劇情發展 的英文怎麼說

中文拼音 [jùqíngfāzhǎn]
劇情發展 英文
epitasis
  • 劇 : Ⅰ名詞1. （戲劇） theatrical work; drama; play; opera 2. （姓氏） a surname Ⅱ形容詞（猛烈） acute; severe; intense
  • 情 : 名詞1 （感情） feeling; affection; sentiment 2 （情分; 情面） favour; kindness; sensibilities; fe...
  • 發 : 名詞（頭發） hair
  • 劇情 : the story [plot] of a play or opera
  1. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts

    臉譜最初的作用，只是誇大劇中角色的五官部位和面部的紋理，用誇張的手法表現劇中人的性格、心理和生理上的特徵，以此來為整個戲劇的情節服務，可是發展到后來，臉譜由簡到繁、由粗到細、由表及裡、由淺到深，本身就逐漸成為一種具有民族特色的、以人的面部為表現手段的圖案藝術了。
  2. Recently, with the development of railage, passenger transport, freight and the density of train have increased mostly. it results in rail - wear day after day, especially the side rail - wear. so the ministry of railway has been taking the situation of rail into account greatly to insure train and rail safely

    近年來隨著鐵路重載運輸的大力發展，客貨運量和行車密度大幅度增長，從而導致鋼軌磨耗日益嚴重，尤其是曲線鋼軌的側面磨耗急劇上升，因此鐵路工務部門十分重視對鋼軌傷損情況的檢測，以確保行車的平穩性和安全性。
  3. Describe the development of situation comedy from its radio days through television of the 1970s ( and beyond if you choose )

    描述情景喜劇從廣播時代到20世紀70年代走上電視（你也可以選擇寫到70年代以後）的發展歷程。
  4. Yet in our gloom we underestimate the extent to which things were already stirring underneath the surface.

    然而由於我們情緒低沉，我們低估了在平靜的表面下事物急劇發展的程度。
  5. Wu, chinese national wushu championship, " kung fu boy chuang intelligence clearance " into hong kong cinema to become anderson, hu, on the sea, and ji chun hua, zhou billy everybody contrast to the star, performed after major television series, the recent film is " drunken monkey ", once strong, and north korea youthful vitality direction

    吳京，全國武術冠軍，通過《功夫小子闖情關》闖入香港影壇，成為受鐘麗緹、胡慧中、于海、計春華、周比利眾人烘托的明星，後主要演出電視劇集，最近的電影作品是《醉猴》 ，武功過硬，並朝青春活力方向發展。
  6. It is merely red, blue, and green beams projected on to a white screen, accompanied with sounds, but it makes audience think it is real, and puts great importance on the development of the plot

    不外乎紅、藍及綠色的變幻光束投射于白布上，再配上些聲音而已，卻令觀眾信以為真，把劇情發展視作最重要的大事。
  7. The middle part of a play that develops the action leading to the catastrophe

    劇情發展部分戲劇中間部分，把情節推向高潮
  8. It seems that the director has no intention to honestly deal with the mystery and blocks of the story, what he does is simply throwing out more mysteries to cover the previous ones

    可惜劇情發展到后來卻急轉直下編導全然未能解答先前設下的謎團更變本加厲地拋出更多謎團實行以謎蓋謎到了最後已是不知所云混亂不堪。
  9. The main part of the antipodes includes a play within the play, wherein actors and the director / playwright are aware that they are performing a play and keep discussing the making of the said play

    《對?地》的主要劇情發展呈現在劇中劇中，我們看到演員、導演編劇者很清楚知道他們在表演一?戲，他們不停地張羅演出的道具、服飾、討論演出的問題和技巧，將后臺真實情景全部呈現。
  10. Dvd korean version - it is a 2 disc region 3 indeed it is all region dvd set. disc 1 is the feature presentation, while disc 2 contains all the special features including deleted scenes, making documentary, ng cut, interviews, commentary, trailer, tv spot, behind the scene, real story, epilogue and production note. unfortunately, the extra materials have no subtitles as usual

    無可否應鬼鈴是有點雷聲大雨點小，要比較的話它亦絕不是非常出色的恐怖片，票房成績並不能確切反映電影本身的表現，不過好在劇情發展和氣氛都夠統一直接，沒有無謂和故弄懸虛的支節，結局也不誇張炮製或離題萬丈。
  11. The story suggests that the only way for ugly girls to get through is plastic surgery. inner beauty is not valued at all. all that matter is a pretty face

    不過劇情發展到中後段漸漸失控，四女求救于怪醫的部分不及預期有趣，后來的軟禁戲更是情理都不能連接，結局令人失望。
  12. Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto ( takeshi kitano ), the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken ( claude maki ), a local gangster who has connection with some local drug dealers including denny ( omar epps )

    說此片平易近人，不是指其劇情健康，相反，此片的暴力比起前二者更甚，而是指它劇情發展的直接淺白，當中沒有一而再的零碎回朔片段，也沒有像小津安二郎或溝口健二式的靜止鏡頭和longtake ，相反一切都來得直接和連貫，劇情緊湊發展迅速，令人看得投入。
  13. Is totally different from kitano s old films, it is highly commercial and entertaining. the film starts with yamamoto takeshi kitano, the henchman of a yakuza boss, being expelled to los angeles because of the collapse of his yakuza family. there in los angeles, he inhabits with his brother ken claude maki, a local gangster who has connection with some local drug dealers including denny omar epps

    說此片平易近人，不是指其劇情健康，相反，此片的暴力比起前二者更甚，而是指它劇情發展的直接淺白，當中沒有一而再的零碎回朔片段，也沒有像小津安二郎或溝口健二式的靜止鏡頭和longtake ，相反一切都來得直接和連貫，劇情緊湊發展迅速，令人看得投入。
  14. The decoration of the room reflects her emotional state at different moment of the film. props and miniatures are used wisely as well. the photo and the scarf are both important motif and all of these items greatly enrich the relationships of the characters

    兩人年紀相差很遠，本來大纜都扯唔埋，但是劇情卻能把其感情發展合理化，觀眾看完也不會覺得配搭格格不入，這不能不贊編劇的成功。
  15. The style of this story is quite different from the rest. it seems that the director does not intend to make us laugh, but certain scenes are just too funny and hilarious. as the climax of the film,

    準時上班劇情有趣，但是和全片風格相異，一眾鬼怪的扮相和陳小春的遭遇太惹笑，雖然明知編導意不在搞笑，但是劇情發展實在令人忍峻不絕。
  16. This is so predictable - i bet someone ' s gonna get murdered now

    劇情發展都可預測- -我打賭現在有人會被謀殺。
  17. In terms of the story, the pace of the film is not very fast, nor is there any surprise

    此片的情節不算十分緊湊，也沒有很多驚喜，但劇情發展尚算流暢，令人看得舒服。
  18. You may find it hard to focus on this film, as everything is expected. nevertheless, for the rest of the audience,

    對于看過原版的觀眾包括筆者因為一早便知道劇情發展和結局無論如何都是難以投入于影片之內的。
  19. Without spoiling the fun for the audience, i can only say that it is a very extreme shift of plot development from comedy to tragedy

    Eun - shik和eun - hyo從誤會到互相體諒，劇情發展不難預測，可是細節卻出乎意料之外的傷感。
  20. If you are not that into fighting especially when the intentions of the fight is quite lame and don t always make much sense, you may be overwhelmed from time to time during the screening

    整部戲只見眾人追追逐逐拳來腳往都是一貫的八十年代港式動作風格情節往往為打而打打完了又會發覺原來不打也不會影響劇情發展。
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