電影情人節 的英文怎麼說

中文拼音 [diànyǐngqíngrénjié]
電影情人節 英文
orang&movie day
  • : Ⅰ名詞1 (有電荷存在和電荷變化的現象) electricity 2 (電報) telegram; cable Ⅱ動詞1 (觸電) give...
  • : Ⅰ名詞1 (物體擋住光線后映出的形象) shadow 2 (鏡中、水面等反映出來的物體形象) reflection; image...
  • : 名詞1 (感情) feeling; affection; sentiment 2 (情分; 情面) favour; kindness; sensibilities; fe...
  • : 節構詞成分。
  • 電影 : film; movie; motion picture
  1. The following year, leann recorded and released sittin on top of the world, which featured the hit single " commitment, " as well as " looking through your eyes " from the animated motion picture, quest for camelot. in 1999, leann released a self - titled cd, leann rimes which featured her unique interpretations of 11 country standards including ; " crazy, " i fall to pieces, " leavin on your mind, " don t worry " and " me bobby mcgee " along with six additional classics and the smash hit single, " big deal. " another highlight of 1999 for leann was performing " written in the stars, " a duet with elton john from his aida album, on the people s choice awards, the tonight show, late night with david letterman and the today show

    98年四月黎安萊姆絲為動畫片魔劍奇兵quest for camelot柔演唱大衛佛斯特和carole bayer sager合寫的looking through your eyes全美18名掀起歌風潮,五月發表第四張專輯sittin on top of the world ,其中黎安精彩詮釋prince的經典purple rain 99年黎安除了參加第二屆divas live演唱how do i live外,也和偶像elton john合唱音樂劇阿依達主題曲written in the stars英國排行第10名,並發行收錄排行單曲big deal注二的專輯leann rimes ,以演唱多首響黎安萊姆絲的經典舊作和小女味十足的新造型出發,包含patsy cline的crazy和i fall to pieces及janis joplin my and bobby mcgee等都唱出她個的風格,果然為她的演唱事業締造好評,當年感恩黎安萊姆絲也到歐陸為教宗獻唱歌曲。
  2. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素,一個復雜的故事曲折迷離的環對于看動畫的觀眾是一項極大的負擔,在現今的市場需求上趣味已經取代了傳統的故事鋪陳,在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇變成了最重要的課題,很明確地,從片廣告的方式可以感受到什麼樣的主題才是消費者的需求,過去高成本大製作的廣告模式這幾年已不復見,取而代之的是片有多趣味多好玩,這就是典型的簡單故事描述復雜的劇,舉例來說:史瑞克就是一個很典型的例子,單純的救公主的劇,不斷的以「與傳統思維相反」的劇沖擊著觀眾的思考模式,我還記得當時看完該片后出場不斷的聽到眾討論趣味的,但是卻沒有聽到半個說這部戲的故事有多棒,其實這樣的劇本就是最好的動畫劇本,讓觀眾獲得他們想要的劇卻不以復雜的故事包裝,這才是動畫編劇的最高境界,因為願意花錢進到戲院或是花錢購買dvd的消費者,都是想開開心心的觀賞片沒有負擔、沒有包袱,也就是花錢買開心,特別要提醒的「寫作動畫劇本並不是寫給個滿足自己的創作慾望而是面對所有欣賞的群」 。
  3. One recalls from old photographs and movie or television screens, the comatose and glazed expressions of survivors of the great bombardments of world war i and the attendant horrors and death of trench warfare

    一個會從老照片和視中播放的目回憶起一戰期間猛烈炮戰中的生還者呆鈍的表以及參加者恐懼和塹壕戰中的屠殺場景。
  4. Despite the constant tte - ttes between the threesome, there is a tenderness that is inescapable a director s affectionate ode to her own parents. fipresci and caligari film prize winner, berlin film festival

    導演還是系碩士生,才已被肯定,短片先獲校內頒發最佳導演獎, 《牛皮》獲今年柏林展國際獎及caligari獎。
  5. First - features and second - or third - features, according to the final programme selection by directors of asian countries automatically become candidates for the fipresci award installed in the hkiff

    凡屬導演首部作品或第二三部作品,視況而定的亞洲,皆成為附設的國際聯盟獎候選片。
  6. Scott graham, executive officer of the marines ' unit, based in indian head, md. “ it ' s almost like something out of a science - fiction movie

    這個海軍陸戰隊單位的駐地在美國馬里蘭州印第安赫德,執行官格雷姆中校說:這太教驚訝了,幾乎就像科幻中的
  7. This time, kwong man wai tried to use the same formula again. unfortunately, his inexperience has prevented him from achieving the same result. the biggest problem of this film is that kwong spends too much time to create the enigmatic atmosphere of the story, that a great portion of the film is sacrificed to meaningless scenes

    全片太多故弄懸虛的細,如郭晉安的失常話對白大廈偷窺狂獨坐街頭老婦跳舞姐妹等,都和主線劇毫無關系,全部都拍得有頭無尾,當完結時,頻令不解那一班角色有何妙用。
  8. It is also the only moment when she is not required to care about traditional conception or the criticism of the others, since her death means a total detachment from the world

