得重郎 的英文怎麼說
中文拼音 [dezhòngláng]
得重郎
英文
tokujuro-
And labordette appeared, towing five women in his rear, his boarding school, as lucy stewart cruelly phrased it. there was gaga, majestic in a blue velvet dress which was too tight for her, and caroline hequet, clad as usual in ribbed black silk, trimmed with chantilly lace. lea de horn came next, terribly dressed up, as her wont was, and after her the big tatan nene, a good - humored fair girl with the bosom of a wet nurse, at which people laughed, and finally little maria blond, a young damsel of fifteen, as thin and vicious as a street child, yet on the high road to success, owing to her recent first appearance at the folies
她們當中有加加，她穿著藍色天鵝絨長裙，裙子緊緊裹在身上，神態很莊重有卡羅利娜埃凱，她總是穿著一件鑲著尚蒂伊網眼花邊的黑緞裙有萊婭德霍恩，她像平常一樣，身上穿得怪模怪樣的有胖子塔唐內內，她是一個善良的金發女郎，胸部發達得像個奶娘，人們常常嘲笑她最後是瑪麗亞布隆，她是一個十五歲的女孩，長得很瘦，脾氣很壞，像個小淘氣鬼，是游藝劇院初次登臺的明星。Based on the mathematical model for analyzing the seismic responses of submerged tunnels proposed by choshiro tamura and shunzo okamoto, the analytical model for calculating the stochastic earthquake responses of the whole underground structure was proposed and the formulas for evaluating the stochastic characteristics of the underground structural seismic responses were derived. the dynamical mean - square responses of the nanjing changjiang tunnel under gauss stationary random process were calculated. 3
2將日本田村重四郎?岡本舜三提出的沉埋隧道地震反應分析的數學模型應用於地下結構隨機地震反應分析，利用數值分析方法建立了隧道整體隨機地震反應分析的數學模型，得到了地下結構整體隨機地震動力響應數字特徵的數學表達式，為地下結構整體隨機地震反應分析及動力可靠度的研究提供了一種分析途徑。Its successor, the ra301, proved unreliable in the opening rounds of 1968, but in the meantime soichiro honda was busy developing his radical ra302
賽車新一代ra301在1968年的開幕站上就表現得很不穩定，而當時本田宗一郎正忙於研發他們重要的ra302賽車。With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation
《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。Kurosawa loves to use long shots in group conversation scenes. he intends to capture the different reactions of all the actors on the screen at the same time. this kind of long shot greatly enhances the interaction among the actors since they are actually looking at the reactions of the other actors when they are presenting the dialogues ; on the other hand, it also allows the viewers to have a more comprehensive view of the scene, since they can choose whose face or reaction to focus on
杜其峰繼年初的再見阿郎及暗戰后，再來一主題樂觀的電影，全片沒有一個主角被殺，亦沒有女主角唯一女角色施綺蓮只是出場不夠五分鐘的配角，重點只在型男間的友誼，另外有大玩殺手情懷，黑道人物和保鏢等都被寫得十分感性和重情義，和以往電影黑人物的冷麵無情十分不同，對于男觀眾相信會看得過癮。分享友人