超現代主義 的英文怎麼說

中文拼音 [chāoxiàndàizhǔyì]
超現代主義 英文
hypermodern
  • 超 : Ⅰ動詞1 （越過; 高出） exceed; surpass; overtake 2 （在某個范圍以外; 不受限制） transcend; go beyo...
  • 現 : Ⅰ名詞1 （現在; 此刻） present; now; current; existing 2 （現款） cash; ready money Ⅱ副詞（臨時; ...
  • 代 : Ⅰ動詞1 （代替） take the place of; be in place of 2 （代理） act on behalf of; acting Ⅱ名詞1 （歷...
  • 義 : Ⅰ名詞1 （正義） justice; righteousness 2 （情誼） human ties; relationship 3 （意義） meaning; si...
  • 現代 : 1 （現在這個時代） modern times; the contemporary age [era]2 （現代的） modern; contemporary現代...
  1. The point analyses the composition and efficancy of the structure of corporate governance with the modern administration theory. lt systematically sets forth and compares the features and development of the structure of the corporate governance in chinese and western. by analyzing the present situation of our listing companies, it points out : " the internal control " can be considered the inevitable phenomenon, emerged in the period from the socialism planned economy to the market economy in china ' s state - owned enterprises. by the means of gathering a vast amount of data and analying cases and charts, it gives the conclutions : because the enterprise inform is progressed " step by step ", the internal controlling in our country has assumed its own features : the enterprise is in the concussion between the " super - powerful controp ' of external and the " super - weakly control " in internal. those popular phenomenon have been looked as the principle manifestation of " the internal control " which taking the national stock as the ma in part and holding the post of chainman of the board and the chief manager in company to the same man

    本文利用現代管理理論和現代企業理論來剖析公司治理結構的組成和效率體現，對中西方公司治理結構的特徵和歷史發展作了較系統的闡述和比較，並且運用大量的數據對我國上市公司治理結構進行了實證分析，指出： 「內部人控制」是在我國社會主義經濟向市場經濟轉軌時期，國有企業公司治理結構中出現的一種必然現象。本文在闡述公司治理結構特徵和功效的基礎上，通過大量數據的收集、案例分析和圖表處理來分析我國企業治理結構的歷史變遷並揭示出：由於我國企業改革是「漸進式」的， 「內部人控制」表現出其自身的特點：企業處于外部「超強控制」和「超弱控制」的兩極震蕩中。作為最具我國現代企業代表特徵的上市公司，因為以國家股為持股主體，董事長和總經理兩職兼任的現象甚為普遍而成為目前企業事實上的「內部人控制」的主要表現形式。
  2. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
  3. In the 1930s, since made a start in the west in surrealism, its concept thinking has been involved in the whole world of art

    摘要20世紀30年代，超現實主義在西方發端以來，它的概念性思維波及到了整個藝術領域。
  4. If the last glory of modem art is the abstract expressionist painting, then, pop art and surrealist painting anticipates the transformation of contemporary art

    摘要如果說抽象表現主義繪畫是現代藝術最後的輝煌，那麼，波普藝術和超級寫實主義繪畫則預示著當代藝術的轉型。
  5. But marxism and post - modernity have the essential difference. marxism also give positive side as well as its critics, and purchases the ultimate transcendence, so it is dialectical ; but post - modernists just purchase the pure deconstructions and damage, and totally deny the enlightenment spirit, finally going to the opposition of rationalism. this decides that it is not social thought that has broadly developed future, so we should have dialectica l manner

    但馬克思主義與后現代主義又有著根本的不同，馬克思主義在批判的同時還有肯定，並且追求最終的超越，是辯證的態度;而後現代主義追求單純的解構和破壞，完全否定啟蒙精神的態度走上了理性的反面，決定了它不是一種有廣闊發展前景的社會思潮，我們要以辯證的態度來對待它。
  6. Forever the without limits innovation spirit because this spirit is precisely numerical code rationality choice multiplication, the positive upward values centralism manifests, is precisely develops the establishment in take the public ownership system as the main body, in diversified economies ingredient communal development foundation socialist market economy objective need, is precisely china s enterprise dares to greet the economical globalization and the knowledge economy flood tide challenge need, is precisely any enterprise unceasingly through the system innovation, the organization innovation, the technical innovation, the pursue enterprise incessant realization great span, jumps the type, continues the need to develop, also will be unceasingly develops the enterprise general staffs to innovate spiritual, the offer spirit, the realistic spirit, the casting enterprise soul basis is at, in this kind forever under under the without limits innovation spirit guidance, the drive the enterprise culture will be able to transform the giant material force, the enterprise culture can become the modern business management the scientific idea, the surmounting enterprise life cycle infinite power

    -追求卓越永無止境永無止境的創新精神，因為這一精神正是積極向上的價值觀的集中體現，正是發展建立在以公有制為主體，多種經濟成份共同發展基礎上社會主義市場經濟的客觀需要，正是中國的企業敢於迎接經濟全球化和知識經濟大潮挑戰的需要，正是任何一個企業不斷通過制度創新組織創新技術創新追求企業不斷實現大跨度跳躍式持續發展的需要，也是不斷發展企業廣大員工創新精神奉獻精神求實精神鑄造企業靈魂的根本所在，在這種永無止境的創新精神引導下激勵下企業文化才能轉變成巨大的物質力量，企業文化才能成為現代企業管理的科學理念，超越企業生命周期的無窮動力。
  7. Traditional socialist pattern is " super modern social form " formed by transcending fundamental elements and structure of modernization with lack of social conditions

