詮釋情境 的英文怎麼說

中文拼音 [quánshìqíngjìng]
詮釋情境 英文
hermeneutic situatedness
  • 詮 : [書面語]Ⅰ動詞（詮釋） comment; explainⅡ名詞（事理） reason; true meaning
  • 釋 : Ⅰ動詞1 （解釋） explain; elucidate 2 （消除） clear up; dispel 3 （放開; 放下） let go; be reliev...
  • 情 : 名詞1 （感情） feeling; affection; sentiment 2 （情分; 情面） favour; kindness; sensibilities; fe...
  • 境 : 名詞1 （疆界; 邊界） border; boundary 2 （地方; 區域） place; area; territory 3 （境況; 境地） co...
  • 詮釋 : annotation; explanatory notes
  1. It was pointed out that innovation education of chemistry teaching should be carried out to guide and inspire students by establishing enviroment and the annotation of innovation education of chemistry teaching was completed by explanation of curiosity, observational ability, imagination, emanative and innovative spirit

    摘要指出了化學創新教育應通過創設情境引導和啟發學生學習實踐，並從好奇心、觀察力、想象力、發散思維能力、創新精神等方面對化學創新教育進行了詮釋。
  2. By focusing the mind one can transform less stable beta waves into deeper a alpha waves, thus substantially increasing ones ability to judge and understand, and subsequently producing a drastic and noticeable improvement in learning efficiency. at the same time, a positive attitude can help one overcome obstacles in learning, offset the negative aspects of the subconscious and enable one to interpret the environment from a constructive standpoint. and like focusing, positive thinking also improves learning efficiency

    他指出專心與正面積極的態度可以增進學習效率，因為專心可以讓腦波從較不穩定的beta波轉換為深層的alpha波，這會大幅提升對於事物的判斷力與理解力，進而在學習效率上有大幅度明顯的改善而正面積極的態度則可以克服學習障礙，淡化潛意識的否定本質，改由正面的角度來詮釋情境，進而提升學習效率。
  3. Restorative criminal responsibility needs and can obtain the reasonable annotation in elementary theory issues of criminal law, such as the law profit, crime essence, criminal activity legal relationship and legal responsibility : ( 1 ) the crime of violating the individual law profit is not the violation that aims at the abstract national or social entity, but aims at the individuals ; ( 2 ) " inspiring the authority " is not the basic task of the modern civil rights criminal law, maintaining victim ' s rights and interests and safeguarding that of criminal ’ s are “ two sides of the whole body ” of modern criminal law functions, neglecting any side at the same time inevitably enable the criminal judicature not to sink into region of the righteousness ; ( 3 ) in the concrete criminal activity legal relationship, the crime victim is the natural subject, the related country judicial organ is the subject of investigating the crime responsibility, or that of the judgment or execution, country in the overall significance cannot become the subject ; ( 4 ) repair and compensation of the crime harm is by no means a matter of civil liability, but is the basic entity burden of the legal responsibility which the criminal must shoulder

    恢復性刑事責任需要且能夠在法益與犯罪本質、刑事法律關系及刑事責任等刑法基本理論問題上得到合理詮釋: （ 1 ）侵害個人法益犯罪並不是針對抽象的國家或社會實體的侵害，而是針對私人的侵害; （ 2 ） 「重振權力」不是現代民權刑法的基本任務，保障與維護受害人和犯罪人合法權益是現代刑事法功能之一體兩面，忽視任何一面勢必使刑事司法陷於不義之境地; （ 3 ）在具體刑事法律關系中，犯罪受害人是當然主體，有關國家司法機關是犯罪責任之追訴或裁判或執行主體，整體意義上的國家並不能成為主體; （ 4 ）犯罪損害的修復與賠償並非民事責任的事情，而是犯罪人應當擔負的刑事責任之基本的實體性負擔。
  4. Having drawn from dahihaus ' historical interpretations on such eminent aesthetical problems as justifications on instrumental music, kant ' s music aesthetics, changing views on affections ( emotions ), music understanding and music autonomy, the author argues, one of the dahlhaus ' most distinguished features in his aesthetics writings is that he always puts the relevant aesthetical ideas and concepts back into their historical and cultural context, and verse vice, he always put forwards his own aesthetical insights from interpretations on other ' s thoughts

    文章考察了達爾豪斯對器樂美學、康德美學、情感美學、音樂的理解和音樂自律性等問題范疇的歷史性梳理與詮釋，認為達爾豪斯善於將美學觀念重新放回到相關的歷史文化語境中，同時又通過歷史詮釋來闡發自己的美學創見。
  5. This paper shows the situation of the problem in the modem philosophical interpretation of lao - tse ' s taoism and points out that the approaches and strategies used in lao - tse ' s interpretation will further define the road for chinese philosophical studies

    筆者以老子道論的現代哲學詮釋為例，揭示這一問題情境的存在；同時表明，針對這一問題的進入路徑和解決策略，既影響和制約著包括老子思想在內的傳統哲學的具體研究，也規定了中國哲學研究向前推進的真實之路。
  6. Throughout the play, mr. pham duy wholeheartedly interpreted the meaning of the music using body language and facial expression, enabling the audience to vividly experience a poetically depicted, sadly touching, yet beautiful story

    演奏期間范維先生全身心投入地以身體語言及面部表情詮釋樂曲的意義，令在場觀眾如身臨其境般經歷了一個凄婉動人如詩如畫的故事。
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