適于抓住的 的英文怎麼說

中文拼音 [shìyúzhuāzhùde]
適于抓住的 英文
prehensile
  • 適 : 形容詞1 （適合） fit; suitable; proper 2 （恰好） right; opportune 3 （舒服） comfortable; well Ⅱ...
  • 抓 : 動詞1 （手指聚攏 使物體固定在手中） grab; clutch; get; seize; grasp 2 （搔抓） scratch 3 （捉拿; ...
  • 住 : Ⅰ動詞1 （居住; 住宿） live; lodge; reside; accommodate; stay 2 （停住; 歇下） stop; cease; knock ...
  • 的 : 4次方是 The fourth power of 2 is direction
  1. On the issue of fit, the views of different interviewers will vary. physical appearance is often a consideration, because clothing and grooming reveal something about an interviewee ' s personality and awareness of industry standards. apart form noticing a candidate clothes, interviewers also size up such physical factors as eye contact, interviewers also size up such physical factors as eye contact, how they shake hands, facial expressions, and tone of voice

    關于面試（某職位）合適人選的問題，不同面試考官持不同觀點.通常外表被視為考慮搭配的一部分.因為衣服和裝飾展現了一個面試者的個性以及對行業規范的認識.除候選者的服飾外，主考官還抓住這樣一個外在特徵，即他們如何握手，他們面部的表情（如何） ，以及他們的語音語調
  2. These supply us benefit for reference. construction enterprise, on one hand, can select proper strategy on the basis of their own resource and condition, as external environment varies in order to seize opportunity. on the other hand, as reforms on economic systems progresses, and globalization and integration develop, move and move mne ' s come into china, and they confront much more competitors, which cannot be reduced by the nation ' s mandatory plan

    對于剛剛從計劃經濟體制下脫胎走向市場經濟的大型國有施工企業，一方面，在擺脫了經濟體制的羈絆后，企業可以根據外部環境的變化和自身的資源和條件選擇適當的戰略，從而抓住機遇促進自身發展，但另一方面，隨著經濟體制改革的不斷深入和經濟全球化和一體化過程的加快，尤其是伴隨跨國公司大量進入中國所帶來的國際競爭的加劇，企業又面臨越來越多的威脅，逐漸失去了政府各種保護的國有大型施工企業再不能靠完成國家指令性計劃就高枕無憂。
  3. It fits well to single output without fan - out. one thing should be kept in mind, do n ' t just mechanistically copy this method in practice, but seize the essential

    它對于無扇出的單輸出組合電路最適合，但是在實際應用過程中不要機械搬用，而要抓住偽窮舉法的實質。
  4. If it is the former, he is to hold to the plot tightly when he hunts about among the figments of his imagination for the people, not in what is called real life ; if the latter, he must emphasize certain saliencies which fit his plot, in order to make the characters real and to make them come alive in the new environment he has chosen for them

    如果以情節為主，小說家即在虛構的事情中間而非在所謂的真實生活中尋找人物的時候，抓住情節不放；如果以人物為主，那麼，小說家則需對適于情節的某些特徵加以強調，使人物在新環境中顯得真實可信，從而賦予他們生命。
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