闈 的英文怎麼說

中文拼音 [wéi]
闈 英文
名詞1. （宮的側門） a side gate of an imperial palace2. （科舉時代稱考場） imperial examination hall （in feudal china）
  1. Unfortunately for mp gi, loke wan - tho, his wife, and other high level executives of the company including wang zhibo, zhou hailong, were killed in an air disaster in 1964. back in 1957, run run shaw shao yifu came to hong kong to manage the restructured shaw brothers, and the construction of the gigantic shaw studio was underway. run run shaw hired a huge corps of multi - faceted talent to make varied kinds of genre films, including the period costume films and the

    話說回頭，邵逸夫於1957年親自來港主持改組后的邵氏兄弟有限公司，並興建大的影城，羅致各路人才拍攝多樣化的類型，尤以大製作的古裝宮闈片和黃梅調歌唱片最受觀眾歡迎有趣的是，這些影片在題材的取向上與上海天一公司的通俗民間故事古裝片路線一脈相承。
  2. Sometimes a hack of the chinese speaking cinema, director li han - hsiang started and consolidated his filmmaking career in hong kong, self - exiled to taiwan in the prime of his career in the mid - 60s, returned to the ex - colony in the 70s, then steered majestically into the mainland with the liberalizing of chinese economy in the 80s

    在華語電影中，李翰祥是極富爭議性的一名導演。他的作品類型雜，從素樸沉實的文藝言情，到千嬌百媚的古裝宮闈，從嚴謹考究的歷史戲劇，到隨手拈來的風月騙術，常令論者暈頭轉向，難以為他定位。
  3. This article will first of all look into the origin and background of chen ' s writing and then go on to discuss the images of women as presented by him in the book, which can be roughly divided into the categories of palace ladies, virtuous women, talented ladies, concubines and maids, prostitutes and singing girls, and buddhist and taoist women

    本文首先考察陳文述寫作的緣起與背景；其次探討《西泠閨詠》中的女性形象，依其身分階層，分為宮闈妃嬪、節婦烈女、閨閣才媛、姬妾侍婢、妓女歌兒、方外庶民六節論述。
  4. Stolen glimpses of the forbidden city : the qing imperial court in li han - hsiang s films

    禁闈窺秘李翰祥電影中的清宮世界
  5. On the basis of expatiating the basic concept and the issues of the restorative justice, this article puts forward initial ideas of restorative justice in criminal legislation and justice in china

    本文通過對恢復性司法的基本理念及其所面臨問題的闈述，提出在中國刑事立法與刑事司法中借鑒該制度的初步構想。
  6. Films erotica and cautionary tales about cheating. unlike king hu, who single - mindedly devoted his lifetime to perfecting his art, completing only a dozen or so films with a unified style and vision, li han - hsiang is too difficult to pin down or categorise. law kar, critic and former programmer for the hkfa, mentioned in a recent conversation that the appraisal of li han - hsiang was radically different in various eras and countries

    所以如此，一個重要的原因可能是李翰祥的電影類型太雜，從素樸沉實的文藝言情，到千嬌百媚的古裝宮闈，從嚴謹考究的歷史故事，到隨手拈來的風月騙術，常令論者暈頭轉向，無所適從，難以為他定位，不若胡金銓心無二志地鉆研他的技藝，一生只拍了十來部影片，風格純凈統一，研究起來，線索分明，比較容易掌握。
  7. Empress wu tse - tien is an intense drama of shakespearean proportions. the film chronicles the life of history s only woman to ascend the throne of the chinese empire, from her early day as a wide - eyed lass to her final lonely years in the palace

    宮闈大片向來是李翰祥的強項，今次以中國傳奇女皇帝武則天為題材，在一派繁榮氣象的唐朝盛世中，寫出皇權斗爭的殘酷可怖，人心的叵測。
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