黃楚山 的英文怎麼說

中文拼音 [huángchǔshān]
黃楚山 英文
chushan huang
  • : Ⅰ形容詞(像絲瓜花或向日葵花的顏色) yellow Ⅱ名詞1 (指黃河)short for the huanghe river:黃泛區the...
  • : Ⅰ形容詞(清晰; 整齊) clear; neat Ⅱ名詞1 [書面語] (痛苦) pang; pain; suffering 2 (周朝國名 位...
  • : 名詞1 (地面形成的高聳的部分) hill; mountain 2 (形狀像山的東西) anything resembling a mountain...
  • 楚山 : chosan
  1. And the consummate character actor more than proves that he is ready for his close - ups. screened with

    黃楚山曼梨對泣牛衣,與同場放映的《
  2. One set is worried about not being able to feed an impending baby, one is hit with a devastating miscarriage, one tries everything under the sun but still cannot conceive and wong s character, despite being poor, hungry and middle - aged, is cursed with a way - too healthy sperm count. director chun kim must have been fully aware of the irony, giving wong more than his usual share of privileged moments to strut his stuff

    洋行雜役阿全家境貧寒卻一巢多兒,最後還是支撐不住,忍痛把孩子送人;另外幾對夫妻不是求子不遂、就是孩子驕縱學壞,五對父母皆為兒女傷神。黃楚山曼梨不但演技超卓,且體察人情,演來自然真摯,毫不花巧卻極為動人,把五十年代草根家庭的窘迫苦況活現銀幕。
  3. Wei zhong songshan, an inquiry into the shaolin martial arts, the world cultural heritage longmen grottoes, louyang nine north korea, ended in a clear demarcation line between the foot of mangshan mountain long history and magnificent mother river - long yellow river

    巍巍中嶽嵩,武術祖庭少林寺,世界文化遺產龍門石窟,九朝古都洛陽,綿延的邙腳下河漢界歷史悠久,波瀾壯闊的母親河?河源遠流長。
  4. The more the merrier, he plays the usual wage slave in a typically supportive task. but it turns out to be an unusually meaty role

    遇上出色劇本、識英雄重英雄的編導秦劍,使黃楚山曼梨盡展苦情戲的看家本領。
  5. This is a rare 1950s hong kong film that uses satire to address society s declining morality and wong cho - shan s assignment is to give his character a twisted touch to get the point across loud and clear

    姊妹二人平素刻薄老父,一天妹妹曼梨、黃楚山夫婦發現父親過身,立刻動手給遺物搬家;豈料與姊姊爭遺產時,父親突然屍變. .
  6. Regarding the reconstruction of old factory 798 into dashanzi art district, huang yuan not only analyses the change of interior space and functions arising therefrom the reconstruction, but also points out that such is an urbanization phenomenon of " transformation from big buildings into small fragments of cities ", and that only " departure from the interior ", can people know it more completely and more clearly

    對于北京原798工廠廠房改建為大子藝術區,源在文章中不僅分析了廠房建築改建引起的室內空間和使用功能的變化,同時指出這是從「大建築轉化為小城市片斷」的城市化現象,應當「走出室內」才能更完整清地認識它。
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