短篇小說三篇 的英文怎麼說
中文拼音 [duǎnpiānxiǎoshuōsānpiān]
短篇小說三篇
英文
three short novels- 短 : Ⅰ形容詞(空間、時間兩端之間的距離小) short; brief Ⅱ動詞(缺少; 欠) lack; owe Ⅲ名詞1 (缺點) we...
- 篇 : Ⅰ名詞1 (首尾完整的詩文) a piece of writing 2 (寫著或印著文字的單張紙) sheet (of paper etc )...
- 小 : Ⅰ形容詞1 (體積、面積、數量、強度等不大) small; little; petty; minor 2 (年紀小的; 年幼的) youn...
- 說 : 說動詞(說服別人聽從自己的意見) try to persuade
- 三 : Ⅰ數詞1. (二加一后所得) three 2. (表示多數或多次) more than two; several; many Ⅱ名詞(姓氏) a surname
- 短篇 : best short story
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Fatalistic writing - creation trilogy of shi tie - sheng ' s short novel
史鐵生中短篇小說創作三步曲In 1983 until nowsuccessively in national and the provincial level literature magazine, the local paper ( contains journal ) and so on long to publish, center, the short story, the prose informal essay, the poetry commentary andso on 130, wore has the novel collection " love is opens in left atriumrose - lu zhiqiang the classical novel chooses " " rouge mark - luzhiqiang the classical novel to elect two ", the lengthy emotion novel " the sentiment died young " " two milks to confess ", " girlfriend " thenetwork novel creates a stir the influence to be really broad
1983年至今先後在全國及省級文學雜志、地方報紙(含學報)等發表長、中、短篇小說、散文隨筆、詩歌評論等一百三十余篇,著有小說集《愛情是一朵開在左心房的玫瑰? ?呂志強經典小說選》 《胭脂痕? ?呂志強經典小說選之二》 ,長篇情感小說「情殤》 《二奶的自白》 、 《女友》網路小說轟動一時影響甚廣。The literary and artistic creation award held by this center through the commission of ministry of education in 2004 specially selects two kinds of award work as play ( drama ) and literature, which are displayed by digital colorful picture input
本(九十三)年度教育部文藝創作獎得獎作品發表暨頒獎典禮將於12月3日于本館舉行,此為文藝界年度盛會,得獎項目包括傳統戲劇劇本、現代戲劇劇本、短篇小說、散文、新詩、古典詩詞、室內樂曲、合唱或重唱曲、獨奏或獨唱曲等九大類。Feng menglong is a great writer in ancient china
摘要「三言」是明代馮夢龍的三部白話短篇小說集。This collection is made up of three parts : poems, essays and short stories.
這本集子是由詩、散文和短篇小說三部分組合而成的。Some pulp writers churn out two or three short stories a day
有些低級雜志的作家每天粗製濫造地寫出兩三篇短篇小說。The paper analyses o henry ' s outstanding techniques in the structuring of plots and the arrangement of textures in his short story after 20 years in view of antithesis
摘要本文從短篇小說《二十年後》反襯手法的運用人物形象的反襯,光亮的反襯和人物語言的反襯這三個方面剖析了歐?亨利高超的情節構思技法及其所產生的別具匠心的藝術感染力。Russian fin - de - si 232 ; cle postmodern fictions seen from three contemporary short stories
從三個當代短篇看世紀末的俄國后現代小說分享友人