釉上彩繪 的英文怎麼說
中文拼音 [yòushàngcǎihuì]
釉上彩繪
英文
over-glaze decoration-
To get the black underglaze, the bisque was first coated with white slip with ornamental lines in black paint and then sharp tools were used to outline the patterns features. sometimes a whittling technique would be employed to expose the white bisque. the piece was subsequently coated with transparent glaze and fired in the kiln, thus creating a sharp contrast between the black and the white
釉下黑彩劃花，是先在成形的坯上抹上白化妝土，再用黑彩于化妝土上繪畫紋樣，再用利器勾劃輪廓，有些甚至加以削剔，使黑彩下的白化妝土重現，然後再施透明釉，及入燒制。Different glazing techniques are used on this vessel. the design inside the round panel is painted in doucai technique, which is a combination of underglaze blue and overglaze colours. some of the outlines are painted in gold to give a glimmering effect
這件體積不大的扁壺，集合了不同的施彩方法，圓形開光內的八吉祥圖案是以和留釉下青花與釉上彩結合的鬥彩工藝勾繪而成，外面則有象徵皇權的明黃色作地，上面繪有紅藍綠彩的雲蝠紋。Color - painting is of two sorts : overglaze painting and underglaze painting. overglaze painting, with five - colored painting or fencai as its example, is to outline patterns with zhuming pigment and to fill them with various colors on the already glazed surface of the porcelain, before it is placed into a closed oven for a further baking at a compar - atively low temperature from 700 to 800c. underglaze painting is to paint with qinghua, underglaze red and other pigments on the body before it is glazed. its feature is that all the colors are under the glaze formed at high temperature and thus will never fade away
釉上彩如五彩粉彩等，是在已燒成瓷的釉面上描繪紋樣填彩，再入紅爐以低溫燒烘，溫度約700 - 800度。此外，燒窯前即在坯體素胎上繪畫，如青花釉里紅等，則稱為釉下彩，其特點是彩在高溫釉下，永不退色。Color - painting on the porcelain ware is different from common painting. the pigment of glaze and painting on the body will undergo a great change after firing and baking at high temperature. it is in itself amazing that through kiln - firing a half - finished porcelain with dark colors and an unattractive look can be transformed into a work with so wonderful colors. from this, we can understand how exceptional the experience and imagination it requires in porcelian color - painting
瓷器的彩繪與一般繪畫不同。因為畫工在坯體素胎上施釉和作畫時所見的顏料色，在經過高溫燒制和烘烤后會發生很大變化。看到一件件顏色暗淡貌不驚人的半成品，經過爐火的燒煉竟會呈現出如此絢麗奪目的色彩，這本身是奇妙的而與此同時也便可以得知，為瓷器作畫是需要怎樣的特殊經驗和想象力了。分享友人