畫筆變體 的英文怎麼說

中文拼音 [huàbiàn]
畫筆變體 英文
brush varient
  • : Ⅰ動詞1 (用筆或類似筆的東西做出圖形) draw; paint 2 (用筆或類似筆的東西做出線或作為標記的文字) ...
  • : Ⅰ名詞1 (寫字畫圖的用具) pen; pencil; stylus; writing brush 2 (手法; 筆法) technique of writin...
  • : 體構詞成分。
  • 畫筆 : painting brush; brush
  1. The defect of this kind of literary style is that do not there is not close connection between incident and incident, just appeared successively according to the order of time, made the structure of the works seem loose, it is difficult to form the whole effect ; at incident prosily, it narrates scarce to change rhythm static behavior describe have enough and to spare and work up insufficient sense, it was the history living dramas of static historical pictures but not a scene curtain with all linked with one another ring that reproduced out ; regarded incident as the centre, in people s discipline history, dredged and left literature to announce the aim of the question of life

    作為一種敘事散文,回憶錄的寫法理應不拘一格,但事實上大多數作者都是採取的無技巧法,也就是一個接一個地敘述事件直至結束,其間加入自己對歷史的感受和思考。這種寫法的缺陷是事件與事件之間沒有緊密的聯系,只是按照時間順序先後出現,使作品結構顯得鬆散,難于形成整效應對事件平鋪直敘,敘事節奏缺乏化,靜態描述有餘而動感不足,再現出的是一幅幅靜止的歷史面而非一幕幕環環相扣的歷史活劇以事件為中心,以人紀史,疏離了文學揭示人生問題的宗旨。
  2. Then we use shuowenjiezi as well as the three standard books of chinese characters in tang dynasty, ganluzishu, wujingwenzi, jiujingziyang, as the criterion to correct the wrongly written characters, and divide the compiled common chinese words into seven categories : simplify the font, complicate the font, change the strokes, change the goujian, alternate the yifu or yinfu, alter the structure and kuaihuacaoshu. on the basis of that, we illustrate with the quantified data connected with the specifically speaking method that in the seven categories only two categories which are alter the yifu or yinfu and alter the structure maintain the reason of the standard form of chinese characters, the category of complicate the font weaken the reason, and the other four categories destroy the reason. through this, we can see that the reason of the common chinese words is much weaker than that of the standard form of chinese characters, so the common words are mostly excluded by the standard form system and are gradually obsoleted

    本文以《吐魯番出土文書》為材料,採用窮盡式的方法輯錄其中的俗字(以字種數計) ,以《說文解字》以及《干祿字書》 、 《五經文字》 、 《九經字樣》三種唐代正字書作為正字標準,將所輯錄的俗字分為簡化字形、繁化字形、改換、改換構件、更替意音、換結構、楷化草書七種類型,並進一步以量化數據和具分析相結合的方法說明七類俗字中保持正字理據的僅更替意音、換結構兩類,繁化字形類弱化了正字理據性,其他四類則破壞了正字的理據,說明俗字的理據性要比正字弱的多,因而俗字多被正字系統所排斥,逐漸被淘汰。
  3. Ren bonian is the most influential painter in the late qing dynasty, his painting is full of changes, proper in form, abundant, which got to a higher level than others in the aspects of persons, flowers and birds painting, at the some time attained a high achievement

    摘要任伯年是清末時期最有影響力的家,他的繪作品奇肆多,構成得,內涵意境豐富,墨技法功力非凡,精藝熟練, ?脫流暢,在人物、花鳥等方面都突破了同時代人的水平,達到很高成就。
  4. Resets the world transform of the form to an identity 2x2 identity matrix plus a zero - vector translation and fills a rectangle with a solid red brush

    將窗的世界換重置為一個單位矩陣( 2x2單位矩陣加上零向量平移) ,並用純紅色填充一個矩形。
  5. Breaking away from the rules of conventional painting techniques, they used vigorous, painterly brushwork and looked to the magical play of lights and colours as they searched for a more atmospheric effect

    技法上以瀟灑奔放的觸,追逐光影幻間紛呈的色彩,並著重營造面整氣氛。
  6. We used this system to check some representative images on the web, we could got a conclusion that most encode images is easy to decode. without right theory they can ’ t build a robust encoded image. and through thorough experiments by this platform i have concluded such points : single alpha encoded is useless, we must encode all characters as whole ; confusion points are useless, we must use confusion lines which look like stroke ; enlarge base of character such as chinese character, not only digital number and alpha

    並且通過該平臺的廣泛實驗總結出增強圖片加密強度的幾個要點:只加強單個字的加密是不行的,必須把整作為加密對象,增強字與字之間的干擾;單純的噪點作用不大,具有特徵的干擾線作用更大;應該引入一些隨機量,比如每副圖片的字個數隨機,加密方法隨機選擇;增大可選詞匯的基數,可以考慮使用漢字,而不單純是數字和英文。
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