王衛衛 的英文怎麼說
中文拼音 [wángwèiwèi]
王衛衛
英文
wei-wei wang-
There ' s not a lot that happens in " 2046. " the languid, carefully composed shots that wong constructs for his actors are anathema to the frenzied rhythms of contemporary hollywood
並沒有太多故事情節，王家衛在他的演員身上拍出來的那些懶散倦怠、耐心經營的鏡頭被節奏強烈的當代好萊塢視為異類。Mrs. southcott had recently attained her five - and - twentieth blessed birthday, of whom a prophetic private in the life guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of london and westminster
騷斯柯特太太剛滿了她幸福的二十五歲，王室衛隊一個先知的士兵已宣布這位太太早已作好安排，要使倫敦城和西敏寺陸沉，從而為她崇高形象的出現開辟道路。A wild - looking woman, whom even in his agitation, mr. lorry observed to be all of a red colour, and to have red hair, and to be dressed in some extraordinary tight fitting fashion, and to have on her head a most wonderful bonnet like a grenadier wooden measure, and good measure too, or a great stilton cheese, came running into the room in advance of the inn servants, and soon settled the question of his detachment from the poor young lady, by laying a brawny hand upon his chest, and sending him flying back against the nearest wall
紅頭發，特別的裹身紅衣服。非常奇妙的女帽，像是王室衛隊擲彈兵用的大容量的木質取酒器，或是一大塊斯梯爾頓乳酪。這女人立即把他跟那可憐的小姐分開了-她把一隻結實的手伸到他胸前一搡，便讓他倒退回去，撞在靠近的墻上。Ultimately though, the time warp returns back to the 1960s an era that continues to haunt wong s own achingly romantic reverie
梁朝偉玩世不恭的演出幅度更勝前作，章子怡奔放的身體語言收放自如，癡和怨的演繹為王家衛電影一新耳目。Wong kar wai almost missed his own movie screening at the cannes film festival this year
王家衛差點錯過今年在戛納電影節放映自己的電影。The handheld camera and lack of sufficient light source ( iwai loves to use natural light to shoot ) have created a realistic sense for the story yet greatly hindered the viewers from comprehending certain scenes. as a matter of fact, i found it really hard to identify who is who and what the characters are doing in some particular moments here and there
事實上，筆者看到一半，也未能完全搞明白誰是誰，而且在大量搖鏡拍攝下（比起王家衛的松郁朦更厲害） ，有不少情節都是在似懂非懂之下帶過，所以也無從對其內容作深入研究。The handheld camera and lack of sufficient light source iwai loves to use natural light to shoot have created a realistic sense for the story yet greatly hindered the viewers from comprehending certain scenes. as a matter of fact, i found it really hard to identify who is who and what the characters are doing in some particular moments here and there
事實上，筆者看到一半，也未能完全搞明白誰是誰，而且在大量搖鏡拍攝下（比起王家衛的松郁朦更厲害） ，有不少情節都是在似懂非懂之下帶過，所以也無從對其內容作深入研究。Wang wei ' s solo exhibition “ trap ” opens july 30 at platform china, beijing
王衛的「捕捉器」將於7月30日下午3點在站臺?中國開幕。Wang wei ' s installation “ trap ” carries on the artist ' s exploration of physical and metaphysical architecture
空間裝置作品「捕捉器」延續了王衛一直以來在作品中對物理及抽象空間的探討。Shanghai - born wong kar - wai is a rare commodity within the hong kong film industry : a maker of " art " films
出生於上海的王家衛是一個製作「藝術」影片的電影人，在香港電影業是很傑出的人物。Wong kar wai, film director, hong kong
王家衛，電影導演，香港No doubt the use of slow - motion can enhance the dramatic effect, but overdose is always no good
另外，王家衛對于電影技術的運用是無容置異。Judging on these criteria, it is why i found it extremely hard to believe how miike could possible persuade the film company and the investors to work on such a commercial project that fails to care about the feeling of the audiences at all. some people may parallel it to say, wong kar wai s movies, that are also incomprehensible to the audiences, but wkw is at least more honest about his own feeling and he is always able to incorporate his genuine emotions into his movies
不過王家衛的影片總算拍出豐富感情，觀眾能夠感受其意境和內涵，可惜同樣孤芳自賞的三池崇史卻眼高手低，整部戲只給人造作和惺惺作態的感覺，尤其那些歷史片段的蒙太奇和唱歌戲（有點像西片《天生殺人狂》 ，但論意境和效果則差得遠） ，都無法打動觀眾。Scussion on the heritage and development of the movies by wang jia - wei from his quot; flower - like age quot
看王家衛電影的繼承性與發展性Memories are moist, and so are the tears streaming down the delicate visage of each gorgeous leading lady. chow mo - wan leung leaves a half dozen hearts broken in his wake as he tries to abandon the memory of one who haunts him : su li - zhen maggie cheung, in a blinkingly brief cameo
此作不單是花樣年華的延續，更上接阿飛正傳，又處處有重慶森林春光乍泄甚至東邪西毒的回響，可說是王家衛至今為止集大成總結意味最強的力作。The satellite of neptune that is third in distance from the planet
海王衛二海王星的衛星，離該行星的距離處于第三位The time seemed long ; the guide ever and anon left them to take an observation on the edge of the wood, but the guards watched steadily by the glare of the torches, and a dim light crept through the windows of the pagoda
對他們說來，時間似乎是過得太慢了！向導不時地離開他們到森林邊上偵察動靜。土王衛兵一直在火炬的照耀下來回巡視。According to the documentation collected from domestic and abroad wang wei dong who works in huadong architect and structure institute utilizes the similar work property between the underground continuous wall and pile subjected the vertical loads, and introduces poulos method of elasticity and plastic which applies to pile foundation into the calculation for subsidence of underground continuous wall. pujialiu and yu yuzhou from water and electronic engineering of qinghua university, according to the result of three axes, define the concrete parameter utilize the model of non - linear e - b combined with the design cross section of dam in xiaolangdi, yellow river accept the total stress programme of thepd dam, and we analyze the stress and displacement of plastic concrete diaphragm wall by finite element method in comparison with the result of common concrete one. at same time, we consider the effect of the character of plastic concrete diaphragm wall which is composed of different gradients and adopting the level of stress and pulling stress infers whether the plastic concrete diaphragm wall is safe or not
地下連續墻是一種歷史較短的施工方法，目前，砼防滲墻的設計還是以傳統的設計方法為主，根據查找國內外文獻資料，華東建築設計院王衛東利用地下連續墻與樁在豎向荷載作用下的工作性能有相似性，將適用於樁基的poulos彈性理論引入對地下連續墻的沉降計算中；清華大學水利水電工程系濮家騮、于玉貞根據三軸試驗結果確定混凝土的參數，利用非線性e - b模型，結合黃河小浪底土石壩設計剖面，採用thepd土石壩總應力程序，對深覆蓋層塑性混凝土防滲墻的應力、位移進行有限元分析，並與普通混凝土防滲墻計算結果加以對比，同時分析了不同配比塑性混凝土特性的影響，並採用應力水平和拉應力數值來判斷塑性混凝土防滲墻的安全程度。In any case, wang wei has the audience caught
此時我們卻已深陷在王衛的「捕捉」之中。“ space within a space ” and the impact of spatially engaging the viewer is the backbone of wang wei ' s art
營造「空間中的空間」和關注空間與觀眾的互動所帶來的感受是王衛作品的主線。分享友人