觀眾和其他人 的英文怎麼說
中文拼音 [guānzhònghéqítārén]
觀眾和其他人
英文
verbally or physically-
The various colours significant of various degrees of vitality white, yellow, crimson, vermilion, cinnabar : their degrees of brilliancy : their magnitudes revealed up to and including the 7th : their positions : the waggoner s star : walsingham way : the chariot of david : the annular cinctures of saturn : the condensation of spiral nebulae into suns : the interdependent gyrations of double suns : the independent synchronous discoveries of galileo, simon marius, piazzi, le verrier, herschel, galle : the systematisations attempted by bode and kepler of cubes of distances and squares of times of revolution : the almost infinite compressibility of hirsute comets and their vast elliptical egressive and reentrant orbits from perihelion to aphelion : the sidereal origin of meteoric stones : the libyan floods on mars about the period of the birth of the younger astroscopist : the annual recurrence of meteoric showers about the period of the feast of s. lawrence martyr, 10 august : the monthly recurrence known as the new moon with the old moon in her arms : the posited influence of celestial on human bodies : the appearance of a star 1st magnitude of exceeding brilliancy dominating by night and day a new luminous sun generated by the collision and amalgamation in incandescence of two nonluminous exsuns about the period of the birth of william shakespeare over delta in the recumbent neversetting constellation of cassiopeia and of a star 2nd magnitude of similar origin but lesser brilliancy which had appeared in and disappeared from the constellation of the corona septentrionalis about the period of the birth of leopold bloom and of other stars of presumably similar origin which had effectively or presumably appeared in and disappeared from the constellation of andromeda about the period of the birth of stephen dedalus, and in and from the constellation of auriga some years after the birth and death of rudolph bloom, junior, and in and from other constellations some years before or after the birth or death of other persons : the attendant phenomena of eclipses, solar and lunar, from immersion to emersion, abatement of wind, transit of shadow, taciturnity of winged creatures, emergence of nocturnal or crepuscular animals, persistence of infernal light, obscurity of terrestrial waters, pallor of human beings
顯示出不同程度之生命力的繽紛色彩白淺黃深紅朱紅銀朱諸星之亮度一直包括到七等星以等級標志的諸星之大小諸星的位置御夫座沃爾辛厄姆路172大衛的戰車173土星光環螺旋星雲凝固后形成有衛星的恆星群兩重大陽相互依存的旋轉運動伽利略西蒙馬里烏斯174皮亞175勒威耶赫歇耳加勒176等人各自獨立地同時所做的發現波得和開普勒所嘗試的距離的立方與回轉次數的平方的體系化177多毛的眾彗星178那幾殆無限的被壓縮性，以及自近日點至遠日點那廣漠的遠心的重返大氣層的橢圓軌道隕石的恆星之起源年紀較輕的天體觀測者誕生的那個時期火星上所出現的「暗波」現象179每年在聖勞倫斯節殉教者，八月十日前後降落的隕石雨每月都發生的所謂「新月抱舊月」現象180關于天體對人體的影響的假定威廉莎士比亞出生的時期，在斜倚卻永不沒落的仙后座那三角形上端，一顆不分晝夜散發著極亮光彩的星辰一等星出現了181這是兩個無光死滅了的太陽因相撞並汞合為白熱體而形成的燦爛的新太陽大約在利奧波德布盧姆出生時，出現在七星花冠星座里而後又消失了的一顆同一起源亮度卻稍遜的星宿二等星182還有約於斯蒂芬迪達勒斯出生時，出現在仙女座中之後又消失，小魯道爾夫布盧姆出生與夭折數年後出現于御夫座后又消失，以及另外一些人出生或去世前前後後出現在許許多多其他星座中而又消失了的假定是同一起源的實際存在或假定存在的星斗183 。In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy
本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜For instance, when dae - suh and his friends are threatened by gangsters in a bar, he quickly phones jin - kyung s brothers. the brothers come and beat the gangsters bad. on the one hand, what dae - suh does serves the purpose of a kind of fantasy fulfillment, and on the other hand, it also helps to release the daily pressure of the audience
例如戲中其中一場戲，講述dae - suh在夜總會狂歡后被黑幫要脅，他即致電jin - kyung的幾個黑幫哥哥幫手，打退欺負他的人，自然令人大快人心jin - kyung大哥和小學教師鬼混，被大婆發現，並痛毆對方，也滿足到一些受盡丈夫鬼混欺凌的太太觀眾。I believe some of the jokes can satisfy the fantasy of most audience. for instance, when dae - suh and his friends are threatened by gangsters in a bar, he quickly phones jin - kyung s brothers. the brothers come and beat the gangsters bad. on the one hand, what dae - suh does serves the purpose of a kind of fantasy fulfillment, and on the other hand, it also helps to release the daily pressure of the audience
