思想空虛 的英文怎麼說

中文拼音 [sīxiǎngkōngxū]
思想空虛 英文
lack mental or spiritual ballast
  • 思 : Ⅰ動詞1 （思考;想） think; consider; deliberate 2 （思念; 懷念） think of; long for Ⅱ名詞1 （思路...
  • 想 : 動詞1 （思索） think; ponder 2 （推測; 認為） suppose; reckon; consider; think 3 （希望; 打算） w...
  • 空 : 空Ⅰ形容詞（不包含什麼; 裏面沒有東西或沒有內容; 不切實際的） empty; hollow; void Ⅱ名詞1 （天空） s...
  • 虛 : Ⅰ名詞1 （空虛） void; emptiness 2 （政治思想等方面的道理） guiding principles; theory 3 （二十八...
  • 空虛 : hollow; void; aeriality; inanity; inanition
  1. What a blank, dreary mind he must have !

    他的思想一定是多麼空虛乏味！
  2. In china, culture poverty in the impoverished and backward areas mainly includes such features as poor knowledge, large population of illiterates and semi literates, low desire for knowledge, being conservative, getting accustomed to out - dated life style, low interest and enthusiasm in labor and production, passive attitude of reliance on others, lack of ideal and aspiration, lack of entertainment equipment and living a dull life. it is common for our people to have out - dated ideas and narrow minds. they tend to be low, timid and loose

    在中國現階段，貧困落後地區的文化貧困主要表現為：知識貧困，文盲半文盲人口多，人們求知慾低；思維遲鈍，思想保守，習慣于舊式生活方式；生產興趣弱化，勞動積極性不高，等待、依賴心理較為明顯；精神空虛，得過且過，缺乏理想和追求，沒有進取精神；文化娛樂設施嚴重缺乏，生活單調；價值觀念陳舊，觀念更新極慢：情緒低落，自卑感強，行為鬆散。
  3. Other names for this form of buddhism are mantrayana ( vehicle of the mantra ), which refers to the use of the mantra to prevent the mind from going astray into the world of its fictions and their attendant verbiage and to remain aware of reality as such ; and guhyamantrayana, in which the word guhya ( " hidden " ) refers not to concealment but to the intangibility of the process of becoming aware of reality

    這個佛教術語的其他名稱是咒乘（咒語的傳達手段） ，用咒語去防止思想誤入岐途，進入虛構的世界，他們的服務是空話，仍然對真實保持覺醒等諸如此類；密咒乘，其中的「密」 （隱藏）不僅代表隱藏，而且還代表知曉真實的無形過程。
  4. A lot of people have not regarded memoir as the literary works to create, but write down history purly, the pursuit to the literature quality of memoir only stay in processing the aspect polished to the characters, only history study value such an memoirs, have literature study value, it is the memoir of the individual interests writing, studies value and will give a great discount too in history. p p because this subjective, objective respect the restrictions of termseses, make the literature value relative novelses of memoir wait for other literature come and say relatively poor and weak by types, it is difficult to bring literature researcher s attention

    秉筆直書，不能虛構，聯想和想像的空間受到了限制，開拓回憶錄文學價值的努力也就隨之受到制約其次，創作回憶錄並非文學家的專利，任何人都可以把對自己歷史的回顧與思考付諸文字。很多人沒有把回憶錄當作文學作品來創作，而是純粹地記錄歷史，對回憶錄文學性的追求僅停留在對文字進行加工潤色的層面上，這樣的回憶錄只有歷史研究價值，而沒有什麼文學研究價值，為個人利益寫作的回憶錄，歷史研究價值也會大打折扣。
  5. 37 empty pockets never held anyone back, only empty heads and empty hearts can do that

    兩手空空不會讓任何人躊躇不前。讓人巡徘徊的只能是思想空洞和心靈空虛。
  6. I am gods temple. we hold on to these bible verses and we realize that in christ we can overcome all of the needs that we could ever want ; the needs of physiology, safety, love, esteem, and self actualization. the emptiness and the void are filled with the truth and the reality of christ

    今天我們播下種子，思想的種子意念理解，知道我在基督里的身份，也認識到在基督里，我們一切需要都能得著滿足生理安全感愛尊重自我實現，那空虛已被填滿，被真理和基督的真實所填滿。
  7. This paper is intended to discussion mainly focusing on the six points : the space layout of the garden ; the environmental design, exemplified nature and architecture, the outer and interior decorations in the overall composition ; the guiding principle of gardening, propagating the philosophical view of the confusions " marriage of the soul with nature " ; the dialectical thoughts value added to principle elements of gardens, such as inspired by nature, suitable measurement to local condition, showing and hiding, density and spacing, far and near, ideology guiding practice. . the gardening elements of unity and coherence of space which is mutually penetrated ; the gardening elements of space alignment, such as " views echo with one another, scenes appear at every turn " generally, from the angle of space designing, the paper is trying to provide materials data for understanding and studying for suzhou classical gardens, their imagination - inspiring atmosphere, superb artistry, rich cultural contents as well as gardening artistic characteristics

    蘇州園林作為一門空間藝術具有獨特的魅力，作為文化載體，它積淀了豐厚的文化底蘊。本文主要就其庭院式的空間布局，建築與自然、室內與室外融為一體的環境設計；充滿人文精神的中國儒道「天人合一」的造園思想；因地置宜、順應自然、藏露疏密、虛實遠近、變化統一的辯證思維；相互滲透的空間層次，步移景移的時空間序列的表現手法等問題進行闡述。力求從蘇州園林空間設計的一個側面，去揭示其藝術的特徵、文化的內涵、造園的藝術規律。
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