    製作對于高科技和特技的基本認識根本不足,但是又要唔識辦識,令到出現不少欠缺邏輯的非預期的惹笑,自取其辱。
  9. It is also interesting to compare this film with kenji mizoguchi s the last chrysanthemum, because both films celebrate the virtue of a honorable wife

    雖然部分是從真真事改篇,但是當中卻嫌有點誇張和煽,猶其原子后來的遭遇十分悲慘。
  10. The film was beautifully crafted, having been shot in black and white, yet highly perturbing in the way a comical situation gradually transformed itself into a barbaric climax, ending with a final, unsettling shot that none will easily forget

    這部片在採用黑白片攝制,鏡頭、光線等技巧都運用得極好的同時,從充滿了令不安而又令捧腹的喜劇效果逐漸將觀眾帶入了那野蠻、凶殘令感到既悲哀且悲壯的高潮,特別是的結束部分令觀眾久久不能釋懷。
  11. The entire programme is organised in association with goethe - institut hong kong and the exhibition is largely supported by filmmuseum berlin - stiftung deutsche kinemathek. my special thanks to their director mr hans helmut prinzler, their chief exhibition coordinator mr peter mnz, their curators ms christina ohlrogge, ms kristina jaspers, mr. nils warnecke and fabrication designer ms ingrid jebram. i owe a lot to their programmer restoration expert mr martin koerber for attending to minute technical and restoration details of murnau s existing or non - existing titles

    此項目與香港歌德學院合辦,是次目得以成功舉行,尚有賴德國美國和香港的多個組織和士,特別要鳴謝柏林博物館的館長漢斯凱穆秉善勒先生他們展覽部的同事彼得明施先生姬絲丁娜奧奴嘉女士姬絲丁娜邑思巴女士紐思華力加先生場地設計英格列椰芭琳女士,以及為我提供片修復詳和技術資料的馬丁葛珀先生。
  12. Bill : ready for an escape ? a lot of people are. in addition to escapist movies and tv programs, romance novels provide hours of escape to people the world over

    比爾:準備好逃避了嗎?許多都已準備就緒。除了那些逃避現實的目之外,浪漫愛小說也可以讓全世界的有數小時的時間來逃避現實。
  13. Best director award, national board of review 1961 an old victoria mansion, a housekeeper and two children form the backbone of the story. departing from his previous socio - realistic style of narration, jack clayton uses surrealistic visual effects and unexpected plots to recreate the fear and helplessness of human being in this material world

    一間古老維多利亞大屋,一個女管家,兩個小孩,在這樣的故事前設中,克萊頓一改前作的社會寫實主義敘事風格,以心理寫實的超現實像視覺效果,和種種意想不到的故事,再現類在物質世界中的恐懼和無助。
  14. A unit of 25 military paratroopers landed inside the perimeter of a state prison, but not to quell a riot or attempt some movie - script breakout. they just goofed

    某個25的傘兵部隊降落在一所州立監獄內,不過並不是擔負鎮暴平亂任務,或發動般的突圍行動。他們只是擺了個烏龍。
  15. Mr. weerasethakuls unrushed rhythms and the tenderness with which he takes us through a scene work a nice counterpoint to his bold narrative ambitionsthis is one of the most fascinating young filmmakers working today. manohla dargis, the new york times

    韋華斯花古從容不迫的奏以及處理每場戲所流露的細膩感,恰好與他大膽創新的敘事手法成為巧妙的對比他是當代其中一個最叫著迷的年青製作
  16. In this rolling rock em sock em homage to classic kung - fu flicks of yesteryears, the gen - x pair of stephen fung and gillian chung twins play siblings that must race to save their father while unravelling the secrets behind the mysterious dragon

    這部懷舊兼黑色的溫喜劇,野心雖不及馮德倫前作《大佬愛美麗》 ,勝在輕松自若,故事與奏都抓得恰到好處,更隱約傳達承先啟后的香港寓意,新一代做接班的志氣呼之欲出。
  17. As i have said above, since a clergyman is employed to substitute " lung po " ( a representative figure of hong kong ghostbuster that is usually portrayed by actress law lan ), it is not hard to expect some religious " exorcist " scenes. in fact, these scenes are quite refreshing as they are not normally seen in a hong kong movie, but the problem is that they resemble their western counterpart

    片初兩場驅魔戲撇除港片一貫龍婆或道士驅鬼的陳套,是全片最引入性之處,編導亦拍出凝聚力,不過驅魔的太似西片《驅魔》 ,有抄雜之嫌,是一大遺憾。
  18. Charlotte : i mean, orgasms don ' t send you valentine ' s day cards and they don ' t hold your hand in a sad movie

    我的意思是,性高潮不會送你卡片,在你看傷心的的時候,也不會牽著你的手。
  19. Charlotte : i mean , orgasms don & # 39t send you valentine & # 39s day cards and they don & # 39t hold your hand in a sad movie

    我的意思是,性高潮不會送你卡片,在你看傷心的的時候,也不會牽著你的手。
  20. " i think that someone watching " the day after tomorrow " should realize that when they come out of the movie they should know, that is not going to happen, " said dr. john christy, professor of atmospheric science at the university of alabama in huntsville

    「我想觀看後天的應該意識到,當他們走出后,那些都不會發生。 」阿拉巴馬大學亨滋維爾分校的大氣學教授約翰克里斯特博士說。
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