創 的英文怎麼說

中文拼音 [chuàng]
創 英文
創名詞（創傷） wound
  1. Zhejiang xinda machine factory is member of china package association, the professional enterprise of manufactureing plastic packing machinery, the state star spark project - undertaking member, the provincial science technology star spark demonstration enterprise, award of the provincial science and technology progress, award of the advance enterprise at wenzhou and pingyan, we gain the title of respecting compact and keeping faith of provincial and local area unit and aaas bank credit enterprise title many times

    浙江鑫達機械廠是中國包裝協會會員，是專業生產塑料包裝機械的頭企業是國家星火項目承擔單位省級科技星火示範企業，曾榮獲多項省部級科技獎技術創新獎是溫州市文明先進企業是平陽縣重點工業企業是產品質量信得過工業企業並多次獲得本地區重合同守信用aaa銀行信用企業稱號。
  2. To build the career guidance of engine model is a abecedarian try in innovating career guidance of high institutes, however, we hope such discuss can arouse more attention on career guidance and in - depth research on it

    建構引擎型就業輔導模式是對高校就業指導工作進行創新的一個初步嘗試，本文希望籍此引發更多的對高校就業輔導工作的關注與探討。
  3. The time exposure blurred the people in the center, creating “ an image of cosmic motion, ” said abercrombie

    這幅照片因為曝光時間較長，模糊了中間的人影，創造出「一種天旋地轉的景象。 」
  4. With our strict abidance by the tenet to survive by quality, to develop by reputation, as well as improvement and innovation, the company scale expands rapidly, which has helped set up good reputation among industries

    我們烙守著「質量求生存，信譽求發展」的宗旨，並敢於創新、不斷進取，企業規模及不斷快速壯大，在全國業界中建立起良好的口碑和信譽。
  5. 6. wood sculpture and wooden chairs created by the aborigine

    6 .圓木雕像及創作式原住民特色木雕座椅。
  6. When the person that envy encounters setback and difficulty, the most crucial it is to should establish confidence, do not use envy people will abreact oneself, and the place that should check oneself to be not worth, such your ability draw a lesson in will work henceforth, innovation gives admirable result

    妒忌者碰到挫折和困難時，最要害是要樹立信心，不要用妒忌別人來發泄自己，而應檢查自己不足之處，這樣你才能在今後工作中吸取教訓，創造出優良成績。
  7. This article is an abridgement of a paper presented at the launch of creativity and learning seminar on september 20, 1998, organised by the singapore chinese teachers " union

    創意與教學的三個層面本文節錄作者9月20日在新加坡華文教師會主辦的「思考與學習」發布會所發表的專題演講。
  8. Conclusions : in open operation for complicated posterior urethral stricture, cicatrical tissue can be completely and safely abscised without complication by using this appliance

    結論：在復雜性后尿道狹窄開放手術中，使用后尿道鉆孔器鉆孔可充分切除瘢痕組織，且操作簡單，安全微創，並發癥少，臨床效果顯著。
  9. Test methods for primary wound dressing - part 1 : aspects of absorbency

    接觸性創面敷料試驗方法.第1部分:液體吸收性
  10. Our banking innovation has both its especially international backgrounds and abstruse internal causes

    我國的銀行創新具有自身特殊的國際背景和深層次的國內原因。
  11. Based on analyzing the relation between woman and history, this thesis focused on chinese contemporary female chronicle plays and discussed the change of female chronicle plays from 1980s to 1990s female chronicle plays, which used the means of absurdism, secularity and humanism, waken the patrilineal culture by emphasizing the power of female and debasing the male

    摘要本文從分析女性寫作與歷史劇創作產生聯系的內外在原因入手，梳理了新時期以來女性歷史劇從感應時代需求，力圖構建宏大敘事的審美風格轉換成為90年代顛覆權威敘述、建構女性視角下的歷史言說的沿革變化。
  12. A style ( 1915 - - 1925 ) with antirational approach and nihilistic, absurdist, and incongrous thems

