話本小說 的英文怎麼說

中文拼音 [huàběnxiǎoshuō]
話本小說 英文
story teller's script
  • 話 : Ⅰ名詞（說出來的能夠表達思想的聲音, 或者把這種聲音記錄下來的文字） word; talk Ⅱ動詞（說; 談） talk about; speak about
  • 本 : i 名詞1 （草木的莖或根）stem or root of plants 2 （事物的根源）foundation; origin; basis 3 （本錢...
  • 小 : Ⅰ形容詞1 （體積、面積、數量、強度等不大） small; little; petty; minor 2 （年紀小的; 年幼的） youn...
  • 說 : 說動詞（說服別人聽從自己的意見） try to persuade
  1. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
  2. This is the third novel by trollope and as before she explores the topic of family relations

    這本書是特若羅普的第三部小說，與以前一樣她就家庭關系的話題進行了探索。
  3. It ' s a tiny best - seller. - oh, come on.

    只是本小小的暢銷說-哦，說實話吧. .
  4. - it ' s a tiny best - seller. - oh, come on.

    -只是本小小的暢銷說-哦，說實話吧. .
  5. It ' s a tiny best - seller. - oh, come on

    -只是本小小的暢銷說-哦，說實話吧
  6. The sources of yi jian zhi not only were adopted in script for story - tellings such as sanyan erpai, but also exerted a direct influence on the inditement of literary colloquial novels in the ming dynasty

    摘要小說史的撰述對《夷堅志》的地位及重要性過于低估，它的小說題材除了為「三言兩拍」等話本所取外，還直接影響到了明代白話長篇小說的創作，尤以《西遊記》中孫悟空的人物形象最為顯著。
  7. A contrast of narrative art in text story and story in classical chinese

    話本小說與文言小說敘述藝術比較
  8. Naturally, it is his duality of intellectual and peasant that determines the basic variegated emotions of his country novels giving rise to their narrative methods and aesthetic features, such as mythological features, miserable consciousness, concern with dialect and carnival in riguang liunian which constitute the narrative aesthetics of yan ' s novels

    從本質上說，閻連科知識分子與農民身份的二重性決定了其鄉村小說的基本情感色調是多色雜糅的，它又影響到這些小說的敘事方式和審美特徵，如神話模式、苦難意識、 「方言」的關注以及狂歡話語等，這些特徵都在《日光流年》中有所體現，它們共同構建了閻連科小說的敘事美學。
  9. Links to reviews, booklists, indexes, author information, publishers, and bookstores, provided by the san antonio public library

    -中國歷代小說介紹，傳奇，志怪，文言，宋元話本，譴責，白話小說等。
  10. On the design of time and space in the stories used by storytellers in the song dynasty

    宋元話本小說的時空設置及其文化意蘊
  11. Cultural interpretation of the literary love model in novels of ming - qing dynasties

    明清話本小說兩情相知婚戀模式的文化解讀
  12. The principles of these selections and changes are greatly related to the way of narrative thinking and the experience of the storytellers

    元雜劇主唱人的這些選擇、變換原則與話本小說等說唱文學中說書人的地位和表演方法有極大的關聯性。
  13. Lu yunlong, who was a writer in late ming dynasty, in his comment on the collection of naval xingshiyan, shows his deep understanding of female

    摘要晚明下層文人陸雲龍在對擬話本小說集《型世言》中的諸多女性形象進行評點時，鮮明地表現了他對女性深刻的認識和理解。
  14. Through deatiled analysis of the " ru - hua " in sung and yuan literary novel scripts, we can detect and know the demands of the readers as well as the audience at that time as regards the novel script

    經由對宋元話本小說中之多樣入話形式加以詳細分析，可探知當時代讀者（聽眾）對小說表演上的不同要求。
  15. Seeing that most scholars mistakenly categorize the absurdity aesthetics of chinese " absurd novels " in the eighties and the nineties, this article, based on theory of discourse analysis, categorizes the absurdity aesthetics of " absurd novels " into three kinds : absurdity of concept and techniques, absurdity of conditional situation, and absurdity of ontology

    摘要鑒於20世紀八九十年代文藝理論界就「荒誕小說」中的荒誕審美類型劃分問題的諸多不足，文章運用敘述學話語分析理論，立足於文本分析，將中國「荒誕小說」中的荒誕審美類型重新劃分為：觀念與技法的荒誕、條件性情境荒誕、本體性荒誕。
  16. Lose 25 pounds before the summer quit smoking cut back drinking work out for 1 hour three times a week read a novel a week stick within a spending budget learn a new programming language eat five servings of vegetables a day get a job promotion travel the world in 80 days floss after every meal go to see a dentist call home every week watch less tv decide what my passions are and follow them find a better paying job with more upward mobility etc, etc, etc

    在夏季來臨之前減輕25磅/戒煙/少喝酒/每周戶外工作三次每次一小時/一周讀一本小說/嚴格遵守開支預算/學習一門新的編程語言/每天吃5份蔬菜/獲得升職/ 80天內環游世界/餐後用牙線潔牙/去看牙醫/每周往家打次電話/少看電視/找出酷愛的事並且去做/找一個薪金較高的和提升機會較多的工作等等，等等? 。
  17. A former model wrote a hilarious novel based on pillow talk with her many male friends

    一位前模特兒以她同許多男友的枕頭談話為基礎寫出了一本有趣的小說。
  18. " my wife spotted her writing her edinburgh criminal detective novel, " the newspaper quoted rankin as telling a reporter at an edinburgh literary festival

    蘭金在愛丁堡文學節上接受了一位記者的采訪。 《星期日泰晤士報》援引他的話說： 「我的妻子發現她正在撰寫一本愛丁堡犯罪偵探小說。 」
  19. A great variety of translations, annotated editions and academic reviews thus came out in japan ; besides, the tales of legendary hanshan the poet have been adapted into fictions and the image of hanshan has gone into the japanese history of fine arts and the japanese shrines in the meantime

    寒山詩的各種譯本、注本和評論在日本紛紛問世，有關寒山的各種神話傳說亦被改編成小說，寒山的形象也走入日本畫史和神壇。
  20. There are 271 stories the paper deal with, which take the form of drama, local opera, short story and novel

    本稿考察的包公故事涉及話本、戲曲、說唱、短篇小說專集、中篇小說和長篇小說各類文學樣式，共有二百七十一個故事。
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