李格力 的英文怎麼說
中文拼音 [lǐgélì]
李格力
英文
eric legrix-
Lyly ' s witty dialogue inspired him, and with vigour unknown to lyly he wrote love ' s labours lost, a fantasy of which the subject and the style appealed to the cultured section of the public
李利措辭巧妙的對話啟發了他，他以李利所大的活力寫出《愛的徒勞》 ，是一部主題和風格可以感染最有教養的觀眾的幻想作品。Madam li zi - mei, a former lecturer at an american vocational training center and currently a therapist - consultant in clinical psychology in the u. s. said that the book had impressed her deeply. upon opening it she found that the whole text, from the foreword to the stories themselves, is perfectly structured for use in childrens psychological education. the first level helps to develop love through imitation of actions
曾任美國職訓中心講師，也是美國臨床心理科學諮詢治療師的李咨玫女士表示：這本書帶給她非常大的震撼，她第一次翻開閱讀，即發現書中從前言到故事內容，具備完整的兒童心理教育層次，第一層次是透過言語文字，在行動上發展愛力，然後到推己及人，進而發展到第三層次，也就是專注在精神層次，達到全人格發展。As reflected in the question " mr li and mr du, which one do you appreciate ", and the corresponding answers, " praising du fu, criticising li bai " phenomenon shows : contemporary college students have a strong sense of love and approve the confucian tradition, with a rational and realistic vision and love of classical poetry and artistic accomplishment ; but some respondents also just listed their notebook, accompanied with incomplete professional knowledge, single thinking and the serious emotional criticism, which we must implement the teaching curriculum and syllabus, and impart comprehensive, systematic and solid professional knowledge and quality, so as to improve the style of study and promote academic accumulation and innovation, and improve their character
摘要從「李杜二人，你更欣賞哪一位」試題和答卷所反映的「揚杜抑李」現象表明：當代大學生具有強烈的愛民意識、認同儒家傳統、對現實有理性化憧憬、對古典詩歌熱愛並有藝術素養需求；但答卷中也出現了羅列筆記、專業內容殘缺、思維單一和批評意氣的現象，這要求我們的教學必須落實課程目標和教學大綱，全面、系統、扎實地傳授與學習專業知識和素養，加強教風和學風建設，促進學術積累和創新，同時努力完善高尚人格。Again, combining creative education theories and creative power psychology theories, we announced the three - dimension psychological structure of innovative mathematical study : innovative consciousness of mathematics, the innovative individual character of mathematics and creative thinking of mathematics. in order to make the data of the positive research, i consulted " maths and gender " questionnaire, cartel 16 personality special quality form and sporadically appeared attitude towards study, person ' s interest in studies form, etc. that have been published in books and periodicals already work out the questionnaire according to cog
為了取得實證研究的數據，本人參考「 genderandmaths 』 』問卷、卡特爾十六人格特質量表及業已發表、散見于書刊的學習態度、學習興趣量表等，依據認知心理學、教育心理學、數學教育心理學、創造力心理學原理編制而成問卷，內容包括創新性數學學習過程中的好奇心、求知慾、質疑精神、意志力、獨立性、自信心、探究性、自主性等的狀況，採用李克特五點量表式設計。The film broke all box office records for hong kong, and reinvigorated jackie s career. taking a chance, american film company new line cinema bought the rights to distribute jackie s next film in the united states
在吳思遠袁和平的全力經營下，蛇形刁手，醉拳破繭而出，一新了功夫的潮流，破了硬崩崩的李小格式。However, such comparisons are not quite realistic. it is a fact that village people are no longer as pure as in the past now, it is hard to believe such places like " rainbow village " can still exist in hong kong nowadays. the character of gillian chung is also too perfect
不知是否編導意思，李的演繹實在太誇張，和全片氣氛格格不入，而且也不討好，雖然李演得投入，但對此片起不了正面作用，相反甚富厭惡性的此角也可能會破壞了她的偶像形像，實在吃力不討好。The character of gillian chung is also too perfect. she is so nice and tolerant, that makes me feel that she is more like an angel than a real person. one of the biggest problems of this film is that the positive message is brought out in quite a dull and straigtforward manner
不知是否編導意思，李的演繹實在太誇張，和全片氣氛格格不入，而且也不討好，雖然李演得投入，但對此片起不了正面作用，相反甚富厭惡性的此角也可能會破壞了她的偶像形像，實在吃力不討好。Li s storytelling skills are in full bloom in this ghost comedy, about a couple of drinking buddies, an old man and a ghost, whose acts of kindness transcend the hands of fate
李翰祥的敘事風格緊密，氣氛營造出色，單是李麗華一步步踏上黃泉路的鏡頭，已拍出懾人的戲劇張力。Such guy should be strong in many aspects. but the creativity should be distinguished. wu, cao, lee etc are strong in creativity too
一個這樣的人在很多方面都會是很強的。但是他的創造力卻格外突出。吳清源，曹薰鉉，李昌鎬等等也同樣是創造力很強的人。Therefore, you could expect some careful aesthetic consideration, and quality camera work as well as exquisite composition are guaranteed. most of the scenes are well choreographed, especially the final duel between bong and tank. this fierce battle draws the audience successfully with its subtle editing and the institution of a desperate atmosphere
編導李仁港擅於繪畫，初入電影界也是從美術指導做起，對于畫面構圖的考慮頗為審慎，影片在視覺上的表現不俗，尤其尾段的擂臺格鬥拍出逼力之餘，也鋪陳出一股無奈的氣氛，鏡頭的運用靈活多變。He coached and nurtured his stars with enthusiasm, wisdom and mutual admiration. based on their temperament, potential and personal appeal, he tailor - made each a screen persona that was unique in character. jimmy wang yu, lo lieh, john david chiang, ti lung, wang chung, chan koon - tai, alexander fu sheng, danny lee, kuo chui and others were charismatic stars with a unique style
他是用愛心智慧和惺惺相惜的態度來栽培他的演員，又能根據各人不同的特質潛能和吸引力而度身設計出不同的性格獨特的形象，如王羽羅烈姜大狄王鍾陳觀泰傅聲李修賢郭追等都各具魅力，各有特色。分享友人