有詩意地 的英文怎麼說
中文拼音 [yǒushīyìde]
有詩意地
英文
poetically-
In the search for site - dependent characters, the different design elements can be identified in the language and ideas of the office ' s landscape architecture : the poetic planning approach ; the reutilization of proven design principles ; the archaeological search for original features of a place ; the concept of the garden as a theme garden ; the concept of the " openly architectonic " ; the concept of " emptiness " ; and the " production line " concept
在追尋場地特性的過程中，賴納?施密特教授及其事務所的規劃思想和設計語言可以歸納為：詩意的規劃方法；已被證實的設計原則的再利用；對場所原有特徵的考古學研究的應用；將花園設計成一個主題式花園的概念；直接利用建築結構組織空間的概念； 「空」的概念； 「流水線」的概念。It is meaningful to interpret plato ' s prohibiting poetry under today ' s circumstances in which poetry is being devaluated widely
摘要在詩藝價值和詩人地位被普遍懷疑的今天，重讀柏拉圖的禁詩令有特殊意義。Any number of other instances could be cited, most of them representing less development of a germinal idea than than what is apparent in this poem.
其他例子多得不勝枚舉，不過大都不如這首詩如此明顯地有創意。I hear the hindoo teaching his favorite pupil the loves, wars, adages, transmitted safely to this day from poets who wrote three thousand years ago
我聽見有三千年前的詩人們書寫的、完好無損地流傳至今的、有印度教士傳授給得意門生的、有關愛情故事、戰爭和格言。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Jeff : when borg, five times champion of the men ' s singles wim - bledon championships, occasionally displayed the flavor of east euro - pean folk dance in his both hands whipping backhand base line balls. besides, athletes ' service, receiving, attacks near the net and fish dives to save the ball all are full of poetic charms
傑夫:還有曾五次獲得溫布爾登網球錦標賽男子單打冠軍的博格，在雙手握拍抽打反手底線球時，不時地表現出東歐民間舞蹈的韻味此外，運動員的發球、接發球、網前對攻、飛身魚躍救球等都充滿了詩情畫意。The salon was filled with the works of modern artists ; there were landscapes by dupr, with their long reeds and tall trees, their lowing oxen and marvellous skies ; delacroix s arabian cavaliers, with their long white burnouses, their shining belts, their damasked arms, their horses, who tore each other with their teeth while their riders contended fiercely with their maces ; aquarelles of boulanger, representing n ? tre dame de paris with that vigor that makes the artist the rival of the poet ; there were paintings by diaz, who makes his flowers more beautiful than flowers, his suns more brilliant than the sun ; designs by decamp, as vividly colored as those of salvator rosa, but more poetic ; pastels by giraud and muller, representing children like angels and women with the features of a virgin ; sketches torn from the album of dauzats " travels in the east, " that had been made in a few seconds on the saddle of a camel, or beneath the dome of a mosque - in a word, all that modern art can give in exchange and as recompense for the art lost and gone with ages long since past
客廳里掛滿了近代畫家的作品，有杜佩雷的風景畫：長長的蘆葦和高大的樹木，哞哞叫的奶牛和明朗的天空有德拉克絡畫的阿拉伯騎俠：身穿白色的長袍，把著閃閃發光的腰帶，戴著鐵套的紋章，他們的馬用牙互相嘶咬，騎在馬上的人卻在用他們的狼子棒兇猛地格鬥拼殺布郎熱的水彩畫，色彩極其動人，以致使畫家成了詩人的仇敵有邊亞茲的油畫，他使他的花比真花還鮮艷，太陽比真的太陽還燦爛有德網的圖案畫，色彩象薩爾瓦多羅聯薩的畫一樣生動，但卻富於詩意有吉羅和米勒的粉筆畫，把小孩子畫得象天使安琪兒，把女人畫得象仙女般美貌有從多薩的東方之行畫冊上撕下來的速寫，那些速寫都是畫家在駝峰上或回教寺院的殿堂下只花了幾秒鐘的時間勾成的。The conception that holds to be true the existence of eco - theory is its basic philosophical back - up and cultural support ; the theory that valorizes the play is its aesthetic category which breaks through the heidegerian doctrine of the world contesting against the earth ; the belief that living poetically is against living technically leads the aesthetic to that of man ' s existence ; the idea that one should be aware of one ' s home is against the sense of loss in modem social man ; the awareness of one ' s situation is closely related to one ' s living circumstances and one ' s feeling of them ; participation in the aesthetic is a manifestation of the subject ' s participation in eco - construction with his sensibility ; and finally, eco - criticism is the practical form of eco - aesthetics