    流行於1915 - - 1925間的藝術流派。其特點是反理性的創作手段和虛無、荒誕、矛盾的主題。
  13. P > a style ( 1915 - - 1925 ) with antirational approach and nihilistic, absurdist, and incongrous thems

    流行於1915 - - 1925間的藝術流派。其特點是反理性的創作手段和虛無、荒誕、矛盾的主題。
  14. Dressed to fuck : scene 1 zarejestruj si teraz, aby otrzyma darmowe minuty

    新用戶，點擊這里來創建一個免費帳號
  15. The two works of professor wang zhongling are praised in academe

    摘要王鐘陵教授的兩部創作集，得到了學界與評論界的高度贊揚。
  16. Now, china cities are in a phase of accelerative development, but the thoughts of architecture design is facing to pinch

    現在，中國正處于城市化進程加速發展的階段，可是建築創作卻面臨著思想匱乏的尷尬。
  17. By analyzing the cultural atmosphere, singificance and value direction masked by contemporary writer ' s " hot - study of a dream of red mansions ", this article regards that writer ' s deconstruction for " a dream of red mansions " is not only the instructions and demand of academical writers ' s pursuit, but also the producer excruciation, introspection, reconstruction in his spiritual word in the atmosphere of the lost of traditional chinese culture and the marginalized literature condition

    摘要通過對當代作家「紅學熱」現象所遮蔽下的文化環境與背景、內涵及價值指向之解析，認為當代作家對《紅樓夢》的較集中解構不僅是作家追求學者化的先導與訴求，更是創作主體在傳統文化精神的迷失與文學邊緣化的境遇中，對其迷惘貧困的內在精神世界的拷問、反省與重建。
  18. At the same time, it expatiates four strategies : reinforcing text consciousness, creating a certain problem environment, the conjoint of inquiry learning and acceptant learning and the guidance of teachers

    接著重點闡述了本模式實施的四點策略，即加強文本意識、創設一定的問題情境、研究性學習與接受性學習的有機結合和教師的指導作用。
  19. Subsequently by taking “ ancient - style poems ” as center, make an exploration into the acceptant condition of traditional poems collection to canons in the preceding dynasties at the time of “ canon ” being established, from a comprehensive view by editor ' s selection basis, arrangement of collection and readers ' acceptability : among which the “ ancient poems collection ” to the superficial succession and meaning transfer of tu ' s poems canon as well as to the polemic interpretation and conclusion of five - character and seven - character poems canon, and the acceptability and misreading of “ poems of transcription in modern style ” in the mid of ching dynasty to “ ancient poems collection ”, all of which are sufficient to verify the alternative of “ canon ” for traditional poems collection that most of them adopt measures of succeeding canon in early times first, then making an increase and reduction ; while the selection of canon takes “ direct variation of polemics ” as premise, followed by a consideration of degree of art values ; it can be the concrete index of trend to make comments on poems on the selection and interpretation of canon for masters of each school

    其後，再由綜觀編者評選基準、選集編排、讀者接受等多重角度，以王士禎《古詩選》為中心來探究常規詩選集在創建典律時，對前代典律的接受狀況：其中由《古詩選》對杜詩典律的表面繼承與意義轉移、對五古、七古詩典律的辨體詮釋與總結，以及清中葉《今體詩鈔》等選集對《古詩選》的接受與誤讀…等，皆足以驗證常規詩選集的典律交替，大多採取先繼承前代、再漸進轉換新典律的作法；且其典律的選立每先以辨體之正變為前提，再考量藝術價值的高低；而於各體名家典律的選擇與詮釋上，則通常可作為其論詩趨向的具體指針。
  20. None of the truly creative writers of the early twentieth century enjoyed material success or popular acclaim.

    二十世紀初期真正具有創造性的作家，沒有人獲得物質方面的成功和普遍的贊揚。
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