    傳統社會主義模式是在社會條件還不具備的情況下，跨越現代化的基本要素和結構而形成的「超現代社會形態」 。
  8. Of course, it does not mean that all analytical marxism do the same job. most of them really do the expounding job, but a few of them do the latter. reomer and wright are the major representives of the latter

    分析馬克思主義是一個相對分散的學派，一些人作上述的解釋工作，而另一些人，如羅默、賴特，則對馬克思主義的階級理論進行拓展和現代化，並提出超越階級的設想。
  9. During " the revolution in novel circles ", liang qichao took a dominant position and contributed to three great things of historical significance for the modernization process of chinese novels : setting up a new base for the novel innovation by creating " new novels ", opening up new fields and creating new models for the theory researches on novels, and starting a new way for realism in the practice of writing

    摘要梁啟超在「小說界革命」中擔當了主導角色，為中國小說近代化歷程做了三項有歷史意義的大事：一是創辦《新小說》為小說革新開辟陣地；二是努力開創小說理論研究的新領域，新模式；三是在小說創作實踐中開辟現實主義新蹊徑。
  10. Neo - modernism : returning to and surpassing the modernism

    現代主義的復歸與超越
  11. Zush - evru is one of the most important spanish artists of his generation, and stands out as a pioneer in the use of new technologies applied to plastic creation

    這位雕塑家、畫家、數碼藝術家、科學家和神秘主義者深受歐洲超現實主義和現代機械裝置美學的影響，帶有神經質的創作風格令人過目難忘，在當代藝術領域獨樹一幟。
  12. But in the judicial practice, some judges still have a preference for conciliation and there are five reasons for this : the first one is the ideological reason. traditional law culture has helped the judges form particular conciliation view ; the second is the systematic reason. " the exceeding of powers " lawsuit mode has overexpanded the jurisdiction of the courts ; the third is the objective reason

    究其原因有五：一是思想上原因，傳統法律文化形成法官獨特的調解價值觀：二是體制上原因， 「超職權主義」的訴訟模式過分膨脹了法院的審判權；三是客觀上原因，市場經濟條件下的新型訴訟層出不窮使得法官應接不暇；四是立法上原因，現行立法缺乏明確的操作規程導致調解被濫用；五是自身原因，非專業化的法官隊伍習慣于以調代判。
  13. Nobody knows, but we ' re looking forward to a brand new lotito quote ? in all its marvellously surreal originality ? to celebrate that achievement

    沒人會知道，但我們期待一個嶄新的洛蒂托時代的到來，一個超現實主義的創新，去慶祝這個偉大的成就。
  14. The development of post - modern art, especially after marcel duchamp, discards the modernistic believing of the abstract value that surpasses any entity, and becomes general and multidisciplinary

    摘要后現代藝術的發展，確切的說是自杜尚以後藝術發展趨勢，是從現代主義相信一種超越一切的抽象價值轉變為后現代的寬容多元。
  15. Aesthetic transcendence is an organic unity between individuality and sociality in the sense of becoming, for which modem artistic activity like surrealism has provided a convincing evidence

    審美超越是個體性與社會性在生成論意義上的有機統一，超現實主義等現代藝術活動對此提供了有力證據。
  16. Though these issues are dealt with in a personal context, the work reaches beyond the postmodern issues of identity politics, and look at the actions of transformation and adaptation as the fundamental root of social structure

    雖然處理這些問題帶有個人的背景色彩，但是作品涉及了超越后現代主義的論點和政治身份，並著眼於行動的轉變和適應社會組織的基本根源。
  17. Fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜。
  18. Sculptor, painter, digital artist, scientist and mystic, zush - evru has created a body of work with a very personal iconography, which feeds from european surrealism as well as the most up - to - date cyborg aesthetics

    作為一個雕塑家、畫家、數碼藝術家、科學家和神秘主義者，祖敘-伊夫魯在歐洲超現實主義和現代的械裝置美學的影響下，創作出了大量風格獨特的作品。
  19. Dream aquarium, is an extremely luxurious freshwater aquarium screen saver, this so - called " the next generation of ultra - realism, " the real aquarium screen saver. you give it a try

    是一個極為豪華的淡水水族箱屏幕保護，這款號稱下一代的超現實主義真正的水族箱屏幕保護。您試試看吧
  20. Its just his particular identity between " upper " and " lower " classes that makes his fiction contain the close relation with " internal audience " and its own originality that exceeds the folk artistic forms ; furthermore, it always keeps the realistic originality that makes his works increasingly utter cacophony in the establishing course of contemporary literature criterion

    正是這種連接起「上」與「下」之間身份的特殊性才使趙樹理的小說既具有為了與其「內在聽眾」保持「無間離」的密合狀態而富有的種種特色（主要是對傳統民間藝術形式的選取） ，又超越了民間藝術形式而有自己的獨創性，並且因為始終保持這種現實主義的獨創性，而使自己的作品在當代文學規范建立的過程中越來越發出不協和音。
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