure an alert for a threshold in replication monitor

    復制監器中配置值的警報
  12. Setting thresholds and warnings in replication monitor

    >復制監器中設置值和警告
  13. Contains information about how to create a database alert that is raised when a threshold value for a system monitor counter has been reached

    介紹了如何創建達到系統監器計數器的值時發出的數據庫警報。
  14. Users plot a coarse outline of video objects in the graphic user interface ( gui ) using the mouse at the first step, then fill the outline to obtain a binary model, using seed growing and wavelet edge correct the outline. in tracking video objects, we obtain an initial segmentation uses motion information and the model of previous frame, and correct by the information of space. finally, we obtain an accurate segmentation

    利用覺系統的周邊抑制機制對模板外的象素進行屏蔽,消除背景影響,由自動值選取的小波邊緣提取獲得頻對象的邊界,利用種子生長法進行輪廓擬合,由最短路徑法校正模板,進行頻對象的跟蹤時,利用運動信息和上一幀的模板,得到一個初始分割,利用空間信息對邊界象素調整,最後得到精確分割的頻對象。
  15. The following algorithms are proposed : 1. an algorithm of shot segmentation is proposed. firstly, the data in each frame is quantized in hsv model ; then based on histogram of each frame, the difference of adjacent frames, the difference of cumulate frames and the percentage of the frame difference in a defined window are computed ; furthermore, the adaptive average in a window, the adaptive thresholds and sliding windows are obtained

    具體內容為: 1 .鏡頭分割中,首先將頻幀數據hsv顏色空間下進行量化降維,隨后依據直方圖的統計特性,計算連續幀差值,累加幀差值及窗口幀差比,並以此確定自適應窗口均值、多個動態值及滑動窗口進行突變鏡頭和漸變境頭分割。
  16. Finally in this part, a system of concepts raised from the theory of " potential energy " is proposed by new concepts such as tool of " potential energy ", threshold of " potential energy ", field of " potential energy ", current of " potential energy " and array of " potential energy "

    本文的重點是將「勢能」這一概念拿到藝術領域中,力圖從「勢能」的角度去審藝術的創作問題,此主要提出了勢能分析理論的概念系統,即勢能分析理論的新概念:勢能具、勢能、勢能場、勢能流、勢能陣。
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