例如戲中其中一場戲，講述dae - suh在夜總會狂歡后被黑幫要脅，他即致電jin - kyung的幾個黑幫哥哥幫手，打退欺負他的人，自然令人大快人心； jin - kyung大哥和小學教師鬼混，被大婆發現，並痛毆對方，也滿足到一些受盡丈夫鬼混欺凌的太太觀眾。The story, presented from a male perspective, is actually quite interesting. i am not sure if director riley yip has incoporated any of his personal experience into the script or not, but what is certain is that the story shows his genuine love toward hong kong cinema. through the main setting of the film, that is, the movie theater in cheung chau, yip recalls the collective memory of the older generations about their time and reminds us how vigorous the film business was in the past
此片以男性角度為主，編劇兼導演葉錦鴻或許曾把部分個人經歷套入劇情也說不定，不過有一點肯定的是，葉把自己對香港電影的熱愛和感情完完全全融入劇情之內，他透過戲中主景，長洲舊戲院，把當年上畫的電影海報重現眼前，劇情之間亦穿插不少舊戲片段，對于同為成長於六七十年代的觀眾，必會有一番感受，猶其看著當年電影上畫觀眾魚貫入場，景況墟撼，和現在冷清的戲院環境相比，就更感無奈和惋惜。Although tae - seok and seon - hwa s behaviors of breaking into people s house are morally and legally wrong and not realistic, we, as the audience, wouldn t find them to be annoying. we know that they are not bad people and instead we would commiserate with their tragic life. their behaviors are not initiated by any evil thoughts, but it is purely a process of self - redemption, a journey to redeem their lost soul
片中seon - hwa和jaehee潛入民居的行為其實很誇張失實，而且當然是犯了法，但觀眾不會覺得離譜，相反更會對他們的遭遇產生同情，因為他們其實都是通過一些離經叛道的行為，為自己錯落的人生進行一場自我救贖。Although tae - seok and seon - hwa s behaviors of breaking into people s house are morally and legally wrong and not realistic, we, as the audience, wouldn t find them to be annoying. we know that they are not bad people and instead we would commiserate with their tragic life
片中seon - hwa和jae hee潛入民居的行為其實很誇張失實而且當然是犯了法但觀眾不會覺得離譜相反更會對他們的遭遇產生同情因為他們其實都是通過一些離經叛道的行為為自己錯落的人生進行一場自我救贖。Other entrance and passageway : besides the main entrance, 1 - 2 staff subordinate entrance and a entrance which is bigger enough for large propagation specimen transportation should be designed
其他出入口和通道：除南側的觀眾主入口外，可設置1 - 2個供工作人員使用的次要出入口，同時需設置一可以通行大型動植物標本的貨運出入口。11. it is prohibited to take into the stadium where any event match is being played : i any object capable of constituting a weapon or any items that could impair the enjoyment, comfort and safety of other patrons, players or officials, including, but not limited to, animals, flares or fireworks ; or any dangerous or unsuitable item ; constructions e. g. benches, steps ladders ; alcoholic beverages, illegal drugs, glass bottles or any other glass objects other than spectacles or sunglasses or any beverage container ; or ii any ostensibly visible promotional, commercial, political or religious item of whatever nature, including, but not limited to, banners, signs, symbols and leaflets
11 .嚴禁將以下物品帶入舉辦任何賽事比賽的體育場： i任何可以作為武器的物品或任何可能妨礙其他觀眾球員或工作人員舒適安全和欣賞比賽的物品，包括但不限於動物照明彈或煙火，或任何危險或不合適的物品結構性物品如凳子，梯子酒精飲料違禁藥品玻璃瓶或任何其他玻璃製品眼鏡和太陽鏡除外或任何飲料容器，或ii任何性質的明顯帶有促銷商業政治或宗教色彩的物品，包括且不限於旗幟標志標識和傳單。I was one of those at the birendra international conference center of kathmandu, the capital of nepal who listened enthusiastically and attentively to the words of the venerable master ching hai. her talk was truly inspiring and targeted at world peace and the welfare of humankind. i sincerely wish that other people would also have the opportunity to listen to her words of wisdom
? ? ?我是在尼泊爾首都加德滿都伯仁達拉國際會議中心聽師父講經的觀眾之一，當師父講經時，大家都十分地專注、用心傾聽，您的開示啟迪人心，並以促進世界和平及人類幸福為宗旨，我真誠希望其他人也都能有機會聆聽到您充滿智慧的話語。Since childhood, i have loved friedrich von schiller a great german poet and dramatist. when i was thirteen, i had the opportunity to recite one of his poems in the school auditorium on the 200th anniversary of schiller s birth. there was one verse that was very spiritual, and although i didn t really understand the meaning of the poem at the time, through my intuition, i successfully brought the audience into the poetic scenario
我小時候就非常喜愛文學家席勒先生schiller ，德國偉大的詩人和戲劇作家，特別是在13歲那一年，我有機會在席勒先生兩百周年誕辰紀念日當天，于學校禮堂朗誦他的詩篇，其中有一段詩句非常具有靈性，雖然當時我對詩詞內容不太了解，但是憑著直覺，卻能將現場觀眾帶入詩的意境。分享友人