擱筆 的英文怎麼說

中文拼音 []
擱筆 英文
put down the pen; stop writing either temporarily or for good
  • : 擱動詞1. (放) put; place 2. (擱置) put aside; lay aside; leave over; shelve
  • : Ⅰ名詞1 (寫字畫圖的用具) pen; pencil; stylus; writing brush 2 (手法; 筆法) technique of writin...
  1. In one corner was a blank canvas on an easel that had been waiting there for twenty - five years to receive the first line of the masterpiece

    屋子一角的畫架上支著一張從未落過的畫布,在那兒了25年,等著一幅傑作的起
  2. Writing, for lawrence, depended on inspiration. inspired, he worked in a white heat of creative energy, uninspired, he worked not at all

    在寫作上,勞倫斯依靠靈感。靈感來時,他極度興奮地寫作,創造力源源涌至;缺乏靈感時,他乾脆擱筆
  3. The exhibits, made in the period from the qianlong reign ( 1736 - 1795 ) to the 1950 s, are extremely diverse, comprising brushpots, inkstick stands, brush rests, paperweights, vermilion boxes, inkstones, brush washers, waterpots, vases, bottles, snuff bottles, lamps, incense holders, ruyi sceptres, arm rests, belt ornaments, table screens, plaques and many the like. together they give a comprehensive overview of jingdezhen carved porcelain that developed fully in the two centuries

    文物館舉辦"素影浮瑩-清末民初景德鎮雕瓷"展覽,展出雕瓷作品166項,年代自十八世紀乾隆朝至上世紀五十年代,種類包括筒、墨床、山、紙鎮、印章、蓋盒、墨硯、水洗、水盂、瓶、壺、鼻煙壺、燈、香薰、如意、臂、帶飾、硯屏、瓷板等,旨在展示景德鎮雕瓷工藝兩百年來的發展脈絡。
  4. He laid down his pen.

  5. It being strictly a history of a boy, it must stop here ; the story could not go much further without becoming the history of a man

    因為這確實是個兒童的故事,所以寫到這里必須擱筆,再寫下去就得涉及到成人時期。
  6. Intentionally or unintentionally overlooked by literary historians of eastern writers wang yanshou, though rarely given its existing, but he ' s an " lu emmanuel temple fu " for the most renowned scholars, writers caiyong surprised when, and who sign off

    摘要被文學史家有意無意忽略的東漢賦作家王延壽,盡管現存其賦甚少,但他的一篇《魯靈光殿賦》讓當時最負盛名的學者、文學家蔡邕驚奇不已,並為之擱筆
  7. I too, will drop my brush, stretching and relaxing my arms, moving both of them and the legs too. i forget myself and may look like a lunatic. maybe, this can be why some artists, writers and thinkers are regarded as peculiar

    一方面,兒嬉圖中的人物,大多是手之舞之,足之蹈之的,自己也不妨,來,跳跳動動,鬆鬆勁,伸伸臂,實在有時忘我,變成了神經,往往一般藝術家,作家,思想家被人視為怪,原因在此。
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