「生態論的存在觀」是其基本的哲學支撐與文化立場； 「四方游戲說」是其主要美學范疇，是海德格爾對「世界與大地爭執」理論的突破； 「詩意地棲居」與「技術地棲居」相對，將審美引向人的審美地生存； 「家園意識」針對現代社會人的茫然之感，具有本源性特點； 「場所意識」則與人的具體生活環境及對其感受息息相關； 「參與美學」反映了生態美學以主體所有感受力參與審美建構的特點； 「生態批評」是生態美學觀的實踐形態。And li shang yin, a classical poet whose titleless poems have revealed a distinctive implication of modernism, should be greatly valued
而在所創無題詩中就表現出鮮明現代派意韻的中國古典詩人李商隱，理應具有一種非常珍貴的地位。Smiling with enjoyment, they went through their reminiscences ; not the melancholy memories of old age, but the romantic memories of youth, those impressions of the remotest past in which dreamland melts into reality. they laughed with quiet pleasure
他們面露微笑，懷著回憶往事的喜悅心情，不是憂悒的老者的回顧，而是富有詩情畫意的青春的回憶他們逐一回想那些夢景和現實融為一體的久遠的印象，不知為什麼而感到高興，不時地發出輕微的笑聲。I should first admit my reading prejudices. i am a city dweller through and through whose romantic fantasies of country life were destroyed when i was sent to till the land outside beijing for one year. there is a gulf between me and the rural novel ; the very smell of soil makes me yawn
先要聲明我的閱讀偏見：因為徹底是城市人，到北京郊區下鄉一年更破了原先對田園詩意的幻想，我一向對農村小說隔膜，聞見泥土味就打呵欠，見到「王富貴進了李有才家，先蹲下了」或者「男人咂吧著煙袋，瞇縫著眼看著婆娘大奶子一顛一顛地在灶間忙活著」這樣的句子就倒胃。My dear doctor, mr. craddock is so matter of fact--the moon will never arouse him to poetic ecstasies.
我親愛的醫生，克雷杜克先生是非常講求實際的月亮決不會把他引向富有詩意的心醉神迷的境地。With the poetry and truth of nature, he described by laying his hand on his own heart.
他帶有詩意和真摯感情地把手放在心口上說。Nothing can be clearer than that. then again - " before she had this fit - " you never had fits, my dear, i think
國王手指著桌上的餡餅，得意地說， 「那麼再看：也就是她有過的詩章，親愛的，我想你沒有過詩章吧？ 」S, cast from solitude into the world, frequently experienced an imperious desire for solitude ; and what solitude is more complete, or more poetical, then that of a ship floating in isolation on the sea during the obscurity of the night, in the silence of immensity, and under the eye of heaven
唐太斯雖然剛剛從孤獨中掙脫出來，但有時卻偏偏喜歡孤獨，說到孤獨，哪有比駕著一艘帆船，在朦朧的夜色里，無邊的寂靜中，蒼天的俯視下，孤零零地漂浮在大海上的這種孤獨更完美更富有詩意呢？It is this kind thinking that would let human beings dwell on the earth poetically
也正是這一思路有可能使人得以詩意地安居在大地上。Together we strolled through delightful glades which seemed as though they were deliberately designed to remind you of lines by lamartine and make you hum tunes by scudo
我們雙雙在這富有詩意的地方散步，這些地方彷彿造得故意讓人回憶起拉馬丁的詩句和斯居杜的歌曲。She works as a bar hostss in a night - club frequented by the senior cadres and the nouveaux riches, but retains a nostalgia for her past. hu jin deserts her studies to try her luck in the labyrinthine city
餘力為以充滿詩意的鏡頭捕捉她們的生活，客觀又批判地展現她們在燈紅酒綠的黑暗中過著的日子，具生活感之餘亦詩意盎然，是紀錄中罕有的佳作。It is said this art form encompasses poem, music, dance and drama into one form. it has significant position in chinese history of local opera, literature and muaic
武功技術卓絕，表演情真意切，它有詩的意境，畫的風采，熔詩、樂、歌、舞、戲於一爐，在中國戲曲史、文學史、音樂史上都佔有重要的地位。They are flying between the sky and the earth. they are waving the emotional rolls pictures ; even the white color has been full of the poetic flavor, and the moon above the wilderness at dark night has silenced its lonely melancholy
她們飄蕩在天地之間，飛揚起多情的圖卷，就連白色也都富有了詩意，就連荒原里暗夜的月亮，也再看不出寂寞的愁悵。